Monday, September 8, 2008

Details

[Advice for students, at work perhaps on the first essays of the semester.]

According to a 2006 survey developed by OfficeTeam, 84% of executives polled consider one or two typos in a résumé sufficient to remove a job-candidate from consideration. Translated into academic terms, one or two typos in a paper would equal a failing grade.

I'm not sure how much I want to trust this poll: the sample is small (perhaps only zealots chose to reply), and NO TYPOS ANY TIME might apply only in some Platonic ideal (or nightmare) of a workplace. Still, this poll is a reminder: the world beyond "school" is tough, with standards sometimes far more stringent than those of the strictest professor. Here are a few details to get right, always, when you're writing in college. They might be details that no professor or teaching assistant will ever take time to comment on. But they're important, even if no one seems to be watching.

One: Use one space after a period.

Two spaces were the norm when everyone produced monospaced text with a typewriter. Using one space is a good way to show that you’re at home in print (where additional space after a period now looks like an unnecessary gap) and in HTML (where the second tap of the spacebar doesn’t register). If you were brought up with "two spaces" and find it a difficult rule to break, use search-and-replace in your word-processor to find and eliminate extra spaces.

Two: Two hyphens equal an em dash.

On a Mac, the em dash is a cinch: just press Option-Shift-hyphen. Off a Mac, set up your word-processor to replace two hyphens (--) with a dash (—). In print, the em dash—a really useful mark of punctuation—does its work without additional spaces, as in this sentence. In HTML, proper dashes (like proper quotation marks) don't display properly on all systems and sometimes make a mess of line length and word-wrap, so double-hyphens preceded and followed by spaces -- see? -- seem to be fine.

Three: Take care with your titles.

Use the same point-size that you're using in your essay (a jumbo title looks silly). Type your title without quotation marks (unless the title includes a quotation), and don’t capitalize entire words. Capitalize articles, prepositions, and coordinating conjunctions only if they’re first or last words. If you're using a quotation, type the words just as they appear in the source, adding an initial capital letter in brackets if necessary. If you need more than one line, break your title across the lines in a logical way. Not

"To be or not to be": Hamlet's Soliloquy and Modern
Introspection
but
"To be or not to be":
Hamlet's Soliloquy and Modern Introspection
Four: Take care too with the titles of works you're referencing.

Titles of longer works that stand on their own — a long poem, for instance, or any book — should be underlined or italicized; titles of shorter works such as a short poem, a short story, or a song go in quotation marks: Homer's Odyssey, Marcel Proust's Swann’s Way, William Blake's "The Tyger," Eudora Welty's "Why Live at the P.O.," Duke Ellington's "Mood Indigo." For more complicated title questions, consult a standard source (Chicago Manual of Style, MLA Handbook, Publication Manual of the American Psychological Association). One more small but important point: novel is not a synonym for book. The Chicago Manual of Style, for instance, is not a novel. Swann's Way is.

Five: Take care with spelling proper names.

If you're writing about, say, Mihaly Csikszentmihalyi's book Flow: The Psychology of Optimal Experience, keep the author's last name handy to copy and paste, or add it to your AutoCorrect entries, so that you can have it appear by typing its first few letters. You especially don't want a misspelling or typo in your professor's name or your own name. (I've seen both, many times.)

Bonus advice: Staple! Or use a paper clip if you're asked to.

Some professors and teaching assistants will not notice or correct these sorts of details. Others might notice and grumble. And with some academics, anything goes. So why bother? Because in doing so, you cultivate a habit of careful attention that will serve you well in the world beyond the classroom, where anything won't go.

Sunday, September 7, 2008

"The fright begins"

Andrew Sullivan has been tracking John McCain's vice-presidential pick at The Daily Dish. From a post today:

Whatever is to come in the Palin story, the fundamental truth that will remain true is that John McCain made this vital decision in such a reckless, cursory, cynical way that his candidacy really should be over. If this is what he promises in executive decision-making, then no one can be comfortable voting for him this November.
And from a column in The Times:
If you thought a president who went to war on flawed intelligence with no plan for the aftermath was reckless, then I have news for you. You haven't seen anything yet. Imagine the kind of decision-making McCain has just demonstrated applied to life-and-death decisions with respect to Iran and Russia.

Yes, you have permission to be afraid.
I am.

Read it all:

Andrew Sullivan, The fright begins (The Times)

Sonny Rollins is 78

Our Man in Jazz turns 78 today. There's a "multimedia celebration" at his website, including a facsimile of an elegant 1962 letter to Coleman Hawkins. Happy Birthday, Sonny Rollins!

