Rupert Murdoch’s The Daily, “the first digital news publication with original content created every day exclusively for the iPad,” is rated “9+,” for “Infrequent/Mild Cartoon or Fantasy Violence.” I assume that such violence is to be found in The Daily’s Apps & Games section. In contrast, NYTimes for iPad is rated “12+,” for “Infrequent/Mild Mature/Suggestive Themes, Infrequent/Mild Sexual Content or Nudity, Infrequent/Mild Realistic Violence, Infrequent/Mild Alcohol, Tobacco, or Drug Use or References.”
It’d be nice to read news in which violence, whether cartoonish or “realistic,” is infrequent and mild. But that’d be the news from nowhere. Who at Apple decided that it would make sense to describe the content of the news in these terms? And why the three-year age difference between these two sources?
[The Gossip section of The Daily must be pretty tame stuff — no Suggestive Themes, none at all?]
Wednesday, February 2, 2011
The Daily v. NYTimes for iPad
Michiko Kakutani, messy
New York Times book-reviewer Michiko Kakutani is known for her frequent (some might say too frequent) use of the verb limn. Far more frequent is her use of the adjective messy. Indeed, it was the appearance of the two words in close proximity in Kakutani’s review of Jonathan Franzen’s Freedom — “limning their messy inner lives” — that made me wonder whether messy appears with any frequency in her writing. It does. And how.
Messy first appears in 1979, in a description of the Gotham Book Mart: “a messy profusion of literary magazines, journals and booklets arranged in alphabetical heaps and rows.” Then, a slight drizzle:
“Ruth Gordon was apologizing for her messy apartment.” [1979]Then, a steady rain:
“[T]he messy ambiguities of life.” [1980]
“[A] messy sexual tryst,” “messy lives and aimless talk.” [1982]
“[T]his messy affair,” “a noisy, somewhat messy interruption in their daily lives,” “the messy fortunes of four young people coming of age in a small, unnamed English town,” “declaring on the witness stand that their house is very messy.” “Whereas fictional events may be orchestrated and shaped into a pleasing pattern, real events tend to be messy and resistant to the tidy, idealized designs favored by the imagination.” [1983]Then, a downpour:
“[L]ots of messy relationships and compromising positions,” “increasingly messy,” “messy wisps of ‘maybe’s.’” [1984]
“[M]essy entanglements,” “the messy entanglements and conditional values of humdrum daily life.’ [1985]
“[M]essy coincidences,” “messy convolutions,” “messy narrative,” “messy human emotions.” [1986]
“[A] messy affair,” “messy affairs,” “messy housekeeping.” [1987]
“[A] messy seduction scene,” “messy to begin with,” “messy private life,” “small, messy lives.” “If this sounds messy, things are to get considerably more complicated as the novel proceeds.” [1988]
“[M]essy life,” “bizarre three-way relationships and messy complications.” [1989]
“Julie's messy life,” “the messy world of human emotions,” “messy dangling ends.” [1990]
“[T]he messy facts of his father’s life,” “the messy facts of Poe’s life.” [1991]
“[A] messy hodgepodge of a book,” “incongruous and messy relationships,” “messy relationships with men,” “the messy, often incomprehensible facts of life,” “change, confusion and messy emotion.” [1992]Slowing to a drizzle:
“[A] messy maelstrom of emotions,” “messy moral dilemmas,” “Naomi Wolf’s messy new treatise.” [1993]
“[T]his lax, messy book,” “the random, messy business of life,” “a messy hodgepodge of familiar complaints and hyperbolic assertions.” [1994]
“A Novel About a Novelist and His Messy Life,” “messy involvement,” “the messy details of real life,” “a messy series of adventures,” “a finely observed but messy novel.” [1995]
“[Howard] Stern’s messy, free-associative new tome,” “messy, entangled lives,” “this messy and prosaic book.” [1996]
“[A] messy tangle of contradictions,” “messy human emotions,” “this otherwise messy, discursive novel,” “so messy that its refusal of closure feels less like an artistic choice than simple laziness.” Time itself becomes a big hot mess: “The solar year is made up of a messy 365 days, 5 hours, 48 minutes and 45.96768 seconds; the moon takes an inconvenient 29 1/2 days (or to be more precise, 29.53059 days) to circle the earth.” [1997]
“[T]he messy process of artistic creation,” “the messy, spoiled world of civilization,” “this messy, discursive book,” “a messy, shaggy-dog tale.” [1998]
“[T]his messy volume,” “the messy world,” “the messy fallout of an art forgery scam,” “messy romantic entanglements.” [1999]
“[M]essy confirmation hearings,” “messy emotions,” “the messy ingredients of life,” “a messy hybrid of a book,” “a messy adventure.” [2000]
“A messy hodgepodge of styles and ambitions,” “a messy kitchen sink of a book,” “messy and wildly ambitious epics,” “disclosures about Luke’s messy life,” “the messy web of extortion, payoffs and election fraud that afflicted Jersey City and its neighbors in Hudson County,” “a scintillating, if messy, tapestry.” [2001]
“[A] messy hodgepodge of ideas, experimental dream sequences and leaden leitmotifs,” “simultaneously schematic and messy,” “a messy, unconvincing assemblage.” [2002]
“[T]he messy 2000 election standoff in Florida,” “a messy one,” “lazy craftsmanship and a messy, improvised story.” [2003]
“[T]he messy cacophony of city life,” “a messy pastiche,” “a messy, musically structured hodgepodge of a novel,” “his own messy, even felonious inner life,” “messy and predictable at the same time.” [2004]
“[A] messy love triangle,” “a messy hodgepodge of case studies,” “the whole messy story,” “the whole messy sprawl,” “their own messy stew of emotions.” [2005]
“[A] messy, doomed affair,” “a smart, saavy [sic] but messy hodgepodge of a book.” [2006]And the new year is thus far tidy. You can literally eat off the floor, figuratively speaking.
