Filling seats in graduate programs

The New York Times reports on Western Kentucky University’s effort to fill seats in graduate programs with less-than-qualified students from abroad. The student-body president: “It is ethically wrong to bring students to the university and let them believe they can be successful when we have nothing in place to make sure they’re successful.” The school’s president: “There are growing pains.” Along with growing pains, there are delusions of grandeur, evident in WKU’s slogan, “A leading American university with international reach.” A reach indeed.

“He’s in the library”

From The Honeymooners episode “Opportunity Knocks But,” first broadcast May 5, 1956. The head of the Gotham Bus Company, J. J. Marshall, has received a pool table as a birthday present. He asks Messrs. Kramden and Norton (Ralph and Ed) to come to his house and teach him the game. “We’re playin’ pool on Park Avenue tonight!” says Norton. I love this exchange, which might be as old as vaudeville:

Butler: “Just make yourselves at home, gentlemen. Mr. Marshall will be here presently. He’s in the library.”

Ralph: “What?”

Butler: “He’s in the library.”

Ed: “He oughta be here soon. The library closes at nine.”

Did you notice the butler’s tony diction? Presently , not momentarily . I’m pretty sure that this exchange was one of the many bits that used to be cut in reruns to make more time for commercials.

Related reading
All OCA Honeymooners posts (Pinboard)

[Mr. Marshall’s address: 1149 Park Avenue. It’s a single-family residence, valued today at $9,472,029.]

Linus van Pelt, pencileer

[Peanuts , April 18, 2016. First ran April 21, 1969. Click for a larger view.]

Charlie Brown doesn’t realize that it’s more fun to know.

Related reading
All OCA pencil posts (Pinboard)

[Pencileer is Sean’s coinage.]

WordService

[For Mac users.]

One more from Devon Technologies: the free WordService, which adds many options for working with text on the Mac. I’ll mention just two options, which I’ve used again and again: 1. ⌘-" changes straight quotation marks to smart ones (⌘-' does the opposite); 2. ⇧-⌘-C puts initial capitals on words.

Mac Services are found in Preferences > Keyboard > Shortcuts. There’s no need to memorize ⇧-⌘-C and the like: Services for a given app are available from the menu bar. Click on the name of the app, and you’ll see Services.

Also from Devon Technologies: XMenu.

[Really, can an iPad ever replace the Mac? Not for me, not yet anyway.]

XMenu

[For Mac users.]

XMenu, a free app from Devon Technologies, adds up to six menus to the Mac menu bar, allowing quick access to apps, folders, and files. I hit on XMenu as a way to get to files without cluttering my desktop with a dozen or more icons: now I have a user-defined menu that opens a folder named Current stuff .

One piece of advice: read the XMenu Help file. That’s the only way to figure out how to set up a user-defined menu: by placing something in ~/Library/Application Support/
XMenu/Custom.

One trick: When making a user-defined menu, create an alias (shortcut) to add to ~/Library/Application Support/XMenu/Custom. Using an alias instead of a folder lets you keep your stuff in its usual place. And using an alias makes it possible to use a Dropbox folder with XMenu.

Another trick: Make a tidier menu by renaming the alias. I retitled Current stuff as [ ]. In other words, a single space is the alias.


[See? No folder name.]

One more trick: If XMenu’s menu-bar icons aren’t to your taste, it’s easy to change them. Quit the app, and go to Applications/XMenu. Right-click and choose Show Package Contents. Go to Contents/Resources. The menu bar icons are 16 × 16 .png files. You can replace any menu-bar icon by renaming its .png file (rename Userdefined.png, for instance, as Old.Userdefined.png) and adding to the Resources folder a new .png file with the original file name. I found a nice document icon at Flaticon, a good source for simple (and free) 16 × 16 .png files.


[XMenu’s Documents icon and User-Defined icon, and my User-Defined replacement icon.]

Credit where it’s due: my replacement icon is by Vectors Market, available from www.flaticon.com and licensed by CC 3.0 BY.

Also from Devon Technologies: WordService.

Zippy noir

[Click either image for a larger view.]

