Answers

A pastrami Reuben. An L. L. Bean Timberline shirt, at least thirty-five years old, every edge frayed, good as an overshirt around the house in cold weather. Shark! Apples. Elly Ameling, John Ashbery, Fito de la Parra, Richard Goode, Milt Hinton, Stanley Lombardo, Trevor Pinnock, Larry Taylor, Clark Terry. Many things I’ll miss out on. Coffee brewing. Garbanzos cooking. Yes. Flat. Safari. “Lush Life.” 47. Reading, writing, walking, loving, caring.

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I forgot one: My Dinner with André.

[Watching A Late Show last night prompted me to devise my own answers to the Colbert Questionert. Why not? I was startled when Seth Rogen answered “47,” because that’s our fambly number, for reasons that will remain in the fambly.]

For avocado fans only

[Amuseable Avocado, by Jellycat. In three sizes, each larger than an edible avocado. Amuseable is the company’s spelling.]

National Archives

Our vibrant American culture:

A museum in Rochester, N.Y., announced on Wednesday that it would serve as the home of a first-of-its-kind National Archives of Game Show History to preserve artifacts and footage from programs like Jeopardy! [,] The Price Is Right [,] and The $25,000 Pyramid.

The archives will be housed at the Strong National Museum of Play, which is undergoing an expansion that will add 90,000 square feet to its space and that it expects to be completed by 2023.

Curators at the museum already have some ideas about what types of artifacts would make an ideal centerpiece and are asking for items from collectors.

“The wheel from Wheel of Fortune would be iconic,” Chris Bensch, the museum’s vice president for collections, said in an interview on Wednesday. The museum, he said, would gladly accept the letter board, along with a dress from the show’s famous letter-turner, Vanna White.

That’s from The New York Times, but it reads like a short section of David Foster Wallace’s Infinite Jest. The only thing missing is the moon-like mark that prefaces each section of the novel.

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A museum in Rochester, N.Y., announced on Wednesday that it would serve as the home of a first-of-its-kind National Archives of Game Show History to preserve artifacts and footage from programs like Jeopardy!, The Price Is Right, and The $25,000 Pyramid.

And so on. Even the name Strong National Museum of Play has an Infinite Jest sound to it.

[Those missing commas: yikes. My guess is that someone wasn’t sure what to do about a comma after “Jeopardy!” — the Times styles titles with quotation marks — and left it for later. The Chicago Manual of Style says to put the comma inside the quotation mark. The Associated Press? I have no idea. Thanks to the reader who pointed out a missing word.]

“Life apart”

One last post from Villette. Lucy Snowe insists on her selfhood.

Charlotte Brontë, Villette (1853).

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78s

I was in a hotel suite, having just bought a rare 78, and I was disguising my find, switching its sleeve, which bore a sticker with a high price, with a sleeve from a 78 whose sticker showed a much lower price. And a voice said, “Michael, stop.”

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[Sources, I think: travel thoughts, an online presentation of rare Duke Ellington recordings, and Party Girl (dir. Nicholas Ray, 1958), in which Robert Taylor and Sam McDaniel look at 78s to determine the proper music for Taylor’s impending assignation with Cyd Charisse. In waking life I own no 78s, rare or common.]

Robert Hollander (1933-2021)

Dante scholar, and translator, with Jean Hollander, of The Divine Comedy. From an introductory note on translation in Inferno (New York: Anchor Books, 2002):

We could go on improving this effort as long as we live. We hope that as much as we have accomplished will find an understanding ear and heart among those who know the real thing. Every translation begins and ends in failure. To the degree that we have been able to preserve some of the beauty and power of the original, we have failed the less.

The New York Times has an obituary.

[I tried four Dantes in my teaching. The Hollanders’ was my favorite.]

Rewards

Beer. Donuts. Guns. Any teacher of teachers who needs to illustrate the differences between intrinsic and extrinsic rewards now has unbeatable examples courtesy of the efforts to persuade United States residents to get vaccinated.

[Whatever it takes, says I. But the shadow of Homer Simpson looms large, at least over the beer and the donuts.]

Kittens ’n’ fish

The BBC brings us news from the English market town of Waltham Abbey:

The enticing smell of tinned sardines proved key to luring two tiny four-week-old kittens from a labyrinth of drains where they had been trapped for two days.

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What’s an inflection point?

Because they seem to be everywhere.

Inflect, a transitive verb, is from the Latin inflectere, to bend. The Oxford English Dictionary gives its earliest meaning (early 1400s): “to bend inwards; to bend into a curve or angle; hence, simply, to bend, to curve.” By the late 1500s, the word had taken on figurative senses: “to bend, incline, dispose.” By the late 1600s, the word had acquired a meaning in grammar: “to vary the termination (of a word) in order to express different grammatical relations.” By the early 1700s, the word had found a place in optics: “to bend in or deflect (rays of light) in passing the edge of an opaque body or through a narrow aperture; to diffract.” By the early 1800s, the word was used with reference to the voice and to music: “to modulate (the voice); spec. in Music, to flatten or sharpen (a note) by a chromatic semitone.”

All of which (thanks, OED ) is getting us closer to inflection point. For that we need the noun inflection, which, like inflect, takes on figurative, grammatical, optical, and musical meanings. But since the early 1700s, inflection has also meant something in geometry:

Change of curvature from convex to concave at a particular point on a curve; the point at which this takes place is called a point of inflection (or shortly an inflection).

That’s as much of the OED definition as is relevant here. A more readable definition, from Merriam-Webster: “a point on a curve that separates an arc concave upward from one concave downward and vice versa.”

The OED entry for inflection — apparently in need of updating — doesn’t account for the non-mathematical meaning of inflection point. For that we need M-W: “a moment when significant change occurs or may occur : turning point.”

So that’s an inflection point. I like the way a turning in space has turned into a turning in time. A curious difference between mathematical and non-mathematical inflection points: the one marks a fact; the other marks a fact or a possibility.

Google’s Ngram Viewer shows a marked rise in the use of inflection point beginning in 1948. A symptom of Cold War tension? In American English, the Ngram Viewer shows 1963 as the term’s peak year. In British English, it’s 1989. Perhaps Vietnam and Margaret Thatcher had something to do with that.

Is inflection point overused? I think that in many instances, crossroads or moment of decision might better apply. When I read this sort of nonsense — “There has been a strategic inflection point that we’ve all gone through as society” — I begin to think that the term has lost a clear meaning. We may be approaching an inflection point in the use of inflection point. We may even be at a crossroads. But I doubt it.

Hand and seal

Handwriting and a wax seal as indices of character:

Charlotte Brontë, Villette (1853).

Remember when girls really flipped for guys with great handwriting? And great seals? Me neither.

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