Astonishing, in light of current events, to realize that it was a Republican president who proposed a national health-care plan “that would have required employers to offer insurance with standard benefits — including dental care, mental health care and a free choice of hospitals and doctors,” with employers paying 76% of premiums after three years.
[Try to guess the president before clicking on the link.]
Thursday, June 22, 2017
Republicans present and past
Lost thoughts
[Contains spoilers.]
Elaine and I just finished watching Lost (dir. Jack Bender et al., 2004–2010). For the most part the series was immensely enjoyable. What I liked best: character development by way of back stories (or back and forward and sideways stories): Bernard and Rose, Charlie, Claire, Mr. Eko, Hurley, Jin and Sun, Locke, Sayid, and Benjamin Linus. For me, those characters and the actors who played them were the show’s greatest assets. I join the rest of my fambly in finding the alpha-male displays and love triangles tedious. And the repeated use of a particular science-fictional plot device left me cold. But to fault the series for such stuff would be like faulting opera for all the singing.
A more reasonable objection: Lost piles up mythic tropes and media tropes indiscriminately, from Gilgamesh and Enkidu to the Mahabharata to Pandora’s box to Heart of Darkness and Apocalypse Now (Mistah Locke) to Casablanca (“You’re getting on that plane”) to Star Wars to Jonestown to Raiders of the Lost Ark to MacGyver to Touched by an Angel to The Apprentice. And more, always more. There’s even a touch of The Blues Brothers and its mission of getting the band back together. The treacly ending in The Church of All Religions (as I choose to call it) fails to make good on the series’s loftier thematic material. Which means that Lost tends to sink under its own weight.
Not the greatest television series of (as they say) “all time,” but certainly worth watching. It’s streaming at Netflix. Estimated viewing time: ninety hours.
A related post
Watching Lost in five sentences
[What is the greatest television series of all time? I think I’d choose Breaking Bad.]
Watching Lost in five sentences
“I’m supposed to believe this?”
“Have you lost your mind?”
“You don’t have to do this.”
“Fair enough.”
“Now what?”
A related post
Lost thoughts
[From three or four episodes, five bits of discontinuous dialogue, written down in the order in which they were spoken.]
Wednesday, June 21, 2017
Lawn mower troubleshooting
If mower fails to start:
1. Attempt to start mower, six, eight, or ten times.
2. Repeat step 1; then proceed to step 3.
3. Disconnect spark plug and look under mower.
4. Reconnect spark plug and attempt to start, just one more time. You never know.
5. Wonder about spark plug. When was it last replaced anyway? Never? Disconnect and grab spare from garage.
6. Attempt to turn and remove spark plug with pliers.
7. Attempt to turn and remove spark plug with wrench.
8. Consult mower manual on how to remove spark plug.
9. Receive additional help from partner, who looks online for how to remove spark plug.
10. Determine that print and online sources both point to the need for a spark plug removal tool.
11. Head to the farm-and-home store for that very tool.
12. Realize en route that you bought that very tool years ago. Huh. Where is it now?
13. Purchase tool; return to mower and replace spark plug.
14. Vroom, vroom!
15. Go back to step 12. The old removal tool will be where it has always been: in the kitchen drawer that holds small tools.
Tuesday, June 20, 2017
How do you say “crazy,
harebrained scheme” in French?
In 1837 Honoré de Balzac bought a piece of land in the Ville d'Avray at Sèvres upon which to build a house. But his plans grew larger:
Balzac never regarded expenditure as money actually laid out so long as it was still in the form of a debt. He revelled in the early delights of ownership, and before his new house was built he refused to worry about how he was to pay for it. What was his pen for, anyway, that magic instrument which could so swiftly turn blank paper into thousand-franc notes? Moreover, the fruit-trees which he intended to plant on the still virgin soil would alone bring in a fortune. Suppose he were to lay down a pineapple plantation? Nobody in France had yet hit upon the idea of growing pineapples in glasshouses instead of shipping them from distant parts. If it was set about in the right way, so he confided to his friend Théophile Gautier, he could make a profit of a hundred thousand francs, or three times as much as his new house would cost him. As a matter of fact, it would cost him nothing at all, since he had persuaded the Viscontis to join him in this brilliant venture. While he was building his new house they were going to fit up the old cottage for their own use, and would pay him a suitable rent. So what was there to worry about?Related reading
Stefan Zweig, Balzac, trans. William and Dorothy Rose (London: Casell, 1947).