Today’s Zippy  pays homage to The Big Combo (dir. Joseph H. Lewis, 1955). In a memorable scene, Mr. Brown (Richard Conte) uses a hearing aid to extract information from Police Lieutenant Leonard Diamond (Cornel Wilde), speaking, shouting, and playing the radio at high volume — it’s jazz, with “crazy drums.” Henchmen Mingo (Earl Holliman) and Fante (Lee Van Cleef) look on. That’s Lippy, Zippy’s “diametrically opposite & anhedonic twin brother,” failing at torture with Kiss.

Related reading
All OCA Zippy posts (Pinboard)

Dick Cavett on Donald Trump

Dick Cavett writes about “‘Trumpo,’ the Unfunny Marx Brother”:

Lee Iacocca, a truly successful businessman by any standard, declined to run for the highest office, because he knew that there was a fundamental difference between big business and big government. In government, the successful leaders can’t just walk out, or sulk when someone disagrees. To be successful in government, a leader has to build a strong, inclusive coalition. Conversely, in big business, ultimately, the lead dog has to take responsibility and make a decision, and then everybody else has to follow. It’s not a democracy.

Bruce Rauner, former venture capitalist, now Illinois’s governor, is already an officeholder who doesn’t seem to understand the difference between business and government.

Goodbye to all that (candy)

Halloween is, mostly, done: the candy mountain we were left with on October 31 is gone. I ate down that mountain, one or two or three little pieces a day, or none, for five and a half months. It would have taken even longer, but I threw out a couple of weeks’ worth of Heath — too sweet.

Our leftover pencils remain left over and show no sign of disappearing anytime soon. (See mostly , above.)

A bonus

[Probably from the seventeenth century. As seen, and touched, in the University of Illinois Music Library. Click for a larger view.]

This bonus appears in a gradual, “a service book containing the musical portion of the Mass sung by the choir” (Webster’s Second ). This gradual is on display in the Music Library, the vellum pages right there for the turning. I wish I had thought to take the book’s measurements. Let’s just say massive.

More about this gradual here.

George Frazier’s liner notes

From the liner notes for the 10" LP Lee Wiley Sings Rodgers and Hart (Storyville, 1954):

[I]f I have any objection to this portfolio, it is that it will doubtless assail me with bittersweet memories — with the stabbing remembrance of the tall, breathtaking-lovely Wellesley girl with whom I was so desperately in love in the long-departed November when the band at the Copley Plaza in Boston used to play “My Heart Stood Still” as couples tea-danced after football games on crisp Saturday afternoons, with reawakened desire for the succession of exquisite girls with whom I spent many a crepuscular hour listening to cocktail pianists give muted voice to “Funny Valentine,” of the first time I saw Connecticut Yankee , of — Yes, of the first years of my marriage and listening to Lee Wiley records with my wife late at night.

It’s like something from the Salinger world, isn’t it?

George Frazier was an American journalist. He wrote the words to “Harvard Blues,” recorded by Jimmy Rushing and the Count Basie Orchestra. It begins:

I wear Brooks clothes and white shoes all
    the time
I wear Brooks clothes and white shoes all
    the time
Get three Cs, a D, and think checks from
    home sublime.

The song’s mysterious Rinehart plays a part in Ralph Ellison’s 1952 novel Invisible Man. Bliss P. Rinehart is a shapeshifter, a series of masks (rind and heart , as the novel’s narrator thinks), and The Man Who Wasn’t There. (He never appears in the novel). More background here.

And here’s Lee Wiley singing Rodgers and Hart’s “You Took Advantage of Me.”

[The LP has been reissued with the title Duologue (Black Lion, 1988), with four unrelated recordings by Ellis Larkins. With Wiley: Ruby Braff, cornet; Jimmy Jones, piano; Bill Pemberton, bass; Jo Jones, drums. Lee Wiley was one of my dad’s favorite singers. The CD I’m listening to was his. Ellison’s use of the name Rinehart is also a shout-out to fellow Oklahoman Rushing, who at one point worked for Ellison’s father. Ellison wrote about Rushing in the 1958 essay “Remembering Jimmy.”]