Playing post office

[“Model post office a teacher set up in the classroom for the children to learn about the mail system.” Photograph by Nina Leen. Allentown, Pennsylvania, 1948. From the Life Photo Archive. Click for a larger view.]

Related reading
All mail posts (Pinboard)
From the Life Photo Archive (a Leen photo)
Maeve Brennan, The Long-Winded Lady (and one more)

Goodbye, Saturday mail

From the New York Times:

The Postal Service is expected to announce on Wednesday morning that it will stop delivering letters and other mail on Saturdays, but continue to handle packages, a move the financially struggling agency said would save about $2 billion annually as it looks for ways to cut cost.

As Utnapishtim said, “There is no permanence.” This change feels to me like a very big deal, but I imagine that I will adjust in no time.

Food for thought

Michael Apted, director of the Up series, interviewed by Terry Gross:

What did surprise you about 56 Up?

Well, that people seemed happy. I mean, I thought they’d be getting depressed, worried about age, very worried about the economic climate, looking back on their lives, maybe sometimes with regret. But no, I mean, what was so interesting to me was that, you know, that a lot of them had found real kind of comfort in their families and their extended families.

I was of the belief in my life that you can’t have everything, you know, that I have pursued a career, I was ambitious, and I paid a price for it. I wasn’t as good a father or a husband as I should have been. And sometimes I thought, well, maybe that’s my way, and maybe that’s the right way. But then I saw the payoff, that people who’d put their energies into their families and their loyalties into their families, that at this age, in their mid-fifties, you know, they’ve got real pleasure and power from it.

Pleasure and power? I don’t really know what that means. Pleasure and sustenance? Yes. Gross goes on to ask whether the film’s subjects are really happy or just saying so for the camera. Sigh.

A related post
Fambly

[My transcription.]

How to improve writing (no. 41)

Here (and why not?) is the evolution of a sentence from yesterday’s post on Palomino Blackwing non-users. My first effort:

There is a reference to “boxes of Blackwing pencils” from White’s office in Martha White’s introduction to In the Words of E. B. White (2011).

That’s one ungainly sentence. Notice the long chain of prepositional phrases: to boxes, of Blackwing pencils, from White’s office, in Martha White’s introduction. The sequence from White’s office in Martha White’s introduction is especially clumsy. (It must have been a small office.) Embedding the book title’s two prepositional phrases in yet another prepositional phrase adds a final awkward touch. What I think happened here: having taken a quick look at the book, I was concerned more with getting the data in one place — the quotation, the writer’s name, the book’s part and title, the date of publication — than with writing a good sentence.

I saw right away that I needed to rethink the sequence of elements in the sentence: it’s appropriate to put what’s most important at the end, right? So here’s an improvement:

In Martha White’s introduction to In the Words of E. B. White (2011), there is a reference to “boxes of Blackwing pencils” from White’s office.

Better, yes. And notice that the three references to Whites are better distributed in the sentence. But look at “There is a reference.” It should be easy to make the sentence shorter and livelier by cutting the verb to be and the nominalization reference and adding a transitive verb in the active voice:

Martha White’s introduction to In the Words of E. B. White (2011) mentions “boxes of Blackwing pencils” from White’s office.

Much better. Notice that dropping is and a reference means fewer prepositional phrases. Minus the two of the title, the sentence drops from five to three, and from twenty-five words to twenty.

This rewriting stuff, it really works.

Related reading
All How to improve writing posts (Pinboard)

[This post is no. 41 in a series, “How to improve writing,” dedicated to improving stray bits of public prose. This post is the first to improve my writing. Many guides to writing suggest replacing to be (when appropriate) with a transitive verb in the active voice. The advice appears in The Elements of Style, or “Strunk and White”: “Many a tame sentence of description or exposition can be made lively and emphatic by substituting a transitive in the active voice for some such perfunctory expression as there is or could be heard.”]

Anselm Hollo (1934–2013)

Related reading
Anselm Hollo (Wikipedia article)
Anselm Hollo: Poet, translator and teacher (The Independent)
In Memory of Anselm Hollo (Coffee House Press)

Palomino Blackwing non-users

[Egg on face: I’d forgotten that Blackwing Pages called attention to Levenger’s advertising copy last year, in one of the very posts I link to below: Facts, Fiction, and the Palomino “Blackwing Experience.” E. B. White though is a new addition to the chorus of Palomino praise-singers.]

