In Proust’s The Prisoner, the writer Bergotte dies after after gazing at “a little patch of yellow wall“ in Vermeer’s View of Delft. Marcel, our narrator, says that a critic described this patch as “so well painted that it was, if one looked at it in isolation, like a precious work of Chinese art, of an entirely self-sufficient beauty.” Vermeer’s painting is on loan in Paris. Bergotte, ill, hasn’t left his house in years. But he doesn’t remember this patch of wall, and he wants to see it.
Is there such patch in Vermeer’s painting? Elaine found a good discussion of that question by Dean Kissick: “The Downward Spiral: Little Patch of Yellow Wall” (Spike ). And another: “Petit pan de mur jaune” (Essential Vermeer).
My 2¢: I think it’s the bright roof in the right third of the painting. But I think the point is to invite the reader to look as closely as Bergotte looked. Bergotte’s response makes me think of the last sentence of Rilke’s “Archaic Torso of Apollo”: “You must change your life.” But Bergotte has no future:
“That is how I should have written, he said to himself. My last books are too dry, I should have applied several layers of colour, made my sentences precious in themselves, like that little patch of yellow wall.”
Moments later, he dies.
Related reading
All OCA
Proust posts (Pinboard)
[Quotations from
The Prisoner, trans. Carol Clark (London: Penguin, 2003). The translator follows Proust in keeping the dialogue tag inside quotation marks. By this point in
In Search of Lost Time, it’s more or less clear that the narrator’s name is Marcel. The confirmation is still to come. The sentence from Rilke: “Du mußt dein Leben ändern.”]