“A new crowdsourcing project provides an eye-opening glimpse into the hefty amounts of debt some graduate students take on to pay for their education and how hopeless many of them feel about their prospects for repaying it”: The Cost of a Ph.D. (The Chronicle of Higher Education). The project, in the form of a Google spreadsheet, is here: Ph.D. Debt Survey. It’s a sorrowful thing to read.
Something I said in a post last October: “Borrowing any amount of money to finance graduate work in the humanities is folly.” William Pannapacker’s advice about graduate work in the humanities is simpler: “Just don’t go” — unless you are well-heeled or well-connected or supported by a partner or are earning a credential and your employer is paying. Hard times here and everywhere you go. Times is harder than ever been before.
Friday, January 17, 2014
Ph.D. debt
“One could have Timofey televised”
[Vladimir Nabokov, Pnin (1957).]
Nabokov seems to have imagined — if only as a horrible pipedream — the end of the classroom and the rise of something MOOC-like. Phonograph records and televisions for all!
Related reading
All Nabokov posts (Pinboard)
Thursday, January 16, 2014
Party?
The January/February Atlantic asks a question: “What party would you most like to have attended?”
I am not a party person. But I would like to have attended the party given by Timofey Pnin in Vladimir Nabokov’s novel Pnin (1957). Partly to see Pnin (a mensch among men), partly to sample Pnin’s Punch (“a heady mixture of chilled Chateau Yquem, grapefruit juice, and maraschino”), partly to hear the dowdy conversation (“This beverage is certainly delicious”), partly to take in Nabokov’s satiric picture of life in a New England college town. I would volunteer to stay late and help Pnin with the dishes.
At the risk of repeating The Atlantic and myself: What party would you most like to have attended?
[Sad: The Atlantic asked this question of its readers on December 22 and has had one response. So I think it’s fine to ask the question here.]
Wednesday, January 15, 2014
Word of the day: chinoiserie
Merriam-Webster’s Word of the Day is chinoiserie:
chinoiserie \sheen-wah-zuh-REE\ nounThis word always makes me think of Duke Ellington: the Ellington-Strayhorn adaptation of Tchaikovsky’s Nutcracker turns the “Chinese Dance” into “Chinoiserie.” And The Afro-Eurasian Eclipse (1971) begins with Ellington’s own “Chinoiserie,” a feature for the tenor saxophonist Harold Ashby. Here is the studio recording and, even better, a performance from a 1973 concert. That concert, released as Rugged Jungle (Lost Secret, 2003) is ample evidence that even in its last days, the Ellington band could be a force of nature.
: a style in art (as in decoration) reflecting Chinese qualities or motifs; also : an object or decoration in this style
Domestic comedy
“Let’s get Kleenex. It’s a name I’ve grown to trust.”
Cf. Einbinder Flypaper.
Related reading
All domestic comedy posts (Pinboard)
PIPING HOT COFFEE
[“Coin operating coffee machine with 4 possible mixtures, each selling for five cents.” Photograph by Wallace Kirkland. February 1947. From the Life Photo Archive. Click for a larger view.]
Why piping hot? “Because of the whistling sound made by very hot liquid or food,” says the Oxford English Dictionary. Its first citation is Chaucer’s “Miller’s Tale” (c. 1390):
He sente hir pyment meeth and spiced aleIn other words:
And wafres pipyng hoot out of the glede.
He sent her honeyed wine, mead, and spiced ale,Also some coffee with cream and sugar, piping hot out of the machine.
And cakes, piping hot out of the fire.
[The OED gives pipinge and pipeinge as v.rr., variant readings, for pipyng. The ersatz Chaucer is mine.]
Tuesday, January 14, 2014
“[I]t made me to weep with delight”
From a spam comment left for my post on how to e-mail a professor:
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A Google search for “a frightful dilemma for me personally” returns 28,600 results, with many variations:
It had been a frightful dilemma for me personally, however, being able to see this specialized mode you handled it forced me to weep for gladness.I cannot claim to jump for joy (or leap over contentment), but I do I take perverse pleasure in reading such stuff before deleting. O brave new world, that has such spammers in it.
It previously was a frightful dilemma for me personally, but noticing the very skilled avenue you resolved it made me to leap for gladness.
It previously was a frightful dilemma for me personally, however, taking note of a new expert mode you managed the issue made me to leap over contentment.
It was a frightful dilemma for me personally, however, understanding the specialised manner you solved the issue made me to jump for joy.
Related reading
All spam-themed posts (Pinboard)
Monday, January 13, 2014
Pocket notebook sighting (Naked City)
[Detective Adam Flint (Paul Burke) and notebook. From the Naked City episode “Vengeance Is a Wheel” (March 15, 1961). Click for a larger view.]
Pocket notebooks are everywhere in Naked City. In a scene that now looks slightly comic, one police officer reads out license-plate numbers and a dozen others dutifully copy into their notebooks. But this notebook is ready for its close-up. The short word must be and, but I’m at a loss about the rest. Any guesses?
Related reading
All Naked City posts (Pinboard)
And more notebook sightings
Angels with Dirty Faces : Cat People : Les Dames du Bois de Boulogne : Extras : Journal d’un curé de campagne : The House on 92nd Street : The Lodger : Murder, Inc. : The Mystery of the Wax Museum : The Palm Beach Story : Pickpocket : Pickup on South Street : Quai des Orfèvres : Railroaded! : Red-Headed Woman : Rififi : Route 66 : The Sopranos : Spellbound : State Fair : T-Men : Union Station : The Woman in the Window
Sunday, January 12, 2014
Outside Llewyn Davis
Elaine and I saw the Coen brothers’ Inside Llewyn Davis yesterday. I thought more of it than she did (and still do), but the more we talked about the film, the less I liked it.
The film’s title is unmistakably ironic: Llewyn Davis (Oscar Isaac) remains a cipher. How someone utterly insensate in his relationships can sing and play with such feeling is a question that the film leaves unexplored. Even in his devotion to music, Davis is unfathomable. What he hears in (so-called) folk music, how he found his way to it: we never know. There’s not one conversation about music, not one mention of the rural sources of the songs Davis and fellow urbanites are now making their own. The only character I can recall who speaks of music as music (and not as a business) is Roland Turner (John Goodman), a jazz musician whose monologue touches on the difference between music that uses the chromatic scale and music that uses three chords. He’s a more interesting cipher than Davis.
What Inside Llewyn Davis offers is stuff to look at: well-kempt beards, browline eyeglasses, Gibson guitars, corduroy jackets, and crepe-soled shoes. I had hoped to do more than look at. But being kept on the outside looking at the outside seems a given with the Coens.
[Are we meant to hear Llewyn Davis’s music as something extraordinary? I think so.]