From the Levenger website:



I’m reminded of the Dashiell Hammett story in which the Continental Op looks at a sign in a bar — “ONLY GENUINE PRE-WAR AMERICAN AND BRITISH WHISKEYS SERVED HERE” — and begins to count the lies. No, Steinbeck, White, and Wolfe never sang the praises of the Palomino Blackwing, because they lived and died before that pencil came into production. To claim that these writers sang the praises of a Palomino product is equivalent to claiming that Blind Boy Fuller sang the praises of my National guitar. No, because my guitar is a replica. And so is the Palomino Blackwing.

California Cedar has chosen, again and again, to promote its products by invoking the names of prominent people, among them Duke Ellington, John Lennon, and Frank Lloyd Wright, all of whom lived and died before the Palomino Blackwing and thus could never have used that pencil. What’s more, there is no evidence that Ellington or Lennon or Wright had any particular allegiance to the original Blackwing. (Nor to my knowledge is there evidence that White sang the praises of the original Blackwing.) Facts are stubborn things, as someone once said.

Related posts
Duke Ellington, Blackwings, and aspirational branding
The Palomino Blackwing pencil and truth in advertising

And from Blackwing Pages
Facts, Fiction, and the Palomino “Blackwing Experience”
Wright or Wrong?

And from pencil talk
California Cedar: What’s going on?

[I’ve invoked the Op before, when writing about an “old-fashioned recipe” for lemonade. Martha White’s introduction to In the Words of E. B. White (2011) mentions “boxes of Blackwing pencils” from White’s office. Well-known photographs show White composing at the typewriter. Roger Angell’s foreword to the fourth edition of The Elements of Style describes White composing at the typewriter “in hesitant bursts, with long silences in between.”]

Rosa Parks stamp

The United States Postal Service honors Rosa Parks, born February 4, 1913. Also in the news: because of a conflict between relatives and executors, Parks’s archives sit in a Manhattan warehouse, unavailable to scholars: The Rosa Parks Papers (Religion & Ethics Newsweekly).

Related reading
Rosa Parks materials (Library of Congress)

“Minds, not memories”

Professor Charles Kingsfield, explaining why his midterm examination will not focus on landmark cases and may instead include landmark cases, obscure cases, and hypothetical cases:

“I intend to test minds, not memories.”

[From The Paper Chase, “An Act of Desperation,” first aired December 19, 1978. Elaine and I are watching episodes of the show on DVD. We both like the goofy warmheartedness. Think of it: a television series about people studying. And no study guides.]

Separated at birth?

 
[John Davis Chandler (as Vincent Coll) and Steve Buscemi.]

Mad Dog Coll (dir. Burt Balaban, 1961) is a magnificently lurid crime story. Abusive father: check. Sexual inadequacy: check. Phallic weaponry: check. (Mad Dog carries a machine gun as you or I might carry a wallet.) Unattainable woman with some class: check. (She plays the violin.) Available woman with less class: check. (She’s a, uh, dancer.) Increasingly bold and dangerous criminal schemes: check, and checkmate. With Brooke Hayward, Jerry Orbach, Telly Savalas, and Vincent Gardenia as Dutch Schultz.

A special treat: seeing James Greene (Davey McQuinn of The Days and Nights of Molly Dodd, Councilman Milton of Parks and Recreation) as a hit man. Good call, Elaine.

Related posts
Nicholson Baker and Lawrence Ferlinghetti
Ted Berrigan and C. Everett Koop
Ray Collins and Mississippi John Hurt
Broderick Crawford and Vladimir Nabokov
Elaine Hansen (of Davey and Goliath) and Blanche Lincoln
Ton Koopman and Oliver Sacks

Bad metaphor of the day

On MSNBC’s Morning Joe this morning, Joe Scarborough made reference to “all sides of the political spectrum.”

Related reading
All metaphor posts (Pinboard)

[I think it’s seven sides: Roy G. Biv.]