Wednesday, September 26, 2018

Notebook sighting: Stage Fright


[Stage Fright (dir. Alfred Hitchcock, 1950). Click either image for a larger view.]

Charlotte Inwood (Marlene Dietrich) and Sergeant Mellish (Ballard Berkeley) speak of self-incrimination and stationery supplies:

“So they’ve heard everything I said.”

“Yes.”

“And it’s all in that book.”

“All in there, in shorthand.”

“How clever of you.”

The sergeant’s notebook appears to be what might be called a police notebook, top-bound, with an elastic band at the bottom. In the first image, the bottom end of the notebook is facing up. The elastic band is visible next to Mellish’s right thumb. In the second image, Mellish is holding the notebook sideways. The elastic band is on the left.

More notebook sightings
Angels with Dirty Faces : Ball of Fire : Cat People : City Girl : Les Dames du Bois de Boulogne : Dead End : Dragnet : Extras : Eyes in the Night : Foreign Correspondent : Fury : Homicide : The Honeymooners : The House on 92nd Street : Journal d’un curé de campagne : Kid Glove Killer : The Last Laugh : Le Million : The Lodger : Ministry of Fear : Mr. Holmes : Murder at the Vanities : Murder by Contract : Murder, Inc. : The Mystery of the Wax Museum : Naked City : The Naked Edge : The Palm Beach Story : Perry Mason : Pickpocket : Pickup on South Street : Pushover : Quai des Orfèvres : Railroaded! : Red-Headed Woman : Rififi : La roue : Route 66 : The Sopranos : Spellbound : State Fair : A Stranger in Town : Time Table : T-Men : 20th Century Women : Union Station : Where the Sidewalk Ends : The Woman in the Window

EXchange names on screen: VICtoria


[Stage Fright (dir. Alfred Hitchchock, 1950). Click for a larger view.]

London used, at one point, a three-letter, four-number telephone system. Thus VICtoria.

More EXchange names on screen
Act of Violence : The Amazing Dr. Clitterhouse : Armored Car Robbery : Baby Face : Blast of Silence : The Blue Dahlia : Boardwalk Empire : Born Yesterday : Chinatown : The Dark Corner : Deception : Dick Tracy’s Deception : Down Three Dark Streets : Dream House : East Side, West Side : The Little Giant : The Man Who Cheated Himself : Modern Marvels : Murder by Contract : Murder, My Sweet : My Week with Marilyn : Naked City (1) : Naked City (2) : Naked City (3) : Naked City (4) : Naked City (5) : Naked City (6) : Naked City (7) : Nightfall : Nightmare Alley : Perry Mason : The Public Enemy : Railroaded! : Side Street : Sweet Smell of Success : Tension : This Gun for Hire

Tuesday, September 25, 2018

Close-reading Brett Kavanaugh

I’m a close reader. In 1998, when Bill Clinton told PBS’s Jim Lehrer that “There is not a sexual relationship,” I immediately asked (out loud), “But was there?” I wish Lehrer had asked the question too.

Reading a transcript of Brett Kavanaugh’s Fox News interview, I’m struck by the careful repetition:

“I had [have?] never sexually assaulted anyone, not in high school, not ever.”

“I’ve never sexually assaulted anyone in high school or otherwise.”

“I’ve never sexually assaulted anyone in high school or at any time in my life.”

“I’ve never sexually assaulted anyone.”
If Kavanaugh wants to claim (in a way that defies all plausibility) that the acts of which he’s accused were without sexual intent, the denial “I’ve never sexually assaulted anyone” becomes a crafty way to dodge the question of whether he did what he’s accused of doing. In other words, “I’ve never sexually assaulted anyone.” Someone needs to ask Kavanaugh a different question on Thursday: “Have you ever assaulted anyone?” And another: “Have you ever engaged in horseplay that could have been construed as assault?” I’m calling Dick Durbin’s office tomorrow morning to suggest that Durbin ask exactly those questions.

