Pencil crossword

"Get The Lead Out!" is a pencil-themed crossword by Barrel of a Pencil. It's Sunday-sized, with many clever clues and great pencil-related answers, some quite unexpected. This puzzle is available as a PDF from Pencil Talk.

Thanks, Barrel of a Pencil. Thanks, Pencil Talk.

Good advice from Harvey Pekar

"If you don't correct stuff right when it happens, you can get into serious trouble. Stay on it."

Harvey Pekar, "You Get Old You Can Fall Apart (We're a Winner)," in American Splendor: Another Dollar (New York: DC Comics, 2009), 45.

In this story, illustrated by Ty Templeton, Pekar schedules physical therapy for a mending elbow, has a false tooth reglued, and gets a missing screw for his glasses replaced. "Keep on pushin'," he thinks, as the story closes. "Keep on pushin'."

Other Harvey Pekar posts
A few words from Harvey Pekar
Harvey Pekar on life and death
Harvey Pekar's The Quitter
Review: Leave Me Alone!

After William Carlos Williams

This Is Just to Say

                after William Carlos Williams

I am actually
grateful
for this first
opportunity

to publicly
speak
about
my crimes

for which
I am so
deeply sorry
and ashamed

Bernard Madoff (2009)

Part of what makes William Carlos Williams' 1934 poem "This Is Just to Say" a great poem is its refusal to offer anything as self-serving as a confession of guilt and sorrow for eating forbidden — or "probably" forbidden — fruit. The poem's mock-melodrama — "Forgive me" — is followed by a reminder of how wonderful the plums tasted: "they were delicious / so sweet / and so cold." Not "they looked delicious": there's no justification of transgression in these lines. Williams' poem suggests a playful, knowing relationship between two people, each with a capacity for humor, tolerance, and, yes, forgiveness. To say nothing after eating these plums would be to engage in passive-aggressive theft. To say more, proclaiming guilt and resolving to never, ever do it again, would be to put up a false rhetorical front. Hence, what the poem says is just to say, right, fitting, appropriate to the occasion.

How false, in contrast, Bernard Madoff's words look: actually, opportunity, publicly, deeply. Feeling grateful for an "opportunity" — had anyone denied it? — to speak of what makes one deeply ashamed: that must be a difficult trick to master.

Mongol No. 2 3/8

Why "Mongol"?

To associate the pencil with "the Orient," at one time the source of the finest graphite. Eberhard Faber introduced the Mongol in 1900.

Why graphite?

"Lead" = graphite and clay.

There's no lead in pencil lead?

No, there's no lead in pencil lead. Or yes, there's no lead in pencil lead. Whichever answer is correct. I've never figured out how that works.

Why yellow?

See the response to the first question.

Why a star in a diamond?

An icon of excellence, I guess. On August 22, 1960, the New York Times reported that Eberhard Faber was introducing "Diamond Star" lead for the Mongol, lead that purported to be virtually unbreakable in normal use. (Imagine: a world in which pencil lead was newsworthy.) But the Diamond Star was already appearing on Mongols in the 1950s. (I just looked at an old ad to check.) Pencils with the new lead were marked with a dot. I don't know how long Diamond Star lead was in production.

Is woodclinched a word?

Not according to the Oxford English Dictionary. But the verb clinch has to do with making things firm and sure. So the word has something to do with the process of joining lead and wood. The Eagle Pencil Company proclaimed its pencils "Chemi-Sealed," another name for the same sort of process.

[Yawn.] Can we go back to the ad?

It's on a wall in the room that we call "the study." The ad shows a hand holding a pencil, with a penny nearby. The ad says

Your Best Buy's
MONGOL
2,162 words
for
one cent

Cool. I think I've read those words online before.

Here, perhaps?

Yes, I believe so. So how old is this pencil?

Beats me. My dad gave it to me, knowing how much I like pencils. I would guess that it's likely to be from the 1960s or '70s. But the eraser is still good — perhaps because the pencil was kept away in a drawer. Or maybe it's a special Diamond Star eraser. At any rate, the pencil predates Mongols as I know them from the 1980s and '90s.

And why 2 3/8?

I was afraid you'd ask. I don't know. Henry Petroski notes that trademark battles led to pencil gradations of 2 1/2, 2 4/8, 2 5/10, and 2.5. My guess is that with a fairly limited number of ways to sell a product, this unusual designation gave the Mongol some extra bit of distinction.

John Steinbeck for one was impressed by the No. 2 3/8 Mongol. From a letter that he wrote while working on East of Eden:

This is the day when I am stabbing the paper. So today I need a harder pencil at least for a while. I am using some that are numbered 2 3/8.

Elsewhere in a letter Steinbeck notes that the No. 2 3/8 Mongol "holds its point well" and that he plans to get "six more or maybe four more dozens of them for my pencil tray." Four more dozens!

*

January 2, 2015: Sean at Contrapuntalism dates the diamond star emblem to 1903–1904.

