I like the idea of a New York Times article about the minimus:
The pinkie, the humble fifth finger, has long been viewed as a decorative accessory, something to extend daintily from a wine glass. So what would you lose if you didn’t have one?Related post
Get Along Without a Pinkie? It’s Tougher Than You Might Think (New York Times)
A number of Marcel Proust's letters and notes to his housekeeper Céleste Albaret are being auctioned in Paris today, including the last note that Proust wrote to her, a few hours before his death on November 18, 1922.
The note reads:
Céleste Odilon peut partir dans 10 minutes, et rentrer vers 6h1/2, 7 du matin. Approchez de moi la chaise.Odilon was Mme. Albaret's husband. On the other side:
[Céleste, Odilon can leave in ten minutes and come back about 6:30 or 7:00 in the morning. Pull the chair closer to me.]
J'avais entendu fer au lieu de verre.I saw a similar note last year during a visit to the Kolb-Proust Archive at the University of Illinois. The thing itself — in Illinois! I'll never forget it.
[ I heard "iron" instead of "glass."]
The Amazing Dr. Clitterhouse (dir. Anatole Litvak, 1938) is an unusual vehicle for Edward G. Robinson, playing a doctor curious about the criminal mind. In the course of his research (which involves, of course, becoming a criminal), Clitterhouse discovers that (like Augustine) he enjoys crime for its own sake, reporting that it brings him "something like the effects of champagne — a high, heady reaction, a strange exhilaration." I'll leave the rest of the story to your imagination, potential viewer.
PLaza, the PLatonic telephone exchange name, plays a part in this picture. Here, safecracker Rocks Valentine (Humphrey Bogart) has jotted what turns out to be Clitterhouse's home telephone number. See that paper disc? Rocks has "translated" seven marks made by a bit of pencil lead that he affixed under the phone's dial. How does he know the sequence of numbers? He used a "little jigger to click it over a notch with every turn." Pretty clever, huh? (Huh? Click it over a notch? What?)
When we next see the matchbook, it's a bit worse for wear. (And yes, the handwriting is different, which makes the movie a bit like Hi and Lois.)
Dr. Clitterhouse's office too has a PLaza number. And dig that notepad and the snazzy Modern Medicine!
The Amazing Dr. Clitterhouse also offers the chance to see Robinson, Bogart, and Claire Trevor together, long before their powerful performances in Key Largo (dir. John Huston, 1948).
Another post with PLaza in it
A pocket diary and an exchange name
From the real news, making the work of The Onion more difficult:
Mr. Blagojevich, 52, rarely turns up for work at his official state office in Chicago, former employees say, is unapologetically late to almost everything, and can treat employees with disdain, cursing and erupting in fury for failings as mundane as neglecting to have at hand at all times his preferred black Paul Mitchell hairbrush. He calls the brush “the football,” an allusion to the “nuclear football,” or the bomb codes never to be out of reach of a president.
Two Sides of a Troubled Governor, Sinking Deeper (New York Times)
Three generations of the Harris family have run the Henington Press in Park Slope, Brooklyn. Printer David Harris:
"Mostly every corner that I turn here, I see something reminds me of my father, my grandfather, even my grandmother. Everything's here from them. And it — it hurts. It really does. But I've got to come to the realization that it's got to come to an end. It can't go on forever. . . . This place was our life, the Harris family life."The business will close this winter. WNYC reports: After 96 Years, a Press Closes in Brooklyn (via Design Observer).
In the news:
As the economy plunges into a deep recession, grocery stores are one of the few sectors doing well. That is because cash-short consumers are eating out less and stocking up at the supermarket. And store brand products, which tend to be cheaper than national brands and more profitable for grocers, are doing especially well.The article notes though that some name brands seem inimitable: "Grocers certainly sell store brands that look like Cheerios or like Heinz ketchup, but to many palates, the knockoffs do not taste the same." I'm glad it's not just me.
Store Brands Lift Grocers in Troubled Times (New York Times)
Elliott Carter turned 100 yesterday. From a New York Times article:
He wakes every day at 7 a.m., composes for two and a half hours, goes out for a constitutional with an aide, rests after lunch, composes again or receives visitors in the afternoon, and watches French satellite television in the evening, if he does not have a concert to attend.As Elaine has pointed out, this week's Charlie Rose interview with Carter, Daniel Barenboim, and James Levine is great viewing. I especially liked seeing Barenboim and Levine turn into auxiliary interviewers toward the end — how could they resist asking questions of Carter?
He said he has gone back to reading the classics, including Hamlet. After starting a third bout with Proust in the original French, "I got a little sick of it two months ago," he said. "That's why I turned to Shakespeare."
Turning 100 at Carnegie Hall, With New Notes (New York Times)
[Photograph by John Loengard, 1962, from the Life photo archive.]
Note the cap, beret, and turtleneck: Jimmy Durante and Peter Lawford are doing a beatnik routine. (They're even wearing fake goatees.)
And now I'm imagining Allen Ginsberg's Howl, Durante-style: "I saw da best minds of my generation destroyed by madness, starvin', hysterical, ha-cha-cha-cha!" "Mrs. Calabash! I'm with you in Rockland, or wherever you are."
"This campaign has a simple objective: to give paper another chance."
The campaign's website: Use Both Sides.
Related post
Change the Margins
Deception (dir. Irving Rapper, 1946) is a semi-wonderful movie whose three stars — Bette Davis, Paul Henreid, Claude Rains — make melodrama into grand art. Davis and Henreid play Christine Radcliffe and Karel Novak, musicians and reunited lovers; Rains is Alexander Hollenius, a jealous composer whose character is reminiscent of Waldo Lydecker in Laura (1944). There are great concert scenes and two astonishing interiors — Radcliffe's ultra-modern apartment and Hollenius' palatial one.
The movie also features a pocket diary and a telephone exchange name, both of which appear in the context of a cab ride.
["If you're really interested, I can tell you his exact words": cellist Bertram Gribble (John Abott) tells Christine Radcliffe what Alexander Hollenius said about Gribble's performance of the composer's new cello concerto.]
There are two other shots in which the "PLaza 1-2000" on Christine's cab is more prominent, but I like this one best, with the PLatonic ideal of a Manhattan exchange name framed by steps.
I like the neon cursive "Woolens" at Buell and Co. too.
More notebook sightings
Les Dames du Bois de Boulogne
Extras
The House on 92nd Street
Journal d'un curé de campagne
The Palm Beach Story
Pickpocket
Pickup on South Street
Red-Headed Woman
Rififi
The Sopranos
More exchange names
Baby Face
Born Yesterday
The Man Who Cheated Himself
Nightmare Alley
