Thursday, August 13, 2009

Julie & Julia & Russ

At a certain point in the wonderful new movie Julie & Julia, there is a plot twist so shocking the audience gasps. Julia Child does something that seems so totally out of character that even on the way out, people were still shaking their heads. “How could she?” Well, that’s one mystery I can solve. I was right there in the middle of it.
Food writer Russ Parsons tells all:

Julie, Julia and me: Now it can be told (Los Angeles Times)

A related post
Julie & Julia

Les Paul (1915–2009)

“A guitar is a great bartender, a great psychiatrist, a great mistress.”
That’s Les Paul speaking, in a years-old newspaper article that’s been sitting on my desk for a few weeks. Les Paul died today in New York.

Les Paul, Guitar Innovator, Dies at 94 (New York Times)

Health Insurance Reform Reality Check

President Barack Obama:

This isn’t about politics. This is about people’s lives. This is about people’s business. This is about our future.
The White House has created a website to combat the toxic legends in the air:

Health Insurance Reform Reality Check (whitehouse.gov)

Whatever one thinks about health care reform (I support a single-payer system), the issues can only be debated and worked out with a reality-based citizenry.

Kirk Douglas is Ulysses, on DVD

Mario Camerini’s 1954 film Ulysses is now available on DVD. I am the proud custodian of a videotape copy, rescued from a going-out-of-business video-rental store.

The film’s a hoot in any format. Kirk Douglas is a plausible Odysseus, wily to the core, though his character lacks the grumbling moodiness that befits a man of constant sorrow. In an inspired bit of casting, Silvana Mangano plays both Circe and Penelope. And Anthony Quinn is the suitors’ ringleader Antinous. Hoo boy!

A related post
Kirk Douglas (1916–2020) (With a still from the film)

Wednesday, August 12, 2009

Dungarees

A story in ten drawings and two photographs:

Dungarees (Caroline’s Crayons)

Walter Benjamin on readers and writers

It is a truth universally acknowledged, sort of, that we are all writers now. Walter Benjamin’s observations suggest that we were all writers “then,” too:

For centuries the situation in literature was such that a small number of writers faced many thousands of times that number of readers. Then, towards the end of the last century, there came a change. As the press grew in volume, making ever-increasing numbers of new political, religious, scientific, professional and local organs available to its readership, larger and larger sections of that readership (gradually, at first) turned into writers. It began with the daily newspapers opening their ‘correspondence columns’ to such people, and it has now reached a point where few Europeans involved in the labour process could fail, basically, to find some opportunity or other to publish an experience at work, a complaint, a piece of reporting or something similar. The distinction between writer and readership is thus in the process of losing its fundamental character. That distinction is becoming a functional one, assuming a different form from one case to the next. The reader is constantly ready to become a writer.

“The Work of Art in the Age of Mechanical Reproduction” (1936), in The Work of Art in the Age of Mechanical Reproduction, trans. A.J. Underwood (London: Penguin, 2008), 22–23.
“The reader is constantly ready to become a writer”: as this post attests. Benjamin here, as at so many other points in this essay, is eerily relevant to our time. What he of course could not foresee was that publication itself would become the work of the everyday citizen online.

“Net yes”

Elaine and I have been volunteering at a soup kitchen this summer, serving hot lunches and making up takeaway sacks. Thus we have become acquainted with hairnets — one of us directly.

The figure to the left appears in Magic Marker on the kitchen’s box of hairnets (“Lightweight Nylon,” “144 / Ct.”) beneath a handwritten explanation, also in Magic Marker:

If your hair is shoulder length you must wear a net.
I like the way this illustration softens what might otherwise be mistaken for the voice of impersonal authority. Seeing this smiling, vaguely Mesopotamian figure has made me smile several times this summer.

What is it like to work at a soup kitchen? Tremendously and unpredictably rewarding — like all volunteer work, I’d say.

Ukulele Beatles Fun!

Yes, you too can learn the uke chords for Beatles songs, at Ukulele Beatles Fun! (“Self-improvement for free.”)

No “Revolution 9” though — I must search on.

[This post is dedicated to my favorite ukulelist and favorite banjoist.]

Tuesday, August 11, 2009

“Editor’s Lament”

The news of prisoners plagiarizing poems prompted Geo-B to comment via a poem of his own. I’ve added it to my previous post, but this poem should have a room of its own:

Editor’s Lament

Whose words these are I think I know
He’s not from cell block seven though
I heard it might be Bobby Frost
Who’s doing time up on death row.

We’re publishing a prison mag
With poems and stories in the bag
It’s “Prose and Cons,” so aptly named
Yet this seems pilfered as a gag.

I’ve read it someplace else I think
But I have plenty time to do
And miles to go before I fink
And miles to go before I fink.
Thanks, George!

Blogging rule of thumb

You need to post more than once a week to have any hope of attracting readers to your blog. Daily postings are even better.

Tom Parker, Rules of Thumb: A Life Manual (New York: Workman Publishing, 2008), 224.
Further reading
Rulesofthumb.org
Rule of thumb (Wikipedia)

[Yes, this post is very meta.]