January 5, 2015: A 1946 United States patent application describes the diamond star as being “continuously used and applied” to Eberhard Faber goods “since about 1909.” Thanks again to Sean at Contrapuntalism.

June 8, 2015: Sean at Contrapuntalism spoke with Eberhard Faber IV, who says that the Mongol was named for John Eberhard’s favorite soup: purée Mongole. I’ve left the above explanation as is: I think that an association with "the Orient" is what what the buying public would have seen in the name Mongol .

June 22, 2016: Sean at Contrapuntalism reports that the Eberhard Faber Company applied for a diamond star trademark in 1905.

[The 1900 date for the Mongol comes from Larry R. Pack's Made in the Twentieth Century: A Guide to Contemporary Collectibles (Lanham, Maryland: Scarecrow Press, 2005). Henry Petroski's The Pencil: A History of Design and Circumstance (New York: Alfred A. Knopf, 1990) is my source for the significance of the name Mongol and the color yellow and for a reference to the 1960 Times article, which I read in the Times archive. The dating of the star in the diamond is from my observation. Petroski's book is also the source for the information about trademark battles and for the first Steinbeck quotation, which led me to Steinbeck's Journal of a Novel: The East of Eden Letters (New York: Viking Press, 1969) and the other quotations. The Pencil is a great book for anyone interested in culture, design, technology, and writing.

This post is the third in an occasional series, "From the Museum of Supplies." The museum is imaginary. The supplies are real. Supplies is my word, and has become my family's word, for all manner of stationery items.]

Also from the Museum of Supplies
Rite-Rite Long Leads
Real Thin Leads

The Brooklyn National Anthem

Spring has sprung, the grass has riz.
I wonder where the birdies is.

My mom has recited these words, perhaps without knowing their borough-wide significance. Ladies and gentlemen, please rise for the Brooklyn National Anthem.

Spinal Tap and the BBC

The volume sliders for BBC video clips go up to eleven. See and hear for yourself, as Prince Charles busts a move, or several of them:

Prince Charles' Amazon dance (BBC News)

791 Broadway

William Weaver remembering his friend Frank O'Hara:

"I remember just going down the street with him when they were tearing down some brownstones. I said, in the usual clichéd way, 'Oh what a pity they're tearing down those brownstones.' Frank said, 'Oh no, that's the way New York is. You have to just keep tearing it down and building it up. Whatever they're building they'll tear that down in a few years.'"

[Quoted in Brad Gooch's City Poet: The Life and Times of Frank O'Hara (New York: HarperPerennial, 1993).]

791 Broadway, Frank O'Hara's last Manhattan address, now appears to be awaiting demolition. Here's the story:

Frank's Last Place (Jeremiah's Vanishing New York)

Call Letter Origins

You may listen to a radio station daily, but do you know what its call letters really mean? If not, try Call Letter Origins. Charming and no doubt occasionally fanciful bits of lore abound therein.

Some of my favorites:

CFLC: "Canada's Finest Little Community" (Brockville, Ontario).

KAND: Wolf Brand Canned Chili (Corsicana, Texas).

WLBB: "We Love Butter Beans" (Carrollton, Georgia). A Judge Tisinger, the station's first owner, liked his beans.

WMBD: "World's Most Beautiful Drive" (Peoria, Illinois). That drive would be Peoria's Grandview Drive.

WPLJ: "White Port and Lemon Juice" (New York, New York). I know that one from the Mothers of Invention recording of "WPLJ."

I'm surprised to learn that New York's WMCA (home of the Good Guys of my musical youth) is named for the Hotel McAplin, the station's first home. And New York's WOR? "World of Radio."

These stations all survive (CFLC as CFJR), most of them programming the syndicated stuff one can hear up and down the dial. (What dial?)




A related post
Five radios

Betsy Blair (1923-2009)

Betsy Blair, an Academy Award-nominated actress also known for her forthright memoir describing her youthful marriage to Gene Kelly and her firsthand experience of the Hollywood blacklist, died on Friday in London. She was 85 and had lived in London for many years. . . .

Winsome and red-haired, Ms. Blair was nominated for a best supporting actress Oscar for her role as Clara Snyder, Ernest Borgnine’s shy love interest in the 1955 film version of Paddy Chayefsky’s television play “Marty,” directed by Delbert Mann.

Betsy Blair, 85, Actress and Wife of Gene Kelly (New York Times)

The Jupiter String Quartet

I heard the Jupiter Quartet last night, playing Haydn, Beethoven, and Shostakovich in the Great Hall of the Krannert Center at the University of Illinois. If you, reader, ever have the opportunity to hear the Jupiter String Quartet: go.

So many of our more "celebrated" classical musicians play in a way that seems to say "Look at me, how passionate I am, how intensely self-absorbed." The members of the Jupiter Quartet play in a way that seems to say "Listen to the music. That's why we're here." The quartet's musicianship and expressive communication — among themselves and with their audience — are extraordinary. And these people are still so young! Catch them if you can: their touring schedule's on their website.