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September 27: An aide told me that he’d pass my questions along to Durbin. After the fact, it’s obvious that Kavanaugh’s answers would have been “No” and “No.” Durbin asked an excellent question of his own: “Judge Kavanaugh, will you support an FBI investigation right now?” Kavanaugh refused to answer the question one way or the other.

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October 1: The New York Times reports a 1985 incident in which Kavanaugh is said to have thrown ice in a man’s face. How I wish my senator had asked Kavanaugh, “Have you ever assaulted anyone?”

A related post
Close-reading Herman Cain (“I never sexually harassed anyone”)

[Kavanaugh’s denial of what Deborah Ramirez accuses him of — “I never did any such thing” — is more difficult to parse. In this interview, Kavanaugh says “any such party” twice, and “any such thing” (with reference to Ramirez’s accusation) three times. Is there a subtle difference between “any such party” and “that party,” or between “I never did any such thing” and “I never did that”?]

Hahaha

“In less than two years, my administration has accomplished more than almost any administration in the history of our country.”

[Laughter.]

Or as the kids type, hahaha. Watch here.

“Not gonna do it”

Julie Schumacher, author of Dear Committee Members and a new academic satire, The Shakespeare Requirement, in an interview with The Chronicle of Higher Education:

“At Minnesota we’re supposed to be using Moodle or Canvas or something with our students, and I announce on Day 1: ‘Not gonna do it. If you guys want to know what the assignment is, come to class. I’m going to write it on the chalkboard right here in front of you.’”
A related post
“Such is the future of education” (A passage from Dear Committee Members)

[Alas, the interview is behind a paywall.]

Masks



[Devil mask, Kuna, ca. 1910. Conquistador mask, Maya, Santo Tomas Chichicastenango, ca. 1917. Cristiano mask, by Pedro Reyes Juarez, Tiaxcala, Mexico, ca. 1990. Peabody Museum of Archaeology and Ethnology, Harvard University, Cambridge, Massachusetts.]

The museum card reads: “In masked dances, twentieth-century descendants of native peoples keep alive the memory of the Spanish invasion and the resistance of their ancestors to conquest.”

Monday, September 24, 2018

Facades

Thinking about Brett Kavanaugh and the accusations against him makes me think of my encounters with two plagiarizing students. What can I say? My experiences as a teacher color everything I see.

In the cases I have in mind, plagiarism was blatant — word for word or nearly so — and extensive. In each case, the student denied having plagiarized. One asked for a hearing before a judicial board of faculty and students and then withdrew the request, claiming to no longer have the energy to fight “these baseless accusations.” The other went through with a hearing, bringing along pages of notes (never previously mentioned) that supposedly served as the basis for the plagiarized paper. The notes themselves were carefully plagiarized from the source the student used, with slight differences from the student’s submitted essay. (A lot of work went into constructing those notes.) “I did not do this,” the student said, again and again. The board thought otherwise. They could see otherwise. The episode was painful for everyone, and it almost — almost — made me wish that I could read my students’ work with the careless eye that never notices the small details that signal plagiarism.

Each of these plagiarists appeared to be a model collegian — well-liked, mannerly, a maker of good grades. Neither could acknowledge having plagiarized without calling into question that public self, or facade. So too, I think, with Brett Kavanaugh. If he did what he is accused of doing, he cannot acknowledge it without seeing a facade fall to pieces. I wonder if his 1982 diary is something of the equivalent of my student’s notes.

[About the calendar: I’m suggesting not that it was created after the fact but that it’s a dubious kind of evidence. What hard-partying high-school student would record the times and locations of parties on a calendar? And about those good grades: might plagiarism or other forms of academic misconduct have played a part? As a colleague always pointed out, a student plagiarizing in a college class is unlikely to be plagiarizing for the first time.]

Things I learned
on my summer vacation

How is it that Elaine is able to accomplish all she does? “No traffic!”

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Ohio’s Old Soul’s Farms has a beautiful logo.

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“Uneventful till Thursday” may describe weather.

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Brenda Gibson, a civilian Army employee, died on September 11, 2001. A sheet with her name hung from an overpass on Interstate 70.

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Norman Corwin’s We Hold These Truths is a 1941 radio drama about the Bill of Rights. Stirring and timely.

