[Kyle Surges, WWII Rations, detail. Oil on panel. 9" × 18". 2015.]
Kyle Surges’s paintings knock me out. Visit the artist’s website for more.
Saturday, November 25, 2017
Rations detail
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Nancy, October 19, 1950.
“Shirtsleeve weather”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Words to live by
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
-
▼
2017
(929)
-
▼
November
(73)
- “More than his usual state of instability”
- Madness, or method?
- Word of the day: sledgehammer
- “Only appearance”
- “Mad”
- “Bon Appétit!”
- Washington Phillips, Grammy nominee
- The NSA’s Grammar Geek
- How to improve writing (no. 73)
- Dog science
- Chock full o’Coffee
- An interview with Annie Atkins
- The Voyager Golden Records
- Pocket notebook sighting
- Enter Sluggo
- Yielding in Massachusetts
- A representative walk
- From the Saturday Stumper
- Rations detail
- We three kings
- Sardine art
- Thanksgiving 1917
- Jon Hendricks (1921–2017)
- Peppermint Hallmark
- “Useful, poetic,” &c.
- The obvious
- Timmy Martin, writer
- Nanski
- Domestic comedy
- A pocket notebook sighting
- Twelve more movies
- “The long and short of it”
- Grammar and patriarchy
- Orange Julep art
- Sleigh Bells Ring
- From the Saturday Stumper
- Otto Baum Handlettering
- Domestic comedy
- Things to do in the Valley
- Synchronicity
- Mark Trail, recycled
- UPC misspelling
- Mister Memory
- How to improve writing (no. 72)
- Domestic comedy
- Doublet and hose and usage
- Perfectionism and its discontents
- “On speaking terms with yourself”
- iOS text editors
- Fluke life
- Shoulders
- Tea and truth
- On Veterans Day
- An ex-ape speaks
- Sluggo Lives!
- “For pies and jelly and philosophy”
- Inspiration for writing
- “My Review of Wine”
- Dry goods, &c.
- Sardines are in the air
- Misspelled words
- “Ah, coherent”
- Hi and Lois watch
- People and their pencils
- Lassie do-overs
- DST
- A new Odyssey
- Pages ’09 spelling window fixed
- Cypress (sp)
- Wrong mailbox
- Muhal Richard Abrams (1930–2017)
- Library slip (1934–1992)
- The Card Catalog
-
▼
November
(73)
favorite posts
- “Bon Appétit!”
- “Extra credit?”
- “Make My Jotter Quit!”
- “On the Road”
- “The ’Clipse”
- “The Case of the Purloined Prairie”
- “The Poet”
- A Kerouac notebook page
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- Five desks
- Five pens
- Fluke life
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- Klenosky!
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- Out of the past
- P.S. 131
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- Proust: involuntary memory, foolish things
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- Sports Illustrated and Proust
- That (in)famous line
- The gold standard, haircuts, and everyone else
- The kitchen shink [sic]
- The other little book
- The Spokesmen
- The Springfield Daily Gazette
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
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