Domestic comedy

[On the interstates all day, cops, and more cops.]

“Blue Friday.”

Related reading
All OCA domestic comedy posts (Pinboard)

From an old notebook

“What a pile of dirty dishes!”

Snow White, in the 1937 Disney movie.

*

“Do I look different yet?”

Betty Aberlin, as the rollers are removed from her hair in the beauty shop (Mister Rogers’ Neighborhood).

*

“I hear footprints!”

Rachel, age six.

Also from an old notebook
Alfalfa, Ted Berrigan, Jack Kerouac, metaphors : Alfred Appel Jr. on twentieth-century art and literature : Balloons, poetry, teachers : Barney : Beauty and the Beast and kid talk : Eleanor Roosevelt : John Ashbery and Kenneth Koch : Plato, Shirley Temple, vulgarity, wisdom, Stan Laurel : Square dancing, poetry, criticism, slang

National Sardines Day

It is not only Thanksgiving: it is National Sardines Day. Go fish!

Related reading
All OCA sardines posts (Pinboard)

Thanksgiving 1916

[“Thanksgiving Plans Take Usual Couse: Institutions to Serve Turkey and Fixings in Spite of the Advance in Prices. Vaudeville on the Island: Sing Sing to Have Music and Pictures and the Salvation Army to Gather Its Inebriate Crop.“ The New York Times , November 29, 1916.]

Happy Thanksgiving to all.

Previous Thanksgiving posts
At the Waldorf Astoria, 1915 : In jail, 1914 : In jail, 1913 : Thanksgiving and mortality : In jail, 1912 : Competitive eating, 1911 : A 1917 greeting card : A found letter : Sing Sing, 1908 : Sing Sing, 1907

MetaTV

We often tune into MeTV at night for a small serving of Perry Mason . We rarely watch a full episode, and we rarely follow the plot. Mason , as we I insist on calling the show, is all about atmosphere: car telephones, clothing, furniture, hairdos, office accoutrements. And it’s about television. MeTV is MetaTV — and movies. For instance: the recent episode “The Case of the Mythical Monkeys” (first aired February 27, 1960) brings together Barbara Harper Douglas, Mrs. Steve Douglas, of My Three Sons (Beverly Garland), Nurse Ratched of One Flew Over the Cuckoo’s Nest (Louise Fletcher), and Stanley Roper, Mr. Roper, of Three’s Company (Norman Fell). Dig we must.

Related reading
All OCA Perry Mason posts (Pinboard)

[Elaine says this is all about me. MeTV.]

Ambiguous drop

A New York Times headline: “Trump Drops Threat of New Investigations Into Clinton.” Meaning that he is abandoning, giving up the threat? Or that he is uttering or mentioning the threat in a casual way? It’s the first possibility that fits, but I couldn’t be sure without reading further.

[With definitions of drop paraphrased from Merriam-Webster.]

An EXchange name on screen

[Murder by Contract (dir. Irving Lerner, 1958. Click for a larger view.]

Murder by Contract is a two-fer, with a pocket notebook and an exchange name. Value-added viewing.

Could there be a cooler telephone exchange than YO (York)? “What’s your number?” “Yo, twenty-five thousand.”

More exchange names on screen
The Amazing Dr. Clitterhouse : Armored Car Robbery : Baby Face : Blast of Silence : The Blue Dahlia : Boardwalk Empire : Born Yesterday : The Dark Corner : Deception : Dick Tracy’s Deception : Dream House : East Side, West Side : The Little Giant : The Man Who Cheated Himself : Modern Marvels : Murder, My Sweet : My Week with Marilyn : Naked City (1) : Naked City (2) : Naked City (3) : Naked City (4) : Naked City (5) : Naked City (6) : Naked City (7) : Nightmare Alley : The Public Enemy : Railroaded! : Side Street : Sweet Smell of Success : Tension : This Gun for Hire

Pocket notebook sighting

[Murder by Contract (dir. Irving Lerner, 1958). Click for a larger view.]

Claude (Vince Edwards) is an up-and-coming hit man and careful record-keeper. Cost of his dream house: $28,000. In the bank: $523.71.

More notebook sightings
Angels with Dirty Faces : Ball of Fire : Cat People : City Girl : Les Dames du Bois de Boulogne : Dragnet : Extras : Foreign Correspondent : Homicide : The Honeymooners : The House on 92nd Street : Journal d’un curé de campagne : The Last Laugh : The Lodger : Mr. Holmes : Murder at the Vanities : Murder, Inc. : The Mystery of the Wax Museum : Naked City : The Palm Beach Story : Pickpocket : Pickup on South Street : Pushover : Quai des Orfèvres : Railroaded! : Red-Headed Woman : Rififi : Route 66 : The Sopranos : Spellbound : State Fair : T-Men : Union Station : Where the Sidewalk Ends : The Woman in the Window

Twelve or thirteen more movies

[No spoilers.]

The Amazing Mr. X (dir. Bernard Vorhaus, 1948). He’s a California psychic (played by Turhan Bey), with two sisters under his spell. A B-movie, now in the public domain, available as a murky blur at YouTube. It’s sobering to see Cathy O’Donnell in these low-budget surroundings, just two years after The Best Years of Lives. Cinematography by the great John Alton.

*

A Taste of Honey (dir. Tony Richardson, 1961). Resolution, independence, and codependence. Rita Tushingham as an ill-mothered teenager is a delight — she looks vulnerable and tough, sparkly and wised up, like a cross between Audrey Hepburn and Mick Jagger. Whatever will become of her? This film must have been a major influence on Mike Leigh. The best line: “Who’s happy?”


