Thursday, April 5, 2018

Cloudflare’s DNS

Numbers to know: 1.1.1.1 and 1.0.0.1, the numbers for Cloudflare’s new DNS service. I’m trying it, and it seems exceedingly fast. Here, look: Boing Boing and Lifehacker offer context and instructions.

With Cloudflare’s DNS at work and Safari’s prefetching disabled, my Mac feels as if it’s made for 2018 and beyond. Knock on aluminum.

A conversation from another world

From the Father Knows Best episode “Love and Learn” (April 11, 1960). Margaret Anderson (Jane Wyatt) is speaking to her college-freshman son Bud (Billy Gray):

“I had a conversation with the Dean of Men at the college today.”

“You did? Why?”

“Because he sent me a note.”

“Yeah? What about?”

“Your English grades.”
As the Anderson children grow up, the sexual politics of Father Knows Best become intolerable. But after watching all six seasons, I can say that in other respects Father Knows Best holds up surprisingly well. A 1950s domestic comedy with characters quoting Shakespeare and Whitman and talking about the Wordsworths, Dorothy and William? I’ll take it.

Other FKB posts
“Betty’s Graduation” : Flowers knows best : “Languages, economics, philosophy, the humanities” : “Margaret Disowns Her Family” : Scene-stealing card-file : “A Woman in the House” : “Your dinner jacket just arrived”

How to read Nancy and Zippy


[Zippy, April 5, 2018.]

Today’s Zippy has a Bushmillerized Zippy and Griffy discussing Paul Karasik and Mark Newgarden’s How to Read “Nancy”: The Elements of Comics in Three Easy Panels. Bill Griffith has already written a guide to his comic strip: today’s strip includes a URL that goes to a six-strip primer on how to read Zippy.

Notice the lower right corner of this panel, where the sequence 1, 2, 3, 4, 5 fuses the material and temporal dimensions of the narrative space. Some rocks! Some date!

Venn reading
All OCA Nancy posts : Nancy and Zippy posts : Zippy posts (Pinboard)

Wednesday, April 4, 2018

Objects in windows

Objects in the windows of the Antikos Bazar, in Terezín, the Czech Republic:


W.G. Sebald, Austerlitz, trans. Anthea Bell (New York: Modern Library, 2001).

Also from Austerlitz
Austerlitz on time : Marks on time : Language as a city

Eating at Corky’s


[Zippy, April 4, 2018.]

I know the feeling: the Dunning K. Dennison presidency is eating my soul too. My way to deal, at least for now: no television news. Just reading the news, mostly the online New York Times and Washington Post.

Corky’s is in “the Valley.”

Related reading
All OCA Zippy posts (Pinboard)

Tuesday, April 3, 2018

MR

After reading Diane Schirf’s thoughts about a Royal Sabre manual typewriter, I heard a voice: “Fool, look in thy heart and type.” No, not really: that was Sir Philip Sidney. But I did get out my manual, an Olympia SM, and typed an overdue letter, my second letter in two days. (I wrote the first with a fountain pen and brown ink.)

I was surprised by how quickly the mechanics of typing came back to me — even the delicate work of inserting a piece of correction tape to fix a typo. By the time I started the second page of my letter, I remembered to mark a bottom margin in pencil. What most surprised me was that without even thinking or looking I was hitting the margin-release key to fit extra characters at the end of a line. Typing on a typewriter must be the new riding a bicycle. Ding!

That bell belongs to a typewriter not a bicycle.

Red Vines and vodka

As host of a cooking show, Valerie Bertinelli wondered what to prepare for Betty White:

“She likes tuna fish, she likes hot dogs, she likes Red Vines and vodka. So what am I going to make for Betty?”
My suggestion: hot dogs and tuna fish, with Red Vines and vodka on the side.

[Found while waiting at the register and browsing the National Examiner, a tabloid with no Internet presence. According to the Examiner, White found Bertinelli’s remark hurtful and doesn’t want Bertinelli at her funeral.]

Monday, April 2, 2018

Feminist Baby


[As seen in Los Angeles.]

Loryn Brantz’s Feminist Baby (New York: Disney-Hyperion, 2017) is a board book: few pages (or boards), few words, and big silly pictures. A sample passage: “Feminist baby likes pink and blue / Sometimes she’ll throw up on you.”

