Paul McCartney’s handwriting, 1953.
Note the circled B. But of course you can begin a sentence with a conjunction.
Monday, September 28, 2009
Paul McCartney’s handwriting
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
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the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
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Nancy, October 19, 1950.
“Did he write this himself?”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
Search this blog
Creative Commons
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Words to live by
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
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2009
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September
(49)
- Teleconference: Stanley Lombardo reads Homer
- Glenn Gould’s last interview?
- ML + EF
- George Clooney and yogurt
- Guess the crime
- Paul McCartney’s handwriting
- “Sound-testing a MONGOL”
- Strawberry stream of dialogue
- The Staffordshire Hoard
- How to use furoshiki
- National Punctuation Day
- A new Glenn Gould documentary
- Domestic comedy
- The wrong line
- A teachable moment
- The Burt Britton Collection
- Paleo-Future
- Bob Herbert on present danger
- “Author in a stupor?”
- “Think Different” quiz
- Eraser Matches
- Brian Wilson on “Norwegian Wood”
- Mary Travers (1936–2009)
- “All time”
- Smoke gets in my dreams
- Five
- An experiment in procrastination
- E.B. White’s willow tree
- E.B. White on New York City
- Joe Wilson’s “he”
- Advice for Joe Wilson
- Van Dyke Parks down under
- Carnival of pens, pencils, and paper
- From the president, to schoolchildren
- Greeklish
- On letters and mailboxes
- Rod Blagojevich, maker of metaphors
- The scents and sounds of an office
- Jonathan Kozol, advice for students
- Abrams, Lewis, Mitchell: The Trio
- Stolen Mongols
- Outsourcing worry
- “A song is an intimation of immortality”
- Dang
- Re: Schaefer
- SCHAEFER
- Mr. White’s neighborhoods
- A tip to speed up Firefox
- Enric Jardí on type
-
▼
September
(49)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- John Lee Hooker and Canned Heat
- Is there a pencil in The House?
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- Lady Elaine’s can
- “Make My Jotter Quit!”
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- “On the Road”
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- “The Poet”
- Phones Are For People
- Proust: involuntary memory, foolish things
- Politics and theory
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- The Spokesmen
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- What I hear in “Walk Away Renee”
- W(h)ither grammar
Nancy, October 19, 1950.
comments: 1
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