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Julie’s Diner, same as it ever was: excellent.

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“Your Forecast First” is hardly the signature gimmick our local television-news organization would have us believe it is. It’s what one hears on stations owned by Nexstar Broadcast Group.

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Brookline, Massachusetts, now has a little shop, Top Drawer, selling stationery, books, bags, and other nifty items. It’s something like CW Pencil Enterprise, minus CW and the preciousness. Top Drawer’s clip-on sunglasses fit my glasses perfectly. But $90? I couldn’t. I bought pencils and a notebook instead.

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Sichuan Gourmet is an excellent restaurant, housed in the building that housed Chef Chang when Boston housed Elaine and me. Fresh bamboo shoots in wonder sauce: a wonder. Cheung Du Street BBQ: a fish dish that’s both downhome and otherworldly.

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Ben is a great host.

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Trouble — the game, that is — is the perfect addition to an already lively evening. The sing-songy cry of “Truhh-bull!” when a player zaps an opponent’s game-piece never grows old.

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Kupel’s, the bagel place? It’s pronounced “couples.” There’s even a sign inside with the correct pronunciation.

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Allston and Brookline are teeming with bakeries. Business must be rising.

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At Harvard’s Peabody Museum of Archaeology and Ethnology, an exhibition of weapons from around the world made me despair about human priorities. So much artistry in the service of killing.

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The Guna, or Kuna, or Cuna, are an indigenous people of Panama and Colombia. Their stick dolls, suar nuchukana, wooden effigies, represent spirits invoked in healing. Neckties and walking sticks sometimes identify the human agents who speak to the spirits. In stick doll language, hat means “brain power.”

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Across from Sanders Theatre, excellent food trucks. Captain Marden’s Seafoods sends out the Cod Squad, which makes a superior crab cake sandwich.

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Maurice Wertheim, a Harvard alum whose art collection fills a gallery of the Harvard Art Museums, was one astute collector.

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With admission tags for two museums on my shirt pocket, I turned into General Admission.

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Lyonel Feininger, American artist, haunts me. I see a painting of his in a museum, write down his name, plan to look him up, don’t look him up, then see another painting, upon which the process repeats.

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The Harvard Art Museums create small exhibitions to accompany select courses. Having heard, on the way to Boston, a podcast with Stephen Greenblatt talking about Adam and Eve, we lucked into an exhibition tied to a Greenblatt course about A and E and ethical reasoning: Dürer, Blake, Rembrandt, even Diane Arbus’s photograph of senior-citizen nudists in their living room. Disappointing: the podcast we heard hit the points that are likely to arise in just about any competent college-classroom discussion of the story. It was like listening to one of my own classes. Nothing new here, folks. Move along.

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John McPhee’s Draft No. 4, new and used, is everywhere. (Stefan, I bought a copy.)

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Besitos is a slightly upscale Mexican restaurant just outside Boston. Thank you, Burton.

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Besitos features a tableside guacamole preparation. Our waiter cut avocados in two with a dinner knife and popped out the pits as if it were easy — which, for him, it must be.

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Calabacitas: yellow squash, zucchini, and other vegetables.

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Dinner at Besitos includes a worry doll for each diner. Especially helpful in 2018.

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The difference between an Amazon Books store and an authentic bookstore: a real bookstore has many, many, many more books. I’ve been in airport bookstores that are better than the Amazon store we walked through, which resembled a showroom for a limited array of consumer goods. It made me think of the stores where people used to redeem supermarket trading stamps.

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Alex Johnson’s book Book Towns: Forty-Five Paradises of the Printed Word — about towns known for bookstores — was for sale in the Amazon Books store. The Amazon Books store must be an irony-free zone.

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Andipop: Andean pop music.

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Mirella Cesa es La Dueña del Andipop.

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Stevdan Stationers has moved from 474 to 473 Sixth Avenue.

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Three Lives continues to be our favorite bookstore in New York. I didn’t mind paying list price for Ward Farnsworth’s The Practicing Stoic in a store with a small stack of copies.

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“If I didn’t drink profusely, I’d be ripped out. All my boys’d be ripped”: one New York City cop to another.

