[“Gumshoe.” Zippy, June 3, 2024.]
Beautiful noir art in today’s Zippy. Complete with the Venetian-blind effect.
Related reading
All OCA Zippy posts (Pinboard)
Monday, June 3, 2024
Zippy noir
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Michael Leddy“Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
View Profile
Nancy, October 19, 1950.
“Who are we as a country?”
Michael Leddy
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
Search this blog
Creative Commons
StatCounter
Subscribe
Click to subscribe in a reader.
Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
-
▼
2024
(910)
-
▼
June
(71)
- Apples?
- Today’s Saturday Stumper
- Martin Mull (1943–2024)
- Ooh
- On last night’s debate
- Game changer
- Diagramming sentences
- Off the bot
- “Human interaction might be preferred”
- Domestic comedy
- The joys of repetition
- Rainbow Quest, all of it
- Obsolete jobs now obsolete
- How to use a dictionary as a weapon
- Edith Boebert, Lauren Prickley
- O Pioneer!
- Enrobed Pretzel Rods?
- Today’s Saturday Stumper
- $47.47
- Chekhov noir
- NYRB sale
- Recently updated
- “How's Your Mom?”
- Turn on your hazard lights (again)
- Gibbous
- One more for Juneteenth
- Sondheim Blackwings at auction
- Chatbots and Russian propaganda
- Willie Mays (1931–2024)
- Juneteenth
- Margie in 1952
- “We did not lose it”
- Recently unpdated
- Eleven movies, one series
- The Proust aisle, revisited
- A joke in the traditional manner
- Aquacity and originality (Bloomsday)
- SIGNS
- Trump’s “bing”
- Today's Saturday Stumper
- Word of the day: tire
- Avoiding the d-word
- No master builder
- Domestic comedy
- Another Lassie–MTM connection
- The Alitos and revenge
- One more kwoi
- Eugene Robinson asks a question
- New directions in footwear
- “AI and the Death of Student Writing”
- Recently updated
- macOS Something
- How to improve writing (no. 122)
- A Moleskine confession
- Bodega
- Today’s Saturday Stumper
- Mystery actors
- “Films noir”
- “Jacksonville”
- June 6
- A dongling peripheral
- A Ticonderoga sighting
- Dudel Draw
- Siebold
- Recently updated
- Twelve movies
- New directions in apparel
- Zippy noir
- Slim’s Radio Service
- In the Proust aisle
- Today’s Saturday Stumper
-
▼
June
(71)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- ChatGPT’s twenty-line poems
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- “Make My Jotter Quit!”
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- “On the Road”
- The Oteris and Marty
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- “The Poet”
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- “The Spokesmen”
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
comments: 6
Saturday's "Almost Chet Baker" 'stuck' a chord with this model builder...
And with my friend Stefan Hagemann, an Elvis Costello fan.
Here’s Mr. Costello talking about the song and his friendship with Mr. Baker. Costello has sometimes been controversial, but I admire his generosity and affection for other musicians, which is on display here and in everything I’ve read by him:
https://www.last.fm/music/Chet+Baker/_/Almost+Blue/+wiki#:~:text=This%20song%20was%20written%20by,for%20whom%20it%20was%20intended.
I just found the scene from Let’s Get Lost on YouTube. The Tokyo performance is there too. Wow to each. I was afraid that one of the idiots (E.C.’s word) in the audience was going to mess up the one in the film. But no — they’re even hesitant to clap at the end. A rare moment.
Thanks for the link and the YouTube tips. Coincidentally I've been listening to a lot of Elvis Costello music the last few days. I didn't know about the Baker-Costello connection and am glad I do now.
I knew about their connection but had never heard this song before the comic strip.
Here’s a link to the strip at the Zippy website for future reference: June 1, 2024.
Post a Comment