Thursday, July 26, 2018

Déjà rocks

 
[Zippy, May 6, 2013, July 26, 2018.]

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All OCA Nancy posts: Nancy and Zippy posts : Zippy posts (Pinboard)

Wednesday, July 25, 2018

Scenes from a marriage

On Air Force One, Melania Trump was watching CNN. Donald Trump was angry:

He raged at his staff for violating a rule that the White House entourage should begin each trip tuned to Fox — his preferred network over what he considers the “fake news” CNN — and caused “a bit of a stir” aboard Air Force One, according to an email obtained by The New York Times. The email, an internal exchange between officials in the White House Military Office and the White House Communications Agency last Thursday, also called for the ordering of two additional televisions to support Beam, a TiVo-like streaming device, to make sure the president and first lady could both watch TV in their separate hotel rooms when they travel.
Rage about television channels, separate bedrooms (each with a television): I’d hate to be a partner in such a marriage.

Soy what?

The Washington Post reports that the Food and Drug Administration will forbid the use of the word milk in the names of plant-based products: “as the head of the FDA said last week, ‘an almond doesn’t lactate.’”

[My milk: Silk, soy.]

Rosetta?

Robert Costa, on NPR this morning, commenting on the Michael Cohen–Donald Trump tape: “This tape is a Rosetta stone. It’s open to interpretation.”

This metaphor puzzled me. Merriam-Webster defines “Rosetta stone” as ”one that gives a clue to understanding.“ If the emphasis falls on “open to interpretation,” I’d opt for “Rorschach test.” What does one see — or hear — in it?

Related reading
All OCA metaphor posts (Pinboard)

“Kokomo”

The terrible, horrible, no good, very bad “Kokomo” is thirty years old.

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Ministries of Truth at work

The Atlantic reports that the White House transcript of the Putin–Trump press conference alters the meaning of a key exchange. The Russian government’s transcript omits the exchange altogether.

Thanks, Elaine.

Recently updated

Sardines of the Times I tried it. I liked it, sort of.

Tuesday, July 24, 2018

Sardines of the Times

In The New York Times, Tejal Rao writes about canned fish. Among them, sardines:

Good canned fish can be eaten just the way it is, dripping with olive oil, but I like a tin’s worth of sardines seasoned with plenty of lemon zest, soft oregano leaves and some fried bread crumbs, broken up a bit and warmed all the way through as it’s tossed with cooked spaghetti, olive oil and maybe a ripe tomato, squashed between my fingers.
I’ve done sardines and pasta with garlic, parsley, and red-pepper flakes. The oregano is new to me. Must try.

Again and again, Matt Thomas’s Sunday Times digests point me to items I would otherwise miss — like these sardines. Thanks, Matt.

*

July 25: I made this dish last night, minus the tomato. Pretty bland. Some suggestions: add salt, pepper, and lemon juice, and be prepared to use more oregano than seems plausible. I think that thyme or lemon thyme might be a good substitute for oregano.

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One tea bag, used

“My grandfather would use tea bags and then dry them on the heater to reuse them. He’d have four or five on the radiator at once. This one is a bit special. It was a tea bag my grandma put in her bath”: the artist Laure Prouvost is holding on to a fifteen-year-old tea bag.

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[Provoust’s grandfather was not alone. The artist Joseph Cornell saved and reused tea bags. Paper towels too.]

Leonard Bernstein’s pencils

At the Skirball Cultural Center in Los Angeles: Leonard Bernstein at 100, an exhibition of artifacts — desks, batons, manuscripts, an Olympia typewriter, and much more. What made me flip: five pencil stubs from the 1970s, two Eberhard Faber Blackwings, three Alpheus Music Writers. Try as I might (eight times), I could not get a satisfactory photograph: the lighting and reflections and shadows were against me. This photograph from the Skirball website gives some idea of the difficulty.

But here’s a photograph from the Bernstein Facebook page of some Bernstein pencil stubs, his “soldiers” or “little soldiers.” Look for the distinctive ferrules of the Blackwing (gold) and the Alpheus Music Writer (silver).

Sean Malone has written extensively about the Blackwing at Blackwing Pages. He has also tracked the history of the Alpheus Music Writer and a successor, the Judy Green Music Writer. His post on the Music Writers includes a photograph of Bernstein at the piano, a glass of pencils at hand, with several Alpheus pencils visible.

Related reading
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[I loved seeing Bernstein’s pencils, but it was The Jim Henson Exhibition: Imagination Unlimited that made me tear up — a reaction I did not see coming. Kermit! He’s right here!]