“[B]ig, messy, controversial issues,“ “the useful if messy new book.” [2007]
“[A] messy agglomeration,” “his messy, increasingly implausible plot.” [2008]
“This messy, longwinded [sic] volume,” “an entertaining, if messy and long-winded, commentary on the fiction-making process itself.” [2009]
“[A] messy divorce,” “limning their messy inner lives.” [2010]
Every writer has stock bits of diction and phrasing. It’s good to become conscious of them, lest they develop into writerly tics. Me, I have to watch out for wonderful, which I’ve used fourteen times in Orange Crate Art posts — it’s probably a Van Dyke Parks influence.
[All quotations from the New York Times. I’ve rearranged some material within individual years for cadence.]
A related post
Eric Schmidt, literally
Tuesday, February 1, 2011
Eric Schmidt, literally
Going forward, he might have to think twice about literally.
[Yes, going forward is a joke. What do you take me for?]
A related post
Eric Schmidt on the future
Janis Joplin’s handbag
An inventory:
There are: two movie stubs, a pack of cigarettes, an antique cigarette holder, several motel and hotel room keys, a box of Kleenex, a compact and various make up cases (in addition to a bunch of eyebrow pencils held together with a rubber band), an address book, dozens of bits of paper, business cards, match box covers with phone numbers written in near-legible barroom scrawls, guitar picks, a bottle of Southern Comfort (empty), a hip flask, an opened package of complementary macadamia nuts from American Airlines, cassettes of Johnny Cash and Otis Redding, gum, sunglasses, credit cards, aspirin, assorted pens and writing pad, a corkscrew, an alarm clock, a copy of Time, and two hefty books — Nancy Milford’s biography of Zelda Fitzgerald and Thomas Wolfe’s Look Homeward, Angel.What Was in Janis Joplin's Handbag? (The Hairpin)
A related post
Q and A (Marianne Moore’s handbag)
“Ice and Snow Blues”
Today is a good day for Clifford Gibson’s 1929 recording “Ice and Snow Blues.” You can listen at YouTube.
[Photograph by Michael Leddy.]
Monday, January 31, 2011
Domestic comedy
[The school-closings crawl crawls along the bottom of the television screen.]
“… canceled … canceled …”
“Isn’t that spelled with two ls?”
“It can be either way.”
[And then, as if the television were listening.]
“… canceled … cancelled …”
Related reading
All “domestic comedy” posts
Gmail display ads
The New York Times reports that Gmail is now showing display ads alongside messages:
Display ads are a growing business for Google as it expands beyond the simple text ads that appear next to search results and on other Web sites.As of this morning, there’s no mention of this development on the Gmail blog.
The ads contain images and sometimes audio and video and often publicize a brand, like an airline, as opposed to suggesting a specific action, like booking a flight on the spot.
[In Firefox, the answer is Adblock Plus.]
Henry’s repeated gesture
[Henry, January 13, 14, and 15, 2011.]
I like Don Trachte’s Henry (now in reruns) for its clarity of line, reminiscent of Ernie Bushmiller’s Nancy. I am unclear though about the gesture in the panels above. It’s one that Henry performs frequently. It means something like “Well, that’s that.” But what to call it? It’s not washing one’s hands of the matter, which would mean abandoning responsibility. I’d call it dusting off one’s hands. But to say “I dusted off my hands” would hardly suggest the gesture’s meaning. Is there, reader, a better name for this gesture? I would ask Henry, but he’s not talking.
Used wisely (i.e., sparingly, perhaps once a day), this little gesture makes an amusing, dowdy addition to everyday life. It is cheaper and quieter than a Staples Easy Button and uses no batteries.
Betty Boop with Henry (Henry speaks!)
Saturday, January 29, 2011
Ernest Borgnine’s
Lifetime Achievement Award
“But am I worth it? Really. It comes down to that. What have I done, really? But, hey! I’m not going to turn it down”: Ernest Borgnine receives the Screen Actors Guild’s Life Achievement Award tomorrow.
Ernest Borgnine to have night of a lifetime (Chicago Sun-Times)
Ernest Borgnine, Still Building A Life’s Work At 94 (NPR)
[Thanks, Rachel!]
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Happy birthday, Mr. Piletti (Marty after Marty)
