Sad news: the actress and director Nancy Malone has died at the age of seventy-nine. She played the aspiring actress Libby Kingston, the girlfriend, and later fiancée, of Adam Flint (Paul Burke) on the television series Naked City. She was the last surviving member of the cast.
Elaine and I sent Nancy Malone a letter last year, telling her about our love of the show, of her acting, and of the Adam-Libby partnership, especially of the way the two characters toss out lines of poetry to one another. We were thrilled to receive a two-page handwritten reply. I’ll write something about that soon.
[Nancy Malone as Libby Kingston. From the Naked City episode “The Multiplicity of Herbert Konish,” May 23, 1962.]
Related reading
A letter from Nancy Malone
Nancy Malone in Life magazine
Adam and Libby at play
Adam and Libby at play again
All OCA Naked City posts (Pinboard)
Saturday, May 10, 2014
Nancy Malone (1935–2014)
Mark Trail revised
[Mark Trail revised, May 10, 2014.]
The look on Mark’s face — I had to do it.
Related reading
All OCA Mark Trail posts (Pinboard)
[If you’re a regular reader, you know the context. If not, see here.]
Friday, May 9, 2014
Joe Wilder (1922–2014)
The trumpeter Joe Wilder has died at the age of ninety-two. The New York Times has an obituary.
My fambly was fortunate to hear Joe Wilder playing an all-Ellington program with the Smithsonian Jazz Masterworks Orchestra many years ago. His solos were the brightest moments of the night. Kids, you got to hear a master at work.
The January 6, 1986 issue of The New Yorker has a Whitney Balliett piece on Joe Wilder (titled “Joe Wilder”). It’s mostly Wilder talking. Here he describes his idea of improvisation:
“The melodic material determines to a great degree what I do. If it is simple material, I try and make it more ornate. If it is ornate, I try and simplify it. You try not to trample on a nice melody. You alter it here and there.”You can listen to Joe Wilder’s alterations via these YouTube samples.
“Cherokee” : “Have You Met Miss Jones?” : “In a Mist” : “Prelude to a Kiss” : “Struttin’ with Some Barbecue”
[Can a trumpet sound like Johnny Hodges playing “Prelude to a Kiss”? Yes, if that trumpet is being played by Joe Wilder.]
Elizabeth T. Walker speaks
Here’s a lengthy 2014 conversation between the pianist Frank Pavese and the actress Elizabeth T. Walker, aka Tippy Walker, who played Valerie Campbell Boyd in the 1964 film The World of Henry Orient (dir. George Roy Hill). This conversation seems to have come online with no fanfare and to little notice. My favorite Walker observation therein: “It’s very hard to be yourself, but it’s the best possible thing.”
This 2012 piece from The New Yorker website describes Walker’s difficult post-Orient life: A Star Is Born, Lost, and Found. I hope that there are good things coming Elizabeth T. Walker’s way.
I’ve been a fan of The World of Henry Orient since kidhood and finally read Nora Johnson’s 1958 novel a few years ago. Here’s an excerpt.
IBM in Naked City?
A reader writes:
Naked City shot one episode in an IBM office. My [late] father was working there at the time, and said that a girl ran down the hallway and all the IBMers were instructed to open their office doors and look out. Would you be able to tell me which episode this might be?My correspondent thinks that the episode aired in May or June of 1961, ’62, or ’63.
I think the episode might be “The Multiplicity of Herbert Konish,” which aired on May 23, 1962. It's the only episode I can recall offhand in which office life is prominent. (It also happens to be one of my favorite episodes.) But no one runs in this episode, and there’s no one looking out from an office doorway. As my correspondent notes, such a scene may have been filmed and left unused.
Naked City viewers: is another episode more likely? Adair, can you help here?
Another way at the question: does anyone recognize IBM in these scenes?
[Detective Adam Flint (Paul Burke) on the premises. The name on the door may be a fiction: I can find no trace of it.]
[David Wayne as Herbert Konish, pressing Down.]
[William LeMassena as Mr. Hanley, looking up an account in a Rolodex. Click any image for a larger view.]
The IMDb page for this episode has only Biograph Studios (in the Bronx) as a location. But these interiors do not look like sets. And Washington Square Park is conspicuous in this episode, so plainly the page is incomplete. As you may have already guessed, I haven’t found interior images of IBM offices circa 1960.
“The Multiplicity of Herbert Konish” is the subject of one, two, three previous OCA posts.
Related reading
All OCA Naked City posts (Pinboard)
Thursday, May 8, 2014
Impressionist France
At the St. Louis Art Museum, through July 6, Impressionist France: Visions of Nation from Le Gray to Monet. The exhibit explores the role of nineteenth-century painters and photographers in the construction of French identity. Five things I was surprised to learn:
A state-funded project employed five photographers (including Gustave Le Gray) to document French monuments in need of conservation.
Another photographer, Charles Marville, photographed old Parisian streets and buildings before they were demolished in Baron Georges-Eugène Haussmann’s project of urban renewal.
Le Gray and Marville were both official photographers; Le Gray for France, Marville for Paris. All very WPA-like in my achronological head.
French rural life has long been associated with the idea of la France profonde, “deep France,” ancient and unchanged.
The paint tube transformed the possibilities of painting. The painter John Goffe Rand invented the tube in 1841. It made paint easily portable, allowing painters to work en plein air. Pierre-Auguste Renoir: “Without colors in tubes, there would be no Cézanne, no Monet, no Pissarro, and no Impressionism.”
Here’s more about paint tubes, from Smithsonian Magazine: “Never Underestimate the Power of a Paint Tube.” (This article is the source of the Renoir sentence above.) And here, from the Smithsonian’s Archives of American Art, is Rand’s patent, “Improvement in the Construction of Vessels or Apparatus for Preserving Paint, & c.”
[Is there even one American city with an official photographer?]
Wednesday, May 7, 2014
Old Blue
[Bearded Bull’s Head. Sumerian, Early Dynastic III Period, 2600–2450 BCE. Copper with lapis lazuli and shell inlay. Saint Louis Art Museum.]
The museum card says,
This bull’s head is made from solid copper, an extremely costly and valuable material in antiquity. It was likely part of an architectural element, such as a lintel over door, since it is too heavy to be a furniture embellishment. The bull was commonly associated with a storm god, whose control of weather and thunder was imagined as a great bull roaring across the sky. As an embodiment of power and fertility, the bearded bull served as a symbol of divine protection and royal might throughout ancient Near Eastern art.Mighty, yes. But such a plaintive face! I think of Blake’s tyger: mighty, but.
You can see this bull on the Museum’s website. He’s much bluer in person.
[About the post title: see here, listen here.]
Tuesday, May 6, 2014
“WTF!!”
Alas, grammar! Grammar blog about capitalizing titles DOESN'T capitalize its titles!! WTF!! http://t.co/XAZ3jqKlYe pic.twitter.com/KTNMxQnuQA
— John Wohn (@johnwohn) May 6, 2014The related post
How to capitalize a title
Testers
I wish I knew where these slips originated: they just appeared on the bedroom floor the other day. I like the care that went into their design. Four languages, two to a side, 1 5/8" x 2 1/8".
A related post
Inspected With Pride By Betty Tingle
Monday, May 5, 2014
Hundred-Dollar General
I would respectfully suggest that if there’s one place not to pass a counterfeit hundred-dollar bill, it would be a Dollar General store. Your large bill will look wildly out of proportion to any plausible purchase and more than a little suspicious.
[Or at least that would be the case if I were cashiering.]
