[Massimo Vignelli, a detail from the New York City Subway Diagram. 2008. From The Vignelli Canon (2010).]
Friday, September 11, 2020
Another time and place
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Michael Leddy“Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
View Profile
Nancy, October 19, 1950.
“Who are we as a country?”
Michael Leddy
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
Search this blog
Creative Commons
StatCounter
Subscribe
Click to subscribe in a reader.
Top twenty tags
Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
-
▼
2020
(1082)
-
▼
September
(82)
- “There was this thing”
- Theater of War via Zoom
- Debate advice
- Mystery actor
- Meta, they wrote
- Margie King in 1959
- “Just one rock”
- Revelations
- Domestic comedy
- Hi and Lois watch
- Today’s Saturday Stumper
- Idiom of the day: seat-of-the-pants
- “Up in smoke”
- Clear images in the new Blogger
- “None of this surprises me”
- Domestic comedy
- Whither the rumpus room?
- Misheard
- Dental jazz in translation
- Stalling vs. declining to act
- Dental jazz
- $50, yes
- “All hotels”
- NYC in color (1937)
- “Nov shmoz ka pop?” redux
- The Mailman
- The fix we’re in
- Today’s Saturday Stumper
- Ruth Bader Ginsburg (1933–2020)
- Love thy neighbor?
- A pocket notebook sighting
- “Made to Be Broken”
- Stanley Crouch (1945–2020)
- Today’s pollen and mold
- Fliqlo
- How to improve writing (no. 88)
- “Herd mentality”
- A Scientific American endorsement
- End the Poll Tax
- “What’s the Post Office Good For?”
- Happy birthday, Orange Crate Art
- Idiot, traveler, chicken
- Anne Fadiman on singular they
- Virginia Tufte (1918–2020)
- Your Postal Service
- Shut up and carry on
- Today’s Saturday Stumper
- An EXchange name sighting hearing
- Briefcase madeleine
- Another time and place
- Up the road a ways
- “What?”
- “What’s he doing?!”
- Human?
- In Indiana
- “The scale of betrayal”
- #TrumpKnew
- A reminder
- An essay topic
- Zweig’s world
- Images in the new Blogger
- Biddle = Weegee
- Twelve movies
- 23C and 23D
- Free Jazz Against Paludan
- Nancy old and new
- Labor Day
- An M-W Word of the Day: heyday
- “Suckers”
- Today’s Saturday Stumper
- Beware of user error
- “Losers,” “suckers,” and Trump*
- Christopher Fame
- Goodbye, legacy Blogger interface?
- A “publicity-inflamed dummy”
- Misheard
- Postcards to Voters
- Greek tragedy and Theater of War
- Goodbye to old Nancy
- A letter of appeal
- WCW to a young poet
- “My dear Mr. Cleaver”
-
▼
September
(82)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- ChatGPT’s twenty-line poems
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- “Make My Jotter Quit!”
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- “On the Road”
- The Oteris and Marty
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- “The Poet”
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- “The Spokesmen”
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
comments: 2
For years I kept my map of the London Underground. First day in many European cities: learn the transportation system! I think Munich and London had the most intricate ones. (I've never been to Paris. Or Moscow. Or Tokyo.) Toronto has a lovely system. DC and NYC are daunting, IMHO.
You may already know: there are books of transit maps, really beautiful to look at. I have a NYC map (poster-size) on a door and a fold-up Vignelli map. I find NYC weirdly easy to understand, but that may be because I’ve used only parts of it. I find the escalators in DC (or in at least a DC station) daunting.
Post a Comment