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Staying with my mom was a great adventure in family time. Hospitality galore. Thank you, Mom. And several chances for my mom to see great-granddaughter Talia on FaceTime.

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Tibetan spaniels are beyond cute.

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Canned rosé from Trader Joe’s: surprisingly not bad.

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Penfolds Koonunga Hill Shiraz is real wine: big, dry, spicy. Thank you, Jim and Luanne.

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There is no ñ in habanero, which is named for Havana.

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Manhattan makes me think of a medieval city — streets filled with beggars, vendors, and clowns — that is, costumed characters. “My lemonade is the best in the city!” The cries of New York.

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The Waverly Diner is as great as its neon sign. One step inside — and someone asks how many we are (two). We’re seated immediately. No rush to turn our table. But when I walk up to the cashier to pay, she takes the check from me before the previous customer has begun to sign his receipt. These people mean business.

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A Cheeseburger Deluxe remains what it has always been: cheeseburger, fries, coleslaw, pickle, lettuce and tomato. A sacred assembly. But also: two onion rings.

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We heard the music from a distance — a marching band? No. As we moved closer, we heard what sounded like a cross between a New Orleans brass band and Indian pop music. A circle of men dancing. A circle of women dancing. Bystanders smiling and clapping and taking pictures. A groom on a white horse, dancing while seated, moving slowly toward a hotel entrance. The bride must have already been in the hotel. A cop told us that streets shut down for short periods all over Manhattan for Indian wedding festivities.


[Notice the dancer on the other side of the horse.]

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Back in New Jersey, everyone seemed to already know about Indian weddings.

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The Morgan Library exhibition The Magic of Handwriting: The Pedro Corrêa do Lago Collection, now gone, was full of wonders. Bach, Borges, Joyce, Proust. The seven-year-old Victoria (as in Queen) had extraordinary handwriting. So many people didn’t: Napoleon, Rasputin, illegible.

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Borges’s printing, as seen on this manuscript page, looks so much like my notes from college, except that Borges had wider spacing, much longer ascenders, and wrote his ts as capitals. And he was Borges.

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Cephalophore: a head-carrying saint. St. Firmin, a missionary from Spain, was one. Someone at the Morgan had a good time writing the placard that went with his statue:

St. Firmin persevered in his pious duties despite the inconvenience of decapitation. According to John Chrysostom, an influential late-antique theologian, this particularly dramatic type of miracle was thought to terrify the devil. Artistic renderings of the macabre sanctity of cephalophoric saints, exemplified by this sublimely self-possessed Gothic statue of St. Firmin, were likely intended to scare the hell out of medieval viewers as well.

[St. Firmin Holding His Head. Limestone and paint. Amiens, France, ca. 1225–75.]

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E. 41st Street between Fifth and Park is Library Way, with passages from several dozen writers on plaques embedded in the sidewalk. I especially liked seeing Willa Cather, rendered like so:
. . .there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before. . .
. . .there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before. . .
. . .there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before. . .
and so on.

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Driving back: midwestern emptiness can be beautiful. I don’t know how to explain the little blue patch.



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2277.3 miles : 54.1 MPG : 57 MPH

More things I learned on my summer vacation
2017 : 2016 : 2015 : 2014 : 2013 : 2012 : 2011 : 2010 : 2009 : 2008 : 2007 : 2006

uBlock Origin for Safari

If you’ve updated to Safari 12 for the Mac and are wondering where uBlock Origin has gone: it’s here. This all-purpose blocking extension is free, customizable, and highly effective.

Sunday, September 23, 2018

Nancy’s “Olivia Jaimes”

The Washington Post reports that Olivia Jaimes, or “Olivia Jaimes,” the pseudonymous artist who draws the new Nancy, will appear this week at a comics festival in Ohio. She’ll talk and answer questions for a group of about forty people. No cell phones, no recording devices. Says Jaimes, “As always, the right balance between connecting with fans and maintaining personal boundaries is my lodestar.”

Related reading
All OCA Nancy posts (Pinboard)

[She said lodestar !]