New, improved

If you're a returning visitor to Orange Crate Art, you'll notice that I've given my blog yet another makeover. The dotted lines and little arrows of the Rounders template no longer pleased me, so I spent a fair amount of time this afternoon deconstructing the template, risking disaster at every moment (because I have very little idea what I'm doing!).

I like the clean lines, white columns, and dark background very much, and the signboard at the top gives Orange Crate Art more of that same great orange taste. Reader, I hope that you like it too.

The poetry of spam

In my mailbox this evening, there was a plea for URGENT ATTENTION from one Gregorio Singleton. A name like that and he needs attention? His name bears a curious similarity to that of Faustino Pendleton, who showed up in my mailbox two days ago.

Thinking about the folks who live in the mail reminded me of a wonderful post by Sean Payne on his blog Sign Language. Therein Sean analyzes the gnomic utterances of "poet" Jasper Gamble, whose work arrives in unbidden e-mails sent under a variety of aliases -- "Summer Pitts, Thomas Colon, Wean Diesel, and even Rosetta Beard."

You can read Sean's witty commentary on Jasper and company via the link.

» Jasper Gamble, the poetry of spam

Update: I've given Faustino Pendleton and Gregorio Singleton imaginary lives as designers whose product lines are featured on the Home Shopping Network -- "Faustino for Her" and "The Singleton Collection," respectively. I'm not sure though what products these lines feature.

Overheard

"Is he involved with anyone -- besides himself?"

Scary mail

This sentence, from today's mail, needs rewriting:

I am excited to tell you that we have selected your English department as one that will receive the special attention of a [publisher's name] English discipline specialist this spring.

What's up, .doc?Or, another reason to hate Microsoft

(That's a wizard?)

I've been saving word-processed words as .rtf files (rich text format) for years. They're small, safe (no virus-carrying macros), and can be opened and edited with virtually any word-processor. In an idle moment yesterday, I thought it might be smart to convert all my old .doc (Microsoft Word) files to .rtf. I had no idea how difficult this seemingly simple task would turn out to be.

I knew that I couldn't do this work by hand. So I downloaded a free renaming program to change the file extension of my .doc files. As it turns out though, changing the extension of a .doc file doesn't change the file's identity. As I found when re-checking the size of my documents folder and comparing a few "changed" files and their backed-up .doc versions, there had been no change in size. That was the first sign that this project was going to be more complicated than I thought.

And things were now rather confused, because the files that were now labeled as .rtf files in my folders were still identified as .doc files in Microsoft Word's Open and Save dialog boxes. I started to get the sinking feeling that I get whenever things have gone really wrong on a computer.

All was not lost though. (If it had been, I'd be doing something other than writing a blog entry.) I changed the extensions back to .doc and did some online reading (there seems to be very little about this topic). What I really needed, it appeared, was the Batch Conversion Wizard in Microsoft Word.

I've been using Word for years, but I'd never seen this tool. It's found by going to File, New, Templates, On my computer, and Other documents. I think of a template as a tool with which to design a new document, so a tool to change what's already been created seems oddly placed among the templates. The directions for the Wizard's use in Word's Help file are clearly not for someone working with a large number of files: "Place the documents you want to convert in a single folder." Ha. As one would expect, there is no acknowledgement in the Help file that rich text format makes it easy to share one's work with people who don't use Microsoft Word. The only reference to other programs is to Microsoft Works.

The Help file's advice to work with a single folder deftly avoids acknowledging what immediately becomes obvious: the Wizard cannot see files in subfolders. Some Wizard. So I changed my .doc files by going through each folder and sub-folder and sub-sub folder in my documents folder, selecting "all," and letting the converter do its thing.

Some .docs wouldn't convert automatically; I converted those by opening them and resaving them as .rtf files. And while doing so, I noticed something curious -- when one "saves as" with a .doc file, "rich text format" is not visible in the drop-down selection box (even if it is Word's default for saving). "Rich text format" shows up only after scrolling.



The ordering of "save as" options here seems haphazard. Is "document template" really a more likely choice than rich text format for saving a file? Clicking ".dot" is certainly a tedious mistake to undo -- one has to dig down to the Templates folder in Application Data to get to the accidental file. So why is "document template" more accessible than .rtf? And why is .rtf not visible among the first few choices? Is Microsoft's intent to make it just a bit more tedious to save files in formats other than its proprietary ones?

Consider finally the look of the Wizard at the top of this post. That's from Office 2003. What can one make of a corporation that allows such shabby inconsistency in its user interface? Right now, that jittery, garish, circa-1997-turquoise-and-teal Wizard embodies for me all that's ill-planned and shoddy in Microsoft's software.

All thumbs

This morning, 6:30, rising and shining, I felt the following words flash into my mind:

Where is thumbkin?
Where is thumbkin?
Here I am.
Here I am.
How are you today, sir?
Very well, I thank you.
Run and hide.
Run and hide.

A small but crucial part of my poetry base, forgotten for a long time. I was fascinated as a little kid by the idea of fingers having polite conversations but then running away. And I sang this song with my children when they were younger.

Why did this song return? Perhaps because I'm looking forward to trying out the Thumbthing, a nifty tool for reading. I am all thumbs.

Update: I tried the Thumbthing. It is a nifty tool, but I'm going to stick with my thumbs.

Homework-eating dogs

"And then, when I tried to print my essay, it disappeared!"

