Wednesday, June 17, 2009

Stephen Dedalus' signature file

Were Stephen Dedalus living in the era of e-mail, he would have an elegant if longish signature file. Here is what he has written on the flyleaf of his geography book:

Stephen Dedalus
Class of Elements
Clongowes Wood College
Sallins
County Kildare
Ireland
Europe
The World
The Universe

James Joyce, A Portrait of the Artist as a Young Man (1916)
In the real world, lengthy signature files on in-house e-mails always strike me as failures of tone: there's no need, really, to announce ourselves to each other in these ways. We already know who we are. The most extravagant example I've seen (not from my workplace): twenty-two lines, with seven URLs. No doubt that person's e-mails are really important.

Tuesday, June 16, 2009

Bloomsday



[Marilyn Monroe reading Ulysses, Long Island, 1954. Photograph by Eve Arnold, via UT-Austin.]

Other Bloomsday posts
Bloomsday 2007
Bloomsday 2008

Monday, June 15, 2009

Time passes

[From Other Men's Women, dir. William A. Wellman, 1931.]

I like calendar shots in movies — such a lovely way to note time's passing. These pages remind me of the Field Notes calendars gracing the kitchen and study in my house.

Another William A. Wellman post
EATS

Saturday, June 13, 2009

How to type ¢, é, and ß

A useful website, with keyboard shortcuts for typing symbols, accents, special characters, and "weird punctuation":

How to Type Symbols, Accents, and Special Characters

Friday, June 12, 2009

Florida Citrus responds

The Florida Department of Citrus has responded to Alissa Hamilton's book Squeezed: What You Don't Know About Orange Juice with a website, created in March, Orange Juice Facts. Well, sort-of facts: "The basic principle of orange juice processing is similar to how you make orange juice at home."

A related post
A review of Squeezed

EATS



Look at that sky. Look at that train. Look at that guy flouncing into EATS. Look at EATS.

The opening scene of Other Men's Women (dir. William K. Wellman, 1931) is a beaut. This pre-Code film focuses on a love triangle involving trainmen Bill White (Grant Withers) and Jack Kulper (Regis Toomey) and Jack's wife Lily (Mary Astor). Great lunch-counter talk, great train scenes, great rain, and one remarkable moment of desire and guilt and more desire between Withers and Astor. Joan Blondell shows up as a fast-talking waitress named Marie (just Marie), and trainman Eddie Bailey (James Cagney) sheds his work clothes to dance in evening wear across a floor. (Could this bit have inspired the bit with the dancing maître d' in Woody Allen's The Purple Rose of Cairo?)

Other Men's Women is available in Volume Three of the Forbidden Hollywood Collection (TCM Archives), a set of six Wellman films and two documentaries about this relatively neglected director. Elaine and I have been on a Wellman kick all week. His films are beautifully made, their stories told with great economy and visual imagination. They are now packaged as little scandals, but they are intensely moral films, with a consistent emphasis on figuring out and then doing the right thing — which means, always, self-sacrifice. Wellman's sturdy realism and social conscience seem made for our times. Watch the homeless vets in Heroes for Sale (1933) talking over FDR's Inaugural Address and their country's future, and you'll feel right at home.

As to what's happening in that opening scene: Bill, a hard-drinking joker, has dropped off the engine for a bite to eat. He will count cars while bantering with his waitress, leaving just in time to catch the caboose and run across the tops of cars back to the engine.

Thursday, June 11, 2009

Crayola madeleines

A wax museum of sorts, Crayolas through the years:

Brand Spotlight: Crayola (The Dieline, via Coudal Partners)

My madeleine: the 1964 eight-pack (but yes, I had a sixty-four pack).

Other crayon posts
Blue crayon
Early writing

Wednesday, June 10, 2009

Safari 4

I've been loyal to Firefox for a long time, but Apple's new Safari 4 may change that. It is blazingly fast, available for Mac and PC.

Proust's supplies

Céleste Albaret, Marcel Proust's housekeeper, has been describing Proust's writing posture — "more than half lying down," with knees for a desk:

It was astonishing how fast he could write in a position no one but he could have found comfortable. The pen flew along, line after line of his fine cursive writing. He always used Sergeant-Major nibs, which were plain and pointed, with a little hollow underneath to hold the ink. I never saw him use a fountain pen, though they were becoming popular at that time. I used to buy stocks of nibs, several boxes at a time. He always had fifteen or so pen holders within reach, because if he dropped the one he was using it could only be picked up when he wasn't there, because of the dust. They were just little bits of wood with a metal holder for the nib — the ordinary kind used in schools, like the inkwell, which was a glass square with four grooves to rest the pen and a little round opening with a stopper.

"Some people need a beautiful pen to write with, but all I need is ink and paper. If I didn't have a pen holder, I would manage with a stick."

Céleste Albaret, Monsieur Proust, translated by Barbara Bray (New York: New York Review Books, 2003), 270–271.
I suspect that Montblanc, the maker of this dubious tribute, has no idea how far removed its efforts are from the spirit of Proust's writing. Note in the "About the Author" sidebar the reference to In Search of Lost Time/Remembrance of Things Past as "probably [Proust's] most important work." "Probably": in other words, Montblanc's people have no idea what they're talking about. O tempora, o mores!

But all's not lost. One can still buy Sergeant-Major nibs: here, for instance.

Related reading
All Proust posts (Pinboard)

[About the title: supplies is my word, and has become my family's word, for all manner of stationery items.]

Tuesday, June 9, 2009

Fun with APA style

Someone has been having fun — of the good clean sort — working on Wikipedia's article on APA style. A sample entry:

Electronic copy of a journal article, three to five authors, retrieved from database:

Costanza, G., Seinfeld, J., Benes, E., Kramer, C., & Peterman, J. (1993). Minutiæ and insignificant observations from the nineteen-nineties. Journal about Nothing, 52, 475–649. Retrieved October 31, 1999, from NoTHINGJournals database.
George must have fought hard to get top billing here.

There are also some Canadian in-jokes, which Canadian readers will understand better than I do.