Saturday, August 11, 2018

From the Saturday Stumper

Today’s Newsday Saturday Stumper, by Frank Longo, is difficult. A solver who knows something about earthworms, Kentucky history, and defunct television networks may have an advantage, though crosses can make up for the missing knowledge.

A clue I especially liked, in the most difficult (for me) section of the puzzle : 17-Across, five letters: “Big name in little cubes.” RUBIK? No. But so simple once you see it. No spoilers: the answer is in the comments.

Friday, August 10, 2018

Speaking for yourself

“While identity affects your experiences, there’s no guarantee that what you’ve learned from them is going to be the same as what other people of the same identity have learned.” As a person wary of reducing individual identities to group labels, I think that Kwame Anthony Appiah’s essay “Go Ahead, Speak for Yourself” is worth your time.

MSNBC, sheesh

“Stone is of tantamount interest to Mueller.”

Not tantamount : paramount.

Related reading
All OCA sheesh posts (Pinboard)

“This hectic modern life”

From Abel Gance’s 1923 film La roue (The Wheel ). Elie (Gabriel de Gravone) speaks, or rather, an intertitle card speaks for him:

“Rails, wheels, smoke — how gloomy it all is! This hectic modern life is so exasperating!”
The Wheel is about four and a half hours long. We have about two hours to go. It’s an amazing film. Neither Filmstruck nor Netflix can help, but a library might have it.

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August 11: Elaine found the film on YouTube, truly silent, without a musical score: part 1, part 2.

Norsk Hermetikkmuseum

“The exhibitions focus on the production of Norwegian sardines from their first appearance in 1879 until the mid-1950s.” Say hello, or hallo, to the Norsk Hermetikkmuseum, the Norwegian Canning Museum. With a café, a gift shop, a recreated cannery, and 40,000 sardine labels.

Related reading
All OCA sardine posts (Pinboard)

Thursday, August 9, 2018

John Ashbery’s last poem

“John Ashbery’s last poem, handwritten at his home in Hudson, New York, on August 25, 2017. Ashbery died on September 3”: “Climate Correction” (Harper’s).

Related reading
All OCA Ashbery posts (Pinboard)

“What time was all that?”

From a memoir by Luisa Ferber (née Lanzberg), written between 1939 and 1941, as it became clear that obtaining a visa to leave Germany was impossible. Before being “deported” with her husband Fritz in November 1941, Luisa Ferber sent the memoir to her son Max in England:


W.G. Sebald, The Emigrants, trans. Michael Hulse (New York: New Directions, 1996).

Related reading
All OCA Sebald posts (Pinboard)

[The line between fiction and historical reality is blurry here. Max Ferber is modeled on the painter Frank Auerbach. Sebald said in an interview that he used a manuscript by Auerbach’s aunt as the basis for Luisa Ferber’s memoir.]

Wednesday, August 8, 2018

A friend of Nancy

Smithsonian digs the new Nancy.

Related reading
All OCA Nancy posts (Pinboard)

An agenda


W.G. Sebald, The Emigrants, trans. Michael Hulse (New York: New Directions, 1996).

Really, if I had never read a word of Sebald, seeing this full-page photograph (page 127) would make me decide to read his work.

Related reading
All OCA Sebald posts (Pinboard)

Small town, car, screen

One way to know you’re living in a small town: you recognize your neighbor’s little sports car in a TV commercial for a local auto shop.

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August 14: Our neighbor knows about the commercial. But the car isn’t his. Someone else in town has the same little sports car, and my neighbor knows who. Further proof that I’m living in a small town.