Caravaggesque

[Barbara Britton and Vladimir Sokoloff in Till We Meet Again (dir. Frank Borzage, 1944). Click for a larger view.]

In a four-sentence review of this movie, I wrote that Theodor Sparkuhl’s camerawork has moments that are Caravaggesque. Here’s one.

[I’d love to see this movie in a superior print. And I’d prefer Caravaggio-like, but Caravaggesque is more common.]