[37-08 Utopia Parkway, Flushing, Queens, c. 1939–1941. From the NYC Municipal Archives Collections. Click for a much larger view.]
I’ve read somewhere that Joseph Cornell was grateful to have met someone who had met Claude Debussy. I suppose I can say that I’m grateful to have met someone who had met Joseph Cornell. That would be John Ashbery, who corresponded with Cornell, spoke with him by telephone any number of times, and visited him once at home (no date given) in the company of another (unnamed) poet. From Ashbery’s foreword to Joseph Cornell’s Theater of the Mind: Selected Diaries, Letters, and Files, ed. Mary Ann Caws (New York: Thames and Hudson, 1993):
We sat for a long time in the kitchen, which was devoid of any of the treasures we had imagined the house to be full of, drinking Lipton’s tea and trying to do justice to the plate of leaden pastries on the table (Cornell explained that he preferred these “heavy-duty pastries,” as he called them, the old-style cafeteria kind, to the newer, fancier ones).Cornell’s penchant for sweets and his habit (Depression-inspired?) of using a single teabag for multiple guests (and more than one round of tea) is attested by other visitors to Utopia Parkway.
Cornell, his brother Robert, and their mother Helen moved to the house on Utopia Parkway in 1929. Cornell spent the rest of his life there. The basement was his workspace. The garage housed additional materials for his art. (But look for the sign next to the front door: the garage was for rent when this photograph was taken.) The house stands.
More about no. 37-08 and its best-known occupant:
~ The art historian Phyllis Tuchman’s account of a visit to no. 37-08: “Enchanted Wanderer: A Writer Returns to a Lost Afternoon with Joseph Cornell” (Hauser & Wirth).
~ Eliza Barry Callahan’s account of trying to make it into no. 37-08, many years after Cornell’s death (The Paris Review).
~ Sarah Lea and Jasper Sharp’s account of “The House on Utopia Parkway” (Gagosian Quarterly ).
~ A Gagosian installation: The House on Utopia Parkway, Wes Anderson’s re-creation of Cornell’s basement workspace.
Related reading
A handful of Joseph Cornell posts : More photographs from the NYC Municipal Archives (Pinboard)
[I’m also grateful to have met John Ashbery.]

comments: 5
Very nice
Thanks!
One of my favorite artists, perhaps my favorite of all. I was lucky enough to see two Cornell shows in my old home town, one, in my teens, in a gallery that at the time was in the basement of our local library, and the other decades later in the museum that gallery had grown into. And also an evening of his rarely seen films.
Fresca here.
I’ve been a fan of Cornell’s art ever since I saw one of his magical box constructions at the Walker Art Museum here when I was young.
Thanks for the photo of his very ordinary house. I’m a little surprised that he didn’t turn his entire house into a magic box.
Leaden pastries? Ha. I kinda like heavy commercial pastries too.
I’ve spent long stretches of time in the room of Cornell boxes at the Art Institute of Chicago. They’ve apparently been pulled — on loan? for preservation?
Chris, if you want to see the films again, at least some of the them are (still) at UbuWeb.
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