Tuesday, February 17, 2015

Railing against vogue words

I recently read someone railing against the words insight and insightful. Vogue words! The writer was probably channeling the third (1979) or fourth (1999) edition of The Elements of Style, which says of insightful :

The word is a suspicious overstatement for “perceptive.” If it is to be used at all, it should be used for instances of remarkably penetrating vision. Usually, it crops up merely to inflate the commonplace.
My railer’s ace in the hole: insightful is not in his (1970) dictionary — which might mean that he needs more dictionaries. Webster’s Third had the word in 1961. The Oxford English Dictionary records its first appearance in a 1907 John Galsworthy novel: “As if she had been guilty of thoughts too insightful, Mrs Pendyce blushed.” But widespread use is relatively recent: Google’s Ngram Viewer shows a significant increase in the word’s use between 1960 to 2000. As for insight, it first appears in Middle English circa 1200, as insiht. That’s one long vogue.

When I read or hear this sort of railing against words, I have greater sympathy for the exasperation with which linguists regard prescriptivist attitudes toward language. But not all careful thinking about one’s words is nonsense.

Words I can live without
Bluesy , craft , &c.
Delve , -flecked , &c.
Expressed that
Pedagogy
That said
Three words never to use in a poem

[Searching OCA, I find that I’ve used perceptive just once in ten years. Insightful turns up only in an observation that E. B. White’s preference for perceptive seems arbitrary. I appear to have little affection for either insightful or perceptive. That’s a different matter from an uninformed insistence that a particular word is a newfangled convenience or without lexicographic reality.]

Monday, February 16, 2015

Ellington sings!



The Smithsonian’s Air & Space Magazine has an article about Duke Ellington’s “Moon Maiden,” a piece written for the 1969 Apollo 11 moon landing. “Moon Maiden” is to my knowledge the only singing Ellington ever did on record. I know the tune from the 1969 solo version released on the 1977 Pablo LP The Intimate Ellington. There Ellington plays celeste and speaks the lyric. YouTube has a full band version with Ellington singing, most likely also from 1969. Above, Ellington playing and singing as part of ABC-TV’s Apollo 11 coverage. That’s Rufus Jones at the drums.

Though “Moon Maiden” is Ellington’s singing debut, it isn’t his vocal debut. Ellington spoke on the 1934 recording “Saddest Tale.” And in 1951 he narrated “Monologue (Pretty and the Wolf).”

I wonder if Brian Wilson and Mike Love had something to do with the vi-i-i-i-brations in “Moon Maiden.”

Related reading
All OCA Duke Ellington posts (Pinboard)
Five sentences about life on the moon

A joke in the traditional manner

Q. Which member of the orchestra was best at handling money?

No spoilers here. The answer is in the comments.

More jokes in the traditional manner
How did Bela Lugosi know what to expect?
How did Samuel Clemens do all his long-distance traveling?
What did the plumber do when embarrassed?
Why did the doctor spend his time helping injured squirrels?
Why did King Kong climb the Empire State Building?
Why did Oliver Hardy attempt a solo career in movies?
Why was Santa Claus wandering the East Side of Manhattan?

[“In the traditional manner”: by or à la my dad. Everything here is his except the doctor and Santa Claus.]

Sunday, February 15, 2015

Voltaire on intolerance


[“The law of persecution then is equally absurd and barbarous; it is the law of tigers: nay, it even still more savage, for tigers destroy only for the sake of food, whereas we have butchered one another on account of a sentence or a paragraph.” A Treatise upon Toleration, translated by Tobias Smollett, Thomas Francklin, et al. 1764.]

Or a cartoon.

NPR reported this morning that Voltaire’s Treatise on Tolerance (1763) is a best-selling book in Paris.

[What Voltaire wrote: “Le droit de l’intolérance est donc absurde et barbare: c’est le droit des tigres, et il est bien horrible, car les tigres ne déchirent que pour manger, et nous nous sommes exterminés pour des paragraphes.” Roughly: The right to intolerance is thus absurd and barbaric: it is the right of tigers, and even worse, because tigers rip and tear in order to eat, and we destroy one another over paragraphs. Voltaire’s text may be easily found online.]

Saturday, February 14, 2015

Valentine art

Elaine posted the Valentine drawing I made for her. I started with pencil and used a too-old gel pen for the finished drawing. When I tried to erase, the ink smudged. But I liked the way it looked. There’s a circle in the middle of my guitar because it’s a replica National. Okay, that’s enough explanation, he added self-consciously.

Valentine’s Day


[“Heart models.” Photograph by Fritz Goro. March 1948. From the Life Photo Archive.]

I tired of looking at tots on vintage cards and so went looking for something else altogether.

This photograph reminds me of the Webster’s Second definition of heart, which Nabokov quotes in Pnin: “a hollow, muscular organ.” Hollow: but may it be filled with happiness. Happy Valentine’s Day.

Friday, February 13, 2015

James Allen speaks

From an interview with James Allen, who draws and writes Mark Trail: “It’s like I’m dreaming, making a living doing this.”

Yes, that sounds about right.

Related reading
All OCA Mark Trail posts (Pinboard)

Woodberry Poetry Room online

“This is Ted Berrigan reading today for the Poetry Room at the Lamont Library at Harvard College, Harvard University. And today’s date is August something or other. August 8th.” Online: selected recordings from Harvard University’s Woodberry Poetry Room. John Ashbery in 1951, a memorial service for Elizabeth Bishop, treasures galore. How amazing to hear, across so many years, what Robert Fitzgerald and Roman Jakobson sounded like. Copyright restrictions make some materials Harvard-only.

[And where’s T. S. Eliot?}

Tobias Frere-Jones explains

“[W]e read with our eyes, not with rulers, so the eye should win every time”: Tobias Frere-Jones is explaining how typefaces work: Typeface Mechanics: 001.

Thursday, February 12, 2015

Strand bookmark

This bookmark is way before my time, or at least way before my bookbuying days. It must have been in the book when I bought it. Which book? I’m not sure. I pulled a few down from a shelf and was so spellbound by GRamercy that I forgot to make note of which book.

In my student days, I was a regular visitor to the Strand Book Store. I’d take the bus from New Jersey to the Port Authority, walk downtown, and schlep back with two enormous shopping bags full of books. Many of them used, many of them remainders, very cheap. I was in Accumulating Mode, which seems to still function well in young adults. Now that I’m deaccessioning, I realize that many of these finds have proved less than useful. That’s putting it mildly. But I’m happy to have the bookmark.

After extensive imagining, I have determined that this bookmark dates from November 1959. Ornette Coleman was playing at the Five Spot, half a mile from the Strand.

*

9:00 p.m.: November 1959 won’t work: my extensive imagining didn’t take the ZIP code into account. See the comments. And thanks, misterbagman.

A related post
Booksmith bookmark

[Did I really need three books on John Dryden? At one time I must have thought so.]