Complaints on Amazon — for instance, that the book doesn’t help the title character “grow to be a strong, open-minded individual who recognizes all the paths available to her” — seem to forget that this book is about the very young, who do indeed throw up and throw their toys. And there’s nothing bratty about throwing toys: it’s what babies do.

Rachel and Elaine and I loved this book on sight. A sequel arrives in May: Feminist Baby Finds Her Voice!

[This post is the first non-Zippy post to feature a topknot and bow.]

Naked Zippy


[Zippy, April 2, 2018.]

Today’s strip (no pun intended) is set in Dingburg’s “nudist enclave.” I like seeing Bill Griffith adapt the closing words of The Naked City (the film) and every episode of Naked City (the television series): “There are eight million stories in the naked city. This has been one of them.”

Griffith is no doubt a fan of the film or the television series or both. Reading his Invisible Ink, I was thrilled beyond reason to recognize that one panel had a street scene from an episode of the series as its source. Yow.

Related reading
All OCA Naked City posts (Pinboard)
All OCA Zippy posts (Pinboard)

Saturday, March 31, 2018

Who is Saul Chandler?

The New York Times has a strange and compelling story today, “Redemption of a Lost Prodigy,” by Alex Vadukul, about Saul Chandler, a seventy-year-old boat builder who, as Saul Robert Lipshutz, was once a violin prodigy. Both Elaine and I are skeptical about this story. There is indeed a Saul Robert Chandler with addresses in Manhattan and Miami Beach: that makes sense for someone devoted to boats and sailing. And the Times ran a wedding announcement in 1975 with a Saul Robert Chandler who changed his name from Lipshutz. Mr. Chandler née Lipshutz is real.

Elaine’s skepticism is founded on her knowledge of all things musical. She finds details in the account of SRL’s studies improbable. And she finds utterly implausible the dramatic scene in which SC opens his violin case and plays his instrument for the first time in fifty years. Fifty years! The violin’s strings would have unraveled, she says, and the sound post would likely have fallen.

My skepticism is founded on the absence of any record of SRL as prodigy. Vadukul writes that SRL performed in Town Hall and Carnegie Hall before turning eleven, yet the Times archive has no evidence of these performances or of any others. And back then, the Times reviewed everything: in 1956, for instance, performances by the twelve- and then thirteen-year-old violinist Paul Zukofsky at the Juilliard School and Carnegie Hall received lengthy reviews — with photographs, no less. But nothing for SRL.

The Times article includes a photograph of SRL credited to the Paterson Evening News Photo Collection, via the Passaic County Historical Society. The finding aid for that collection lists a candid April 15, 1960 photograph of Saul Lipschutz. But there’s nothing in the Times with that name either.

I did find one bit of evidence for a performing career, an announcement in the Madison News, a New Jersey paper, preserved at Newspapers.com:


[“Friends of Fairleigh Dickinson Chamber Ensemble will present Bach’s Brandenberg [sic] Concerto No. Five with Saul Lipschutz, New Providence high school student, as violin soloist.” March 28, 1963.]

So there’s every reason to think that SRL played the violin. But we’re a long way from Carnegie Hall. There’s nothing more at Newspapers.com that would document the career of a prodigy: nothing for Saul or Saul Robert or Saul R., nothing for Lipshutz or Lipschutz. And though the Times article quotes musicians who remember SRL and speak highly of his playing, none of them describe him as a prodigy.

I don’t know what to make of the Times article. But I’ve begun to wonder about a March 29 tweet by the writer: “Story tease. For Sunday NYT, a story I spent some months on. At times, I felt like I found my Joe Gould.”

Alex Vadukul has to know that Joe Gould was a master fabulist, doesn’t he?

*

April 1: Elaine has shared her thoughts about this article: What to believe? And I’ve written to the Times.

*

February 28, 2022: For whatever it’s worth, the Times Archive now returns an article that mentions Saul Robert Lipschutz at Carnegie Hall. From May 10, 1959, ”League Winners Heard in Concert; Two Programs Presented by Music Education Group at Carnegie Recital Hall.” Lipschutz was one of forty-one young musicians divided across two group recitals presented by the Music Education League.

[The New York Times, May 10, 1959.]

Why update? This post, now four years old, still gets visits. And if participation in a group recital is what it means to play Carnegie Hall, the gist of the Times story is still in doubt.