Siduri and Marcus

Thinking about the joylessness of Marcus Aurelius’s Meditations made me recall this passage from the Old Babylonian version of the Gilgamesh story. Siduri, goddess and tavern-keeper at the edge of the world, speaks to Gilgamesh, who seeks a way out of the world of living and dying:

“When the gods created man they allotted to him death, but life they retained in their own keeping. As for you, Gilgamesh, fill your belly with good things; day and night, night and day, dance and be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife happy in your embrace; for this too is the lot of man.”

Fear of death isn’t the problem for Marcus. But what he seems not to know is that life can be beautiful. And not mindlessly beautiful but beautiful even when or especially when one understands that it comes to an end.

Related reading
All OCA Gilgamesh posts (Pinboard)

[The Gilgamesh passage is from N.K. Sandars’s highly readable composite The Epic of Gilgamesh (New York: Penguin, 1972). For a scholarly translation, try The Epic of Gilgamesh, trans. Maureen Gallery Kovacs (Stanford: Stanford University Press, 1989). “Old Babylonian”: not what’s known as the Standard Version of the story.]

Bacon and Peanuts

[Peanuts, April 15, 2024. Click for a larger view.]

Remember oral reports? Sally is giving one on the importance of reading.

Yesterday’s Peanuts is today’s Peanuts.

Related reading
All OCA Peanuts posts (Pinboard)

Hidden Bar

Alas the free app Dozer doesn’t work on a M3 Mac. A fine free replacement to hide menu bar items: Hidden Bar. Found via MacMenuBar, “a curated directory of 900+ Mac menu bar apps.”

This post gives an idea of the things I fuss about when setting up a new Mac. And yes, if you’re switching from an Intel machine, the M3 Mac is unbelievably fast. And fewer typos!

Marcus Aurelius, not wise

Marcus Aurelius:

You will think little of the entertainment of song or dance or all-in wrestling if you deconstruct the melodic line of the song into its individual notes and ask yourself of each of them: “Is this something that overpowers me?” You will recoil from that admission. So too with a comparable analysis of dance by each movement and each pose, and the same again with wrestling. Generally, then, with the exception of virtue and its workings, remember to go straight to the component parts of anything, and through that analysis come to despise the thing itself. And the same method should be applied to the whole of life.

Meditations, 11.2, trans. Martin Hammond (New York: Penguin, 2006).

Of course Marcus lived long before Art Tatum, Fred Astaire and Cyd Charisse, and [insert the name of an all-in wrestler of your choice here]. And it seems not to have occurred to him that music and movement take place in and across time.

Also from Marcus Aurelius
On change : On distraction : On Maximus : On revenge

[The translator’s comment on 11.2: “An extreme (and utterly unconvincing) example of the reductive analysis which Marcus frequently recommends and employs.” I’m at a loss to name an all-in wrestler.]

Marcus Aurelius, wise

Marcus Aurelius:

The best revenge is to not be like your enemy.

Meditations, 6.6, trans. Martin Hammond (New York: Penguin, 2006).

Also from Marcus Aurelius
On change : On distraction : On Maximus : On music, dance, and wrestling

“Frost” and Frost

I was teaching a poetry class and getting ready for our first meeting after a break, when it’s always a challenge to get back to the realities of a semester. I realized that I had forgotten to bring the two poems we were going to talk about, Samuel Taylor Coleridge’s “Frost at Midnight” and Robert Frost’s “Stopping by Woods on a Snowy Evening.” I printed out a copy of each poem in my office and went off to teach.

“Good morning,” I said to my students. “Is it okay to call it that?” In other words, was it okay to call the first morning back in class a good one? My students seemed receptive to my humor. One student announced with some excitement that a student organization was selling ten-cent hamburgers at the entrance to our building. I explained that I had left the little notebook with our next assignment at home, and that right after class I’d go home and send an e-mail with the details of the assignment. “You shouldn’t have to do that,” one student said. No, it was okay, I explained: “I live just five minutes from campus. I’ll send it at about 12:05.”

And then I realized that our class had started at noon, not 11:00.

Related reading
All OCA teaching dream posts (Pinboard)

[This dream arrived a few nights ago: no influence from the repeated name in a post yesterday. There’s a certain dream-logic to the combination of “Frost” and Frost, but in the waking world, “Frost at Midnight” would be plenty for a fifty-minute class. See also Robert Lowell’s poem “Robert Frost,” which begins “Robert Frost at midnight, the audience gone / to vapor.” This is the twenty-eighth teaching dream I’ve had since retiring in 2015. In all but one, something has gone wrong.]

Arizona 1864

“Written to police the behavior of men, the code tells a larger story about power and control”: the historian Heather Cox Richardson looks at the 1864 Arizona criminal code.

Harts, Keen’s, WIsconsin

Kevin Hart of harvest.ink shared a photograph of a letterhead from his father’s correspondence. It was 1973, and Keen’s English Chop House still had its WIsconsin exchange name.

[Click for a larger view.]

Kevin’s father was a newspaperman and a member of Keen’s Pipe Club. When Kevin sent me a link to a page with Keen’s history, I realized that I’d read about the restaurant somewhere. And I could think of only one possibility.

[Harold H. Hart, Hart’s Guide to New York City (New York: Hart Publishing, 1964). Click for a larger view.]

There seems to be no family relation, but the synchronicity of Hart and Hart is not lost on me.

Keens has lost its apostrophe, and though the restaurant still serves mutton chops, it now calls itself a steakhouse. And though the restaurant has dropped the WIsconsin, the telephone number remains the same: 212-947-3636.

Thanks, Kevin, for letting me share this piece of history here.

Ammonia coke

In Jean Stafford’s novel The Mountain Lion (1947), a brothel owner asks a boy to go to the drugstore and get her “a package of Luckies and an ammonia coke.” Luckies still probably need no footnote, but what’s an ammonia [C]oke?

Here’s an explanation.

And here’s a well-known scene from The Best Years of Our Lives, in which a fascist falls onto a drugstore display case and the store manager calls for help: “Bring some aromatic spirits of ammonia, iodine, and bandages.”

Related reading
All OCA Jean Stafford posts (Pinboard)

[New York Review Books reissued The Mountain Lion in 2010. And just in case: Luckies are Lucky Strikes, cigarettes.]

Domestic comedy

[Upon returning from a partial — partial indeed — eclipse.]

“It’s dark in the house.”

Related reading
All OCA domestic comedy posts (Pinboard)