Queen Elizabeth exclaims

From The Sea Hawk (dir. Michael Curtiz, 1940):

“Fleet! Fleet! Must I listen to that from you too?”

Yes, Queen Elizabeth, you must. The Spanish are coming! The Spanish are coming!

The Sea Hawk is a swashbuckling story starring Errol Flynn. I mistook The Sea Hawk for The Sea Wolf, a 1941 Curtiz film starring Edward G. Robinson. Let the record show, however, that I was not mistaking Errol Flynn for Edward G. Robinson.

[Swash: “ flamboyantly swagger about or wield a sword.” Buckle: “a small, round shield held by a handle or worn on the forearm.” Thanks, New Oxford American Dictionary.]

Route 66 conference call

They’re planning a comeback. From the Route 66 episode “Lizard’s Leg and Owlet’s Wing,” (October 26, 1962), with Peter Lorre, Lon Chaney Jr., and Boris Karloff as themselves. This episode is one of several splendid examples of Route 66 making room for surreal, zany comedy.

Related reading
All Route 66 posts (Pinboard)

[Yes, Chaney’s wearing makeup. The split-screen is in the show, not the result of my cutting and pasting.]

The old Gmail inbox

Ta-da.

I’m not sure how quickly Google is “rolling out” (like a barrel?) the new Gmail inbox. I prefer to have the postal service deliver my Gmail the old-fashioned way. For now at least, that’s still possible.

Bear in/on tree

[Yipes. Photograph by Michael Leddy.]

It’s a plastic yard ornament, perhaps seven feet from the ground. I pass this bear almost every day when I’m out walking. It spooked me the first time. It spooks me still. Here is a cute version, which also spooks me. I am easily spooked.

In the past week or so, I’ve also seen two deer running through the yard twenty yards from where I mowed, another deer standing ten feet from our front door, a fox sunning itself in our driveway, a raccoon glaring at me from the end of our breezeway, and a turkey vulture taking flight with a dead squirrel in its mouth. That’s enough nature.

[I’ve seen real bears in the wild once: a mother and children crossing a road early one morning in the Berkshires. I brake for bears.]

Toshi Seeger (1922–2013)

“Mrs. Seeger helped produce thousands of her husband’s concerts. When he hosted Rainbow Quest, a television show devoted to folk music, in 1965 and 1966, she directed it — although her official credit was ‘Chief Cook and Bottle Washer’”: Toshi Seeger, Wife of Folk-Singing Legend, Dies (The New York Times).

Peppers and eggs

It’s called peppers and eggs, but as I prepare the dish, it might better be called eggs and peppers. Or eggs and pepper. Or eggs and pep. In other words, the pepper is a small part of the whole. It’s easy to make:

Cut half an Italian pepper into short, thin strips. If you cannot get an Italian pepper, use a green pepper. You must make do.

Beat two eggs in a bowl.

Add some olive oil to a pan. Cook peppers until they begin to brown. (Notice: pieces of a single pepper become peppers when they hit the pan.)

Add eggs and lower the heat after a bit. Cook until done.

Serve on two pieces of buttered bread. (I prefer Earth Balance to butter.) Add pepper to taste, and salt if you must.

The appropriate beverage to accompany peppers and eggs: chocolate milk. Really. That’s the way I did things as a kid (and still do). Back then: cow’s milk and Carnation Chocolate Malted Milk. Today: Silk and Hershey’s Syrup. The combination of peppers and eggs and chocolate milk is for me a powerful madeleine. Only liverwurst has greater Proustian power.

[Yesterday was Marcel Proust’s birthday.]

Joyeux anniversaire, M. Proust

Marcel Proust was born on July 10, 1871. From a 1913 interview:

“Style is not at all an embellishment as certain people think, it is not even a matter of technique, it is — like colour with painters — the quality of vision, the revelation of the private universe that each one of us can see and which others cannot see. The pleasure an artist affords us is to introduce us to one universe the more.”

“Swann Explained by Proust,” in Days of Reading, translated by John Sturrock (London: Penguin, 2008).

A similar passage from the last volume of À la recherche du temps perdu:

[S]tyle for a writer, like colour for a painter, is a question not of technique but of vision. It is the revelation, which would be impossible by direct or conscious means, of the qualitative difference in the ways we perceive the world, a difference which, if there were no art, would remain the eternal secret of each individual. It is only through art that we can escape from ourselves and know how another person sees a universe which is not the same as our own and whose landscapes would otherwise have remained as unknown as any there may be on the moon. Thanks to art, instead of seeing only a single world, our own, we see it multiplied, and have at our disposal as many worlds as there are original artists, all more different from one another than those which revolve in infinity and which, centuries after the fire from which their rays emanated has gone out, whether it was called Rembrandt or Vermeer, still send us their special light.

Finding Time Again, translated by Ian Patterson (London: Penguin, 2003).

Related reading
All Proust posts (Pinboard)

One of those who is or are

“Don’t be one of those people who mistakenly believe that the word believe earlier in this sentence should have been believes.” Bryan Garner clears up a tricky question of usage: “One of those who are” or “one of those who is”? (LawProse Blog).

“There’s a story if you want to hear it”

An antiques dealer hears a remarkable story:

When I opened a random drawer beside the kitchen sink, the contents startled me. Inside were hundreds of political buttons, and they were an odd mix. The oldest were mostly for Republican candidates, while the newer ones were Democrats.

The man overseeing the estate sale approached me as I sorted through them. Within moments I had bought the contents of the drawer.

“So what”s the story?” I asked. “He was a Republican, she was a Democrat? Not so Green Acres?”

“Not exactly,” my host replied. He appeared to be uneasy about something. “There’s a story if you want to hear it,” he said, pausing.

You probably do: Traces of a Man Who Disappeared (The New York Times).

VDP on the right to fail

Van Dyke Parks, talking in New York recently:

“Just as a personal aside, something that I think is very important to say: You must reserve the right to fail if you’re going to get anything done. You must continue aggressively to reserve the right to fail. You must keep learning from your failures. I see that — I see how shy I was, when I could afford to be shy, because I was a brunet, and I had time to be shy. But soon you’ll tire of being shy, if you are shy at all, if you’re that victimized by the degree of self-loathing coming from your last failure. But you must continue to forgive yourself, and reserve the right to fail.”

Related reading
All Van Dyke Parks posts (Pinboard)
John Holt on learning and difficulty
Learning, failure, and character

[Merriam-Webster: “spelled brunet when used of a boy or man and usually brunette when used of a girl or woman.”]