The technology of word-processing has made available a rich array of explanations, fictional and non-fictional, for students in difficulty with deadlines. Most teachers and professors have grown tired of these explanations, so that even a genuine one is likely to ring false. Truly, the computer has become the high-tech version of the dog that ate the homework. Here are four ways to avoid problems when you're writing with a computer:

1. Plan ahead. If you're working in a computer lab, make sure that you set aside enough time for computer use. If you're using a computer and a printer of your own, have a spare printer cartridge and plenty of paper available.

2. If you do all your writing at the computer, print out a draft at frequent intervals. You can conserve paper and ink by choosing "fast" or "everyday" mode and by printing two pages per sheet of paper.

3. Save your work frequently, to a hard drive and a USB flash drive.

If you use Microsoft Word, click on Tools, Options, and Save, and set Auto Recover to save your work-in-progress every few minutes automatically. (If you use another word-processing program, look for the equivalent feature.) If you click on Tools and don't see Options, expand the pull-down menu by clicking on the little arrow at the bottom. (You can change the menu permanently by going to Tools, Customize, Options, and clicking on "Always show full menus.")

It's still possible to run into problems when using Auto Recover, so hit Control-S (on a Mac, Command-S) every few minutes to save your work to your hard drive. Then copy the file to your USB gadget.

An additional tip: save your word-processed work in rich text format, so that it's available to virtually any word-processing program.

4. Save your work online, by sending your draft to your e-mail address as an attachment. It's also smart to make a secure space online where you can store all your academic work for easy access. Michael Arrington's survey can get you started.

And now, even in a worst-case scenario — your computer stolen, your USB gadget lost, your drafts eaten by a dog! — you can still get to your work.

Thank you for not talking

Me, writing in October 2004:

My hunch is that in another five or ten years, cell-free areas will be as familiar as smoke-free areas are today.

And lo, it's coming to pass:

In a crackdown reminiscent of the campaign against nicotine addicts, a widening array of states and businesses are restricting cellphone use. There are limits not just on planes, trains and automobiles but also in restaurants, gyms, golf courses, churches, banks and post offices. Some restaurants are creating cellphone areas, akin to smoking sections, where people can talk without bothering other diners.

"Businesses putting lid on cellphone chatterboxes" (from USA Today, via Lifehacker)

Writing by hand

I was excited to read Shari Wilson's essay "The Surprising Process of Writing" in Inside Higher Ed. Wilson (a pseudonym) finds that for many of her students, in-class writing is much stronger than essays written outside of class:

[T]his semester, 8 of my 20 sophomore English composition students scored significantly better on in-class essays written by hand in a timed situation. Some jumped more than a full grade level. In my three freshman composition classes, almost 20 of 60 students excelled when allowed to write in class rather than compose typed papers on their own time. In fact, at a large community college in California where I taught for six years, I frequently saw 10 to 25 percent of my developmental- and freshman-level writers do significantly better when asked to compose in-class with a topic given just before a two-hour writing period.

Over many semesters, I've seen the same sorts of results. Wilson and I would differ on the explanation: she thinks that students are revising their outside writing until it becomes "stiff and mechanical." I don't suspect excessive revision: my hunch is that when students are writing in class, they're writing without distractions, without continuous partial attention, and are thus able to make more coherent essays. Writing in class, they're doing something quite different from "playing the keyboard" to get to Control-P.

Wilson has some interesting things to say about differences between writing by hand and writing with a keyboard:

[H]andwriting encourages students to focus on the writing process; for those less experienced with computers, keyboarding encourages students to focus on the end product. When asked to type up a sample paragraph in a classroom computer lab, all 20 of my English composition students spent more than 15-minutes setting up a document in MS Word, setting margins, choosing a font, centering a title, and typing up their names, instructor's name and class name at the top so that it sat flush-right. This left a disappointing 30-minutes of actual composing of text -- and of that, approximately five to nine more minutes were wasted when students insisted on particular line breaks with text, tried to change the amount of space between lines, and attempted to remove forced underlining of URLs.

Each of these issues becomes a non-issue with handwritten work.

My own preference, in any context, is to keep the focus on the work of writing, and to make the means of production as simple as possible. Writing is not word-processing. But if a computer makes its easier, not more difficult, to focus on the work of writing, that's good too.

Link: "The Surprising Process of Writing", from Inside Higher Ed

Related posts: "Amish computing", "My version of 'Amish computing'"

The folks who live in the mail

A few days ago I found myself fascinated by the names attached to the junk that pushes its way into my "mailbox" (that's a metaphor; I'm speaking of e-mail). My guess is that these names are randomly generated from lists of firsts and lasts (and, sometimes, middle initials). Some recall the zanier moments of, say, Bob and Ray. Some are a matter of dazzling exotica. Some are just strangely evocative. I took a small sample from one morning's spam and invented a few brief lives.

A disclaimer: The characters described below are the work of my imagination. They bear no relation to any real person, living or dead.

Coley Georgette
Entertainer, worked for many years at "The Stable," in downtown Terre Haute.

Baldwin Livingston
Pen name of Stanley Chickering, acclaimed author of more than 50 Westerns. (And a darned clever pen name too.)

Juanita Y. Langford
Director of activities at The Senior Center.

Roland Mahoney
"Your Choice for Weather," weeknights at 6 and 10.

Monte R. Reilly
Manager of local big-box store, currently reading Don't Sweat the Small Stuff.

Wesley Rosado
Shop teacher at Emmanuel Trades High School.

Bullard Tania
Former welterweight; more recently, Coley Georgette's manager; present whereabouts unknown.

[With apologies to Jerome Kern and Oscar Hammerstein II, who wrote "The Folks Who Live on the Hill."]

Update, 14 February 2005: In the mail this evening -- Faustino Pendleton! I have no further information at this time.