All OCA Balzac and Zweig posts (Pinboard)
White House misspellings and typos
Seth Masket, a former writer for the White House Office of Correspondence, considers the abundance of misspellings and typos in official correspondence from today’s White House. His conclusion: “It’s actually difficult to produce errors like this under normal conditions.”
One that was new to me: “the possibility of lasting peach.”
Monday, June 19, 2017
Domestic comedy
“Is she even wearing a bra?”
“The Dharma Initiative push-up bra.”
Related reading
All OCA domestic comedy posts (Pinboard)
A joke in the traditional manner
What is the favorite snack of demolition crews?
No spoilers. The punchline is in the comments.
More jokes in the traditional manner
The Autobahn : Did you hear about the cow coloratura? : Did you hear about the thieving produce clerk? : Elementary school : A Golden Retriever : How did Bela Lugosi know what to expect? : How did Samuel Clemens do all his long-distance traveling? : How do amoebas communicate? : How do worms get to the supermarket? : What did the doctor tell his forgetful patient to do? : What did the plumber do when embarrassed? : What happens when a senior citizen visits a podiatrist? : What is the favorite toy of philosophers’ children? : What was the shepherd doing in the garden? : Where do amoebas golf? : Which member of the orchestra was best at handling money? : Why did the doctor spend his time helping injured squirrels? : Why did Oliver Hardy attempt a solo career in movies? : Why did the ophthalmologist and his wife split up? : Why does Marie Kondo never win at poker? : Why was Santa Claus wandering the East Side of Manhattan?
[“In the traditional manner”: by or à la my dad. He gets credit for all but the cow coloratura, the produce clerk, the amoebas, the worms, the toy, the shepherd, the squirrel-doctor, Marie Kondo, Santa Claus, and this one. He was making such jokes long before anyone called them “dad jokes.”]
Sunday, June 18, 2017
Music for Father’s Day
I’m still making my alphabetical way through my dad’s CDs: Julian “Cannonball” Adderley, Ivie Anderson, Louis Armstrong, Fred Astaire, Mildred Bailey, Count Basie, Tony Bennett, Art Blakey, Ruby Braff and Ellis Larkins, Clifford Brown, Dave Brubeck, Joe Bushkin, Hoagy Carmichael, Betty Carter, Ray Charles, Charlie Christian, Rosemary Clooney, Nat “King” Cole, John Coltrane, Bing Crosby, Miles Davis, Matt Dennis, Doris Day, Blossom Dearie, Paul Desmond, Tommy Dorsey, Billy Eckstine, Duke Ellington, Bill Evans, Gil Evans, Ella Fitzgerald, Judy Garland, Erroll Garner, Stan Getz, Dizzy Gillespie, Benny Goodman, Stéphane Grappelli, Bobby Hackett, and now, Coleman Hawkins. My dad had good taste, no? I owe my foundations in music to him.
Here are four beautiful recordings with which I’m marking this Father’s Day, all by Coleman Hawkins and His All-Star “Jam” Band: “Crazy Rhythm” (Irving Caesar-Joseph Meyer-Roger Wolfe Kahn), “Out of Nowhere” (Johnny Green-Edward Heyman), “Honeysuckle Rose” (Thomas “Fats” Waller-Andy Razaf) “Sweet Georgia Brown” (Ben Bernie-Maceo Pinkard-Kenneth Casey). The last side in particular is hotter than hot.
Coleman Hawkins, tenor sax; Benny Carter, alto sax and trumpet; André Ekyan, alto sax; Alix Combelle, tenor sax and clarinet; Stéphane Grappelli, piano; Django Reinhardt, guitar; Eugène d’Hellemmes, bass; Tommy Benford, drums. Recorded in Paris, April 28, 1937.
Solos on “Crazy Rhythm”: Ekyan, Combelle, Carter, Hawkins. “Out of Nowhere”: Carter, Hawkins. “Honeysuckle Rose”: Hawkins, Reinhardt, Carter. “Sweet Georgia Brown”: Hawkins, Carter, Hawkins.
My dad had these recordings on the now-out-of-print CD The Hawk in Europe: 1934–1937 (Living Era, 1988). They can still be found elsewhere on CD by searching for hawkins and 1937.
Happy Father’s Day to all.
Subscribe to:
Posts (Atom)
