George Bodmer, a longtime friend of Orange Crate Art, is posting a drawing a day at Oscar’s Portrait. George’s work is funny, pithy, poignant, silly, smart. Look, reader, look.
Wednesday, September 5, 2012
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
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Nancy, October 19, 1950.
“Mostly groovy”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Top twenty tags
Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
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▼
2012
(700)
-
▼
September
(59)
- Happy anniversary
- National Coffee Day
- Tim Cook’s letter
- Bryan Garner v. Robert Lane Greene
- Poem v. story, sidewalk v. floor
- Separated at birth?
- Happy harvest
- SiteSucker
- On the virtues of “site:”
- Stuyvesant students speak
- How to fix a Mighty Mouse trackball
- For use in “seemingly intolerable situations”
- Domestic comedy
- New directions in nuisance calls
- “The Writing Revolution”
- Recently updated
- “Bushmiller Country”
- Van Dyke Parks in Chicago
- Autumn Rhythm
- Telegram (Easy Living)
- The new Blogger interface on the iPad
- Close reading and the brain
- Matthew Crawford on making judgments
- Word of the day: phony
- A new song from Randy Newman
- A perfect way of writing
- VDP, Letter from Berlin
- Recently updated
- Now the other foot
- A. L. Salomon & Co.
- Nicholson Baker, re: Maeve Brennan
- The new DFW biography
- Happy birthday, Orange Crate Art
- E=F♭
- Roger Ebert on current events
- How to improve writing (no. 40)
- Marcus Aurelius on Maximus
- How to improve writing (no. 39)
- WTC, 1980
- From the eighty-fourth floor
- Proust on 120 CDs
- William Kennick on writing
- A Plain Text Primer
- “I Won’t Talk”
- Recently updated
- Jennifer Granholm at the DNC
- It’s called lifelong learning
- Perry Mason’s office
- Recently updated
- Streetside gum machines
- Pepperidge Farm Cookies
- Pencil holder
- Hi and Lois watch
- Oscar’s Portrait
- Words from M. Lazhar
- Another streetside machine
- Harry and Bud’s European Cuisine
- Labor Day
- New York in fifty objects
-
▼
September
(59)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- “Make My Jotter Quit!”
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- “On the Road”
- The Oteris and Marty
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- Phones Are For People
- “The Poet”
- Politics and theory
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- “The Spokesmen”
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
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