The day after National Pencil Day

[As seen on a walk this morning.]

Yesterday was National Pencil Day. You could hear them going at it, partying hard, deep into the night. This poor guy must have gone a little too hard.

“Another slim volume”

And speaking of slim volumes of poetry:


[Glen Baxter, Atlas (New York: Knopf, 1983).]

A related post
“Just poems about spring and that”

[A friend gave me a xeroxed copy of this drawing years ago, clipped from an advertisement with the heading “Coming Sept 30 from Cape” (that is, from the publisher Jonathan Cape). I thought the publisher was advertising poetry in a funny way. I didn’t realize that the ad was for a book by Glen Baxter himself.]

“Just poems about spring and that”

On guard duty in a trench, Schlump hears “the call of nature.” He cannot desert his post. And all he has for paper is a “slim volume of poetry.” By a sign reading Infantry Regiment X—Infantry Regiment Y, he leaves “a different, far less glorious marker”:


Hans Herbert Grimm, Schlump. 1928. Trans. Jamie Bullock (New York: New York Review Books, 2016).

Also from this novel
Food fight : “Headed for the Front” : “A few sacks of peas”

Ignorant of ignorance

In The New York Times, Thomas B. Edsall writes about what can happen “when the president is ignorant of his own ignorance.” The term missing from this piece: Dunning-Kruger effect.

A related post
Dunning K. Trump

Recently updated

Which Joe Turner? The Times Chuck Berry feature now has a photograph that is unmistakably of Big Joe Turner.

“A few sacks of peas”

Arriving at the Front:


Hans Herbert Grimm, Schlump. 1928. Trans. Jamie Bullock (New York: New York Review Books, 2016).

Also from this novel
Food fight : “Headed for the Front”

[Dugout: “an area in the side of a trench for quarters, storage, or protection” (Merriam-Webster’s Collegiate Dictionary).]

John Shimkus and S.J.Res.34

Here, from The Verge, is a list of the members of Congress, all Republicans, who voted in favor of S.J.Res.34, along with the total contributions they received from the telecommunications industry in their most recent electoral campaigns. I am surprised to see my House representative, John Shimkus (R, Illinois-15), doing so well. In his most recent (2016) campaign, he received $104,425 in telecommunications contributions. Only twelve senators and three representatives received more money from telecommunications in their most recent campaigns. Shimkus had no opponent in the general election, only a Republican primary challenger. To paraphrase an old song: they’ve got an awful lot of money in east-central Illinois.

No doubt many Democratic members of Congress received contributions from the telecommunications industry as well. This list has only the names of those members of Congress who voted for S.J.Res.34. Two Republican senators did not vote. Fifteen House Republicans voted no; six House Republicans and three House Democrats did not vote.

Which Joe Turner?

This photograph from an excellent New York Times feature caught my eye:


[From “Before and After Chuck Berry,” New York Times, March 23, 2017. Click for a larger view.]

I called the Times today to suggest a correction. Though I can’t be certain, I’m virtually certain that the photograph above is of the pianist Joe Turner, not the singer Big Joe Turner. Notice especially the shape of the hairline, eyebrow, and mouth. Big Joe Turner, or Joe Turner?

 
[Big Joe Turner and Joe Turner. Click either image for a larger view.]

I differ with the Times in omitting the quotation marks from “Big Joe.” Big Joe Turner was big, not “big.” I sat next to him once in a bar where he was performing. Trust me.

If the Times makes a correction, I suspect that Orange Crate Art readers will be among the first to know.

[That the Times photograph is from Getty Images doesn’t mean that it’s correctly captioned. At least one other photograph from Getty misidentifies Joe Turner as Big Joe Turner.]

*

March 30: The Times replied and let me know that “Before and After Chuck Berry” now has a photograph that is unmistakably of Big Joe Turner. Hurrah!


[Click for a larger view.]

Big Joe Turner is one of my earliest musical memories. I highly recommend The Boss of the Blues, a 1956 album with a stellar cast (Lawrence Brown, Pete Brown, Pete Johnson, et al.) and a memorable catalogue number: Atlantic 1234. “What makes grandma love old grandpa so? He can still do the boogie like he did forty years ago.”

*

Later that same day:

The Getty photograph that the Times first used was taken at the Cannes Jazz Festival, July 12, 1958. Joe Turner the pianist played at that festival. His name appears in a Library of Congress description of a television show about the festival. And Turner appears in this compilation of performances from the festival. I think it's unmistakably Joe Turner the pianist in the first Times photograph.

A description of the 1958 photograph in the book 1950s (Getty Images, 1998) manages to turn the two Turners into one person, pianist and singer: “an expert in the hard-driving ‘stride’ piano style, Turner was also known as the ‘Boss of the Blues.’” Yipes.

Still teaching

I am standing in an enormous classroom, a room that resembles a storefront or pizza parlor, with a plate-glass window looking out to the street. Two students are in the room, and I say to them that I always make a point of saying “Good morning” when I come to class. I say “Good morning” to them, and one replies. I am carrying butter and chocolate, which I take to a nearby room to place in the refrigerator. The refrigerator is a wooden cabinet that the music teacher is using as a lectern as she leads a chorus. The music teacher looks like Jean Stapleton. I can’t put the butter and chocolate away without interfering with her conducting.

I go back to my room, now filled with forty or fifty students. “To build on what we were doing before our lost weekend,” I say — and I go on to explain that we’re going to look at basic punctuation. I explain that words can be put together to form phrases or clauses, and that a clause is a group of words that can stand on its own as a complete sentence. I realize that I’ve already botched my explanation, so I backtrack to explain the difference between independent and dependent clauses.

And now that everyone is here, I say “Good morning” all over again. I look for a blackboard and see only a corkboard with an honors-class presentation and a cracked slate blackboard with a grid of names and grades in ancient handwriting. I realize that I should not erase those names and grades. I notice a table with four hunters. They’re sitting against the far right wall. They grin at me. I ask them, “Are you guys even paying attention? How do you expect to get a foot in the door after you leave here?” No answer, just grins.

And then I go back to thinking about what I can write on. “Does anyone have a whiteboard?” I ask. Someone has one, but it doesn’t erase well. As I’m trying to erase, Jess Mariano from Gilmore Girls brings up a spiral notebook. “I think you dropped your notebook,” he says. He’s trying to be helpful, but it’s not my notebook, and I tell him so. “I think you dropped your notebook,” he says. “Believe me,” I say, “I’d recognize my own notebook.” And then I woke up.

This is the tenth teaching-related dream I’ve had since retiring. None of them have gone well. The others: 1, 2, 3, 4, 5, 6, 7, 8, 9.

[Possible sources: A Fresh Air interview about for-profit colleges (with a brief reference to Trump U.). The importance of chocolate in Hans Herbert Grimm’s war novel Schlump. A New York Times piece about eating radishes with salt and butter. Seeing Jean Stapleton in the film Something Wild. Seeing militia members in the documentary The Other Side. Gilmore Girls, obviously.]

Arthur Blythe (1940–2017)

The alto saxophonist Arthur Blythe has died at the age of seventy-six. The San Diego Union-Tribune has an obituary.

Arthur Blythe’s sound on alto is immediately recognizable, a calling card printed in a bold cursive, so to speak. Here are five of my favorite Blythe recordings:

Bush Baby : God Has Smiled on Me : In a Sentimental Mood : Lenox Avenue Breakdown : Miss Nancy

[Full disclosure: “God Has Smiled on Me” is one of my favorite recordings by anyone, ever.]