Friday, April 13, 2018

Word of the day: aegis

Merriam-Webster’s Word of the Day is the noun aegis:

1 : a shield or breastplate emblematic of majesty that was associated with Zeus and Athena

2 a : protection
2 b : controlling or conditioning influence

3 a : auspices, sponsorship
3 b : control or guidance especially by an individual, group, or system
The dictionary explains:
We borrowed aegis from Latin, but the word ultimately derives from the Greek noun aigis, which means "goatskin." In ancient Greek mythology, an aegis was something that offered physical protection, and it has been depicted in various ways, including as a magical protective cloak made from the skin of the goat that suckled Zeus as an infant and as a shield fashioned by Hephaestus that bore the severed head of the Gorgon Medusa. The word first entered English in the 15th century as a noun referring to the shield or protective garment associated with Zeus or Athena. It later took on a more general sense of "protection" and, by the late-19th century, it had acquired the extended senses of "auspices" and "sponsorship."
The modern meanings of aegis always throw me for a moment, because when I see the word I think of Athena, whose aegis scares the bejeezus out of people, as when she shows it to the suitors in Odyssey 22: “At this moment that unmanning storm cloud, / the aegis, Athena’s shield, / took form aloft in the great hall.”

And the suitors, “mad with fear,” stampede.

[From Robert Fitzgerald’s 1961 translation.]

Thursday, April 12, 2018

Some SuihoEn rocks


[As seen in SuihoEn, Van Nuys, California.]

SuihoEn, “garden of water and fragrance,” also known as the Japanese Garden, is a beautiful landscape created next to a water reclamation plant. From the SuihoEn website: “The garden’s purpose was to demonstrate a positive use of reclaimed water in what is generally agreed to be a delicate environment.” The fish seem to like reclaimed water just fine.

Alas, I was unable to photograph the garden’s Tortoise Island in a way that clearly suggested “some rocks.” But I did spot this group of three elsewhere in the garden, and I didn’t need to stray from the walking path to get a photograph. “Some rocks” is a minor Orange Crate Art preoccupation.

Anti-Establishment


[From a menu for Lums, a restaurant chain of the past. As seen at the Museum of the San Fernando Valley.]

My guess is that this menu dates from the 1970s, early enough for the idea of being anti-Establishment to seem timely, late enough for it to have become the stuff of a mild joke. How long has it been since I enjoyed an old-fashioned milkshake? Less than twenty-four hours. But it’s a rare thing. We are here to eat ice cream only occasionally.

The Museum of the San Fernando Valley, a small all-volunteer museum housed in an office suite, was a wonderful part of our trip to Los Angeles. Hats off to docent Jackie, who told us great stories of her life and of life in the Valley.

[The Oxford English Dictionary dates the Establishment to 1923, with the term taking on clear meaning in 1955: “By the ‘Establishment’ I do not mean only the centres of official power — though they are certainly part of it — but rather the whole matrix of official and social relations within which power is exercised.” Anti-Establishment dates to 1958.]

Wednesday, April 11, 2018

T-Ball Jotter sighting


[“Young voice.” From Shattered Glass (dir. Billy Ray, 2003). Click for larger handwriting.]

A journalist should be making notes during a telephone conversation, no? Document everything.

I’ve also noticed Parker T-Ball Jotters in Homicide and Populaire. I can’t help it.

Other T-Ball Jotter posts
A 1963 ad : Another 1963 ad : A 1964 ad : A 1971 ad : My life in five pens : Thomas Merton, T-Ball Jotter user

“What are we here for?”

Sonny Rollins:

“We got a short life, and what are we here for? To eat ice cream and have fun with girls? No, I think we’re here to try and improve ourselves, become better people, nicer people, and that’s what I’m doing.”
Related posts
“I’m one of the last guys left, as I’m constantly being told” : Rollins on golf : Rollins on music : Rollins on paying the rent : Rollins, J.D. Salinger, Robert Taylor : Sonny Rollins in Illinois

[Ice cream and girls: I wonder if Rollins had a certain president in mind.]

Tuesday, April 10, 2018

“The ſhrill Trumpe”


[Othello, act 3, scene 3.]

As seen in the Bodleian First Folio. When Elaine and I watched Orson Welles’s Othello last night, these words jumped out.

Judging books by their covers

The New York Times reports on people who, well, fetishize New York Review Books Classics. Yes, the covers do look great, they really do.

Orange Crate Art is a NYRB-friendly zone. The first NYRB Classic I read: William Lindsay Gresham’s novel Nightmare Alley.

Domestic comedy

“And you asked him?”

“Yes.”

“And he deigned to reply?”

“Yes, he deigned.”

Related reading
All OCA domestic comedy posts (Pinboard)

At the office with Louis Malle


[Click any image for a larger view.]

The opening scenes of Louis Malle’s Elevator to the Gallows (1958) are office-centric. Man, are they ever. Julien (Maurice Ronet) sits at his well-appointed desk: Gitanes, Parker 51 fountain pen (it at least looks like a Parker 51), miniature camera, and telephone. The odd object that looks like an small hourglass? It’s a clock.



It’s 7:04. No, now it’s 7:05. Or 7:5? 75? “HURRY UP PLEASE ITS TIME”: time, that is, to put away the card file and get going.



Meanwhile, Anna (Jacqueline Staup) runs the switchboard and sharpens pencils. “The inexorable sadness of pencils”? Phooey. Life is good. Anna’s sharpener resembles a telephone. Nothing terrible has happened — yet. And nothing terrible will happen to Anna, or to her sharpener.




[With lines borrowed from T.S. Eliot’s The Waste Land and Theodore Roethke’s “Dolor.”]

Monday, April 9, 2018

Got warrants?

From The New York Times:

The F.B.I. on Monday raided the office of President Trump’s longtime personal lawyer, Michael D. Cohen, seizing records related to several topics including payments to a pornographic-film actress.

Federal prosecutors in Manhattan obtained the search warrant after receiving a referral from the special counsel, Robert S. Mueller III, according to Mr. Cohen’s lawyer, who called the search “completely inappropriate and unnecessary.” The search does not appear to be directly related to Mr. Mueller’s investigation, but likely resulted from information he had uncovered and gave to prosecutors in New York.

“Today the U.S. Attorney’s Office for the Southern District of New York executed a series of search warrants and seized the privileged communications between my client, Michael Cohen, and his clients,” said Stephen Ryan, his lawyer. “I have been advised by federal prosecutors that the New York action is, in part, a referral by the Office of Special Counsel, Robert Mueller.”
One warrant? More than one? Whichever. Seize! Seize!

I trust that the president’s lawyer’s lawyer has a lawyer.

[“Pornographic-film actress”: an elegant use of the hyphen.]