[Rita Tushingham as Jo. Can her Dickensian name be mere coincidence? Click for a larger view.]

*

Mascots (dir. Christopher Guest, 2016). As you might have guessed, a faux documentary. As in Best of Show , a variety of characters come together in a competition. Most of the usual suspects are present (Michael McKean is missing), along with several newcomers. Harry Shearer is heard but not seen. Especially delightful are Parker Posey and Susan Yeagley as the Babineaux sisters, Cindi and Laci. Guest himself has an improbable but welcome cameo.

*

A Face in the Crowd (dir. Elia Kazan, 1957). The prophetic power of this film, in which a cocky vagrant becomes a charismatic everyman, media sensation, and aspiring demagogue, cannot be overestimated. And the heck with Lee Remick: it’s Griffith and Patricia Neal who provide the truly compelling eroticism here. You’ll never see The Andy Griffith Show in the same way again.

*

La Chienne (dir. Jean Renoir, 1931). From Georges de La Fouchardière’s novel of the same name. Minutes in, we realized that this film is from the same source as Fritz Lang’s Scarlet Street . But Renoir’s film evinces much greater compassion for the participants in the lovers’ triangle, each hapless and frail in her or his own way, each subject to a cruel fate. The last scene, filmed on a Parisian avenue, is extraordinary.


[Looking at a Renoir. Click for a larger view.]

*

Drunk Stoned Brilliant Dead: The Story of the “National Lampoon” (dir. Douglas Tirola, 2015). My acquaintance with the Lampoon began with the August 1971 issue, whose cover showed an Alfred E. Neumanesque William Calley above the tagline “What, My Lai?” To a fourteen-year-old, that made Mad seem like kid stuff. But looking through a gallery of Lampoon covers, I recognize nothing past 1975: I outgrew the Lampoon much earlier than I would have imagined. This documentary, a celebration of humor that often did little more than attempt to shock, is too affectionate, too self-congratulatory, and too dull.

*

Gentleman Jim (dir. Raoul Walsh, 1942). One of those films that make me wonder: how did this get into the queue? Because I added it, though I have no idea why. Maybe I was looking to see more of Ward Bond. “Gentleman Jim” (Errol Flynn) is the boxer James J. Corbett. Every trope of Irishness is on display in this story— drink, fisticuffs, the old songs, priestliness. But there’s nothing to explain how Corbett developed a new approach to boxing. Best scene: John L. Sullivan (Ward Bond) turning the future over to Corbett. And it’s fun to see William Frawley in his pre-landlord days.

*

The Mask You Live In (dir. Jennifer Siebel Newsom, 2015). An exploration of masculinity. What does it mean to be a man, and what expectations does the unholy command “Be a man” place upon boys and young men? Especially important viewing in what threatens to be the age of Trump. Where did Dunning K. Trump get his idea of what it means to be a man? The most interesting figure among the film’s speakers: former NFLer Joe Ehrmann.

*

The Fly (dir. Kurt Neumann, 1958). Here’s the real reason we shouldn’t try for GMOs. Herbert Marshall and Vincent Price lend some high seriousness to a premise that could easily become laughable but instead remains compelling. The special effects are blessedly few, and the best one is gruesomely ordinary: a mechanical press. My favorite moment: the writing on the blackboard. The best lines: “Inspector, what does all this mean?” “I have no idea.”

*

A Life at Stake (dir. Paul Guilfoyle, 1954). Lust and life insurance: a variation on Double Indemnity , with Angela Lansbury and Keith Andes. Lansbury’s character here seems to look forward to Isabel Boyd in The World of Henry Orient and Eleanor Iselin in The Manchurian Candidate . (We’re a long way from Cabot Cove.) Yet another excellent B-movie found at YouTube.

*

Murder by Contract (dir. Irving Lerner, 1958). An obsessively orderly young man named Claude (Vince Edwards) aspires to work as a hit man. He achieves considerable success. This story has deeply existential overtones. The handheld camera work, tight closeups, quick pace, implied violence, and odd musical score lift this film into greatness. (I thought of The Third Man and Breathless .) Herschel Bernardi and Phillip Pine add an element of comedy, at least for a while, as Claude’s handlers, hapless middlemen both. Martin Scorsese cites this film as a major influence (he dedicated New York, New York to Lerner). Now playing at YouTube.

*

City of Fear (dir. Irving Lerner, 1959). Another YouTube find. We didn’t realize that we had picked another Irving Lerner/Vince Edwards film until the credits began to run. Edwards plays an escaped convict carrying a steel canister that he thinks holds a fortune in heroin. The canister in truth contains Cobalt-60. This film recalls the dangers of Panic in the Streets and Kiss Me Deadly , pneumonic plague and “the great whatsit.” I especially liked this film’s depiction of unglamorous Los Angeles: endless wide avenues of auto-repair shops and billboards.

We didn’t know while watching, but we’ve seen at least one more Lerner film: To Hear Your Banjo Sing (1947).

Related reading
All OCA film posts (Pinboard)
Fourteen more : Thirteen more : Twelve more : Another thirteen more : Another dozen : Yet another dozen : Another twelve : And another twelve : Still another twelve : Oh wait, twelve more

Stranded by the State

Stranded by the State , a video series from In These Times and Kartemquin Films, examines the effects of Illinois’s budget crisis on the state’s people. The first episode comes out today. Watch at YouTube.

Related reading
All OCA Illinois budget crisis posts (Pinboard)

[It bears repeating: the crisis is a manufactured one. Our governor insists on tying any budget to “reforms” designed to destroy state-employee unions.]