From The New Yorker: Copy-Editing Donald Trump.
[Following its own course, The New Yorker spells copy-edit with a hyphen.]
Friday, February 19, 2016
Editing Donald Trump
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
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Nancy, October 19, 1950.
“Pflaaaap!”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
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February
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- “What’s an Election?”
- Walls
- The Bridge , continued
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- Robert Walser: a metropolis
- Thinking and writing (2)
- Thinking and writing (1)
- Pocket notebook sighting
- EXchange names on screen
- From a Van Gogh letter
- Illinois’s higher-ed crisis on the evening news
- The Specialist
- How to improve writing (no. 63)
- Editing Donald Trump
- A teaching dream
- Henry Dreyfuss ice cream
- Goodbye, “M”
- Orderly, dark and deep
- Today in sardine history
- George Gaynes (1917–2016)
- “Go buy some pencils”
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- June Fine (1932–2016)
- Valentine’s Day
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- Some rock
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- New old phone booths
- Obama on the Titanic
- Sink redux
- Parking at Coney Island
- Overheard
- Mary Shelley: “a godlike science”
- Small-town crown
- 1992 : 2016 :: 1968 : 1992
- The Lettermate
- Letters and vultures
- Sunday TV
- Verlyn Klinkenborg on writing
- Word of the day: kindie
- “Anthony! Anthony!”
- Jack Elrod (1924–2016)
- False drama
- Nancy with string
- Filex
- Orin Incandenza, shapeshifter
- Bob Elliott (1923–2016)
- A third police station
- Domestic comedy
- Overheard
- A joke in the traditional manner
- NYT sanitizes DFW
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▼
February
(67)
favorite posts
- “Bon Appétit!”
- “Extra credit?”
- “Make My Jotter Quit!”
- “On the Road”
- “The ’Clipse”
- “The Case of the Purloined Prairie”
- “The Poet”
- A Kerouac notebook page
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- Five desks
- Five pens
- Fluke life
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- Klenosky!
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- Out of the past
- P.S. 131
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- Proust: involuntary memory, foolish things
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- Sports Illustrated and Proust
- That (in)famous line
- The gold standard, haircuts, and everyone else
- The kitchen shink [sic]
- The other little book
- The Spokesmen
- The Springfield Daily Gazette
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
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