Wednesday, September 18, 2013

All the music in Casablanca

I’ve needed this list for years.

Tuesday, September 17, 2013

The libraries of Route 66

Route 66 abounds in physical labor and fisticuffs, but Tod (Martin Milner) and Buz (George Maharis) and, later, Linc (Glenn Corbett) still make time to use a local library. In “The Mud Nest” (November 10, 1961), Tod and Buz visit the Central Library of Baltimore’s Enoch Pratt Free Library in search of information about Buz’s mother. This episode has an extraordinary cast: Ed Asner, Lon Chaney Jr., Betty Field, and three Maharis siblings. Chaney and Field never share a scene — a pity, given their work in Of Mice and Men (dir. Lewis Milestone, 1939). But if you watch the episode, you’ll understand why.


[That’s what they call “Doris Day parking.”]




[Click on any image for a larger view.]

In “Who in His Right Mind Needs a Nice Girl” (February 7, 1964), Tod and Linc visit the City Island Library, Daytona Beach, Florida. Hiding out in a bookmobile: Joe (Lee Philips), a murderer on the run. Lois Smith plays Lucy Brown, a lonely librarian who falls under his spell. The present-day City Island Library postdates this episode.


[Click for a larger view.]

Elaine and I love Route 66.

Related reading
All Route 66 posts (Pinboard)
The Wheel of Information (a Pratt resource)

Monday, September 16, 2013

Probably not from Calvin Coolidge

My friend Rob Zseleczky had in his apartment a postcard with these words:

Nothing in this world can take the place of persistence. Talent will not; nothing is more common than unsuccessful people with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent. The slogan ‘press on’ has solved and will always solve the problem of the human race.
This passage has been atttributed, famously so, to Calvin Coolidge, and appeared with his name in a Depression-era pamphlet issued by the New York Life Insurance Company, of which Coolidge was a director. But Coolidge scholars David Pietrusza and Amity Shlaes, the source of the information in the preceding sentence, make a strong case that the passage is “probably not Coolidge’s.” It’s good advice though, whoever its source. For me, its source is Rob Zseleczky.

Sunday, September 15, 2013

Number nine, number nine

Orange Crate Art turns nine today. In the word of Timmy Martin, who is probably older than nine in the photograph to your left: Yippee.

I remember, one night after dinner, sitting and typing a first post at the fambly “terminal” — a Gateway available for everyone’s use. Rachel and Ben were coaching me. Rachel suggested what to say and gave me the title Orange Crate Art. Such angst I had.

Deciding to write in these pages is one of the best choices I have ever made: it’s opened worlds to me and has made the work of writing a daily or nearly daily pleasure. The “post” — a form that can hold content of any sort, any size — has become for me a highly congenial environment, the best possible form to accommodate everyday attention and curiosity.

Orange Crate Art, like so many nine-year-olds, is becoming more independent, but it still relies on me for every post, or almost every post. And it relies on you too, reader. To everyone reading: thank you.

The two guest-posts
Rachel Leddy’s tips for success in college
Stefan Hagemann’s advice on answering a question in class

[That’s Jon Provost as Timmy. He and Lassie loomed large in my childhood.]

Saturday, September 14, 2013

Another Big Lots tea find

Now, perhaps, at a Big Lots near you: Thompson’s Irish Breakfast tea, $3.50 for eighty bags.

Thompson’s must be the maltiest Irish Breakfast I’ve ever tasted. Big Lots continues to bring my oikos new and surprising possibilities in tea.

Other Big Lots tea finds
Barry’s Irish Breakfast and PG Tips : Good Strong Tea and Hedley’s : Typhoo : Typhoo and Wissotzky

Friday, September 13, 2013

Sherwin Cody wants to know


[Popular Mechanics, February 1942.]

If you suspect that Sherwin Cody stepped out of the nineteenth century to ask this question: yes, he did. And he asked it again and again and again, with great success, enough even to be in Wikipedia.

*

11:18 a.m.: From an earlier, lengthier Sherwin Cody advertisement (Popular Mechanics, October 1930):

Many people say “Did you hear from him today?” They should say “Have you heard from him today?”
Uh-oh, I’m in trouble.

Falling in love with words

I have an abiding and foolish affection for old mass-market paperbacks that promise to improve one’s vocabulary or writing. No doubt such books play upon a reader’s sense of intellectual and social inferiority. (Is your vocabulary holding you back?) Still, I like the idea that the ordinary citizen, long out of school, might step into a candy-cigarettes-newspapers store, walk over to the paperback rack, and pick out a book to become a better reader or speaker or writer. That effort seems to me a happy blend of self-knowledge, humility, and optimism.

Here is a wonderful passage from one such book, Wilfred Funk and Norman Lewis’s 30 Days to a More Powerful Vocabulary. It was published by Funk & Wagnalls in 1942, became a Pocket Book paperback in 1949, and went through sixty-one printings before a 1971 revision. My copy, which my son Ben found for me, is from 1971:

From now on we want you to look at words intently, to be inordinately curious about them and to examine them syllable by syllable, letter by letter. They are your tools of understanding and self-expression. Collect them. Keep them in condition. Learn how to handle them. Develop a fastidious, but not a fussy, choice. Work always toward good taste in their use. Train your ear for their harmonies.

We urge you not to take words for granted just because they have been part of your daily speech since childhood. You must examine them. Turn them over and over as though you were handling a coin, and see the seal and superscription on each one. We would like you actually to fall in love with words.
Consider it done. Thanks, Ben.

Thursday, September 12, 2013

How to improve writing (no. 45)

The opening sentence of a New York Times obituary:

Robert R. Taylor, a serial entrepreneur who popularized hand soap from a pump, gambling $12 million to prevent competitors from duplicating it, and fragrances like “Obsession,” which he advertised with artful eroticism, died on Aug. 29 in Newport Beach, Calif.
To my eyes, the writer has crammed too many bits of information into one sentence — a problem one sees again and again in news writing. Notice especially how long it takes to travel from soap to “Obsession.” The abbreviated Aug. and Calif. (house style, I know) end up looking absurd when a sentence makes room for so much else.

A better start:
Robert R. Taylor, a serial entrepreneur who popularized hand soap from a pump and fragrances like “Obsession,” died on August 29 in Newport Beach, California.
Or better still:
Robert R. Taylor, a serial entrepreneur who popularized products as various as liquid soap and the fragrance “Obsession,” died on August 29 in Newport Beach, California.
Or again:
A serial entrepreneur who popularized products as various as liquid soap and the fragrance “Obsession,” Robert R. Taylor died on August 29 in Newport Beach, California.
The missing details can appear in the paragraphs that follow, where they will have a better chance to register.

Related reading
All How to improve writing posts (Pinboard)

[This post is no. 45 in a series, “How to improve writing,” dedicated to improving stray bits of public prose.]

Shaw’s Southern Belle Crab Cakes


It was the only item of its kind in the freezer case. Do you see what’s wrong? If so, you’re a smarter shopper than I was. But I won’t get fooled again.

If you see what’s wrong, or if you don’t, please leave a comment. I want to keep some mystery in the post itself.

Nora Johnson on falling in love at seventy-one

In The New York Times, Nora Johnson writes about falling in love at the age of seventy-one with an eighty-three-year-old man:

He seemed to have good health, except for a little diabetes. He had a cane and could still walk — a block or so. There were false teeth, identified by a golden stud that appeared at one side of his disarming smile. He had most of his hair. Best of all, when he talked, it was worth listening to.
Johnson is the author of the novel The World of Henry Orient and other works.

A related post
An excerpt from The World of Henry Orient