Related posts
Sonny Rollins in Illinois
Sonny Rollins on paying the rent

(Thanks, Elaine, for pointing me to this news.)

Saturday, September 6, 2008

9 - 6 = 3


[Hi and Lois, September 6, 2008.]

Shouldn't that arithmetic problem be on the blackboard, where it belongs?

The levitating oval and triangle on the dresser must be a perfume bottle. But it took me several long looks to figure out the objects stuck in the door. Fishhooks? Safety pins? Darts? If you give up and would like to see my best guess, highlight the empty space following the colon: perspiration.

[Second-guessing: that could be an Ad Reinhardt, not a blackboard.]

Related posts
The cabinet of Hi and Lois
Hi and Escher?
House? (1)
House? (2)
Returning from vacation with Hi and Lois
Sunday at the beach with Hi and Lois
Vacationing with Hi and Lois

Corrections of the Times

I like the straight-facedness with which the New York Times makes corrections:

The Well column on Tuesday, about the potential dangers to children who focus early on one sport, misstated the coach-to-athlete ratio recommended by Dave Peterson, the owner of a sports center in California. Mr. Peterson suggested a coach-to-student ratio of 1 to 6 in preschool and about 1 to 8 for older athletes, not 6 to 1 and 8 to 1.
Related posts
A correction
Fit to print

Friday, September 5, 2008

Word Clock


[Click for a larger view.]

The most beautiful and functional screensaver I've ever seen: Word Clock by Simon Heys, a free download for iPhone, Mac, and Windows. [Via kottke.org.]

Five bloggers blogging

Five bloggers, posting pretty regularly, and always interesting to me:

Musical Assumptions Elaine Fine (yes, Mrs. Orange Crate Art) on music and culture.

Notes of an Anesthesioboist T. is an English major turned anesthesiologist turned oboist, writing about medicine with great compassion and insight.

Relative Esoterica Trombonology's astute, evocative commentary on film, jazz, and popular song.

Submitted For Your Perusal Matt Thomas' New York Times digests almost always point me to items I'd otherwise overlook.

(what is this?) Angela has a great eye for ephemera. From her Blogger Profile list of interests: "flea markets, memory, ruins."
And one more:
The Daily Dish Andrew Sullivan's day-by-day, hour-by-hour, and sometimes minute-by-minute commentary on culture and politics.
[On the Internets, five, like ten, is a magic number, right?]

[Update, September 9: Save for a reader-contributed photograph, there's been nothing posted to The Daily Dish since Sunday night. I hope all's well with Andrew Sullivan and that he's back soon.]

Thursday, September 4, 2008

Community organizer

From campaign manager David Plouffe's e-mail to Barack Obama supporters:

Rudy Giuliani and Sarah Palin specifically mocked Barack's experience as a community organizer on the South Side of Chicago more than two decades ago, where he worked with people who had lost jobs and been left behind when the local steel plants closed.
Indeed. Giuliani:
On the other hand, you have a resume from a gifted man with an Ivy League education. He worked as a community organizer. What?
And Palin:
I guess a small-town mayor is sort of like a "community organizer," except that you have actual responsibilities.
Community organizer. Ha ha.

Has it occurred to these people that Jesus (among others) might be described as a community organizer — and one who worked among the poor?

[No, I'm not comparing Barack Obama to Jesus. I'm only pointing out the absurdity of last night's ridicule.]

Mac writing tools

The Unofficial Apple Weblog has posted a three-part series on writing tools for the Mac: word-processors, text-editors, utilities. Helpful to anyone who's recently switched to a Mac or is thinking about it:

"Back to School: Writing tools": Parts 1, 2, 3

Of the programs covered in this series, I'm partial to Bean (word-processor, free), Pages (word-processor, part of Apple's iWork), TextExpander (keystroke saver), and WriteRoom (full-screen text-editor). I also like TextWrangler, a free text-editor. There's life beyond Microsoft Word.

Wednesday, September 3, 2008

How to improve writing (no. 22 in a series)

Novice writers often want their writing to "flow," mistaking result for process. Sentences whose movement seems inevitable and right usually result not from easy spontaneity but from careful rethinking. Here for instance is a sentence that could be greatly improved with a little more thought. From a library's monthly newsletter:

For those people who live outside the city limits, even if it is only by one house, two feet, etc., they have to pay an annual fee of $45 for their library card.
What's wrong with this sentence? The "one house, two feet" details are unneeded, and seem to hint at a history of argument with cranky residents. There's also a problem with agreement: people need to pay for their library cards. The main problem with the sentence though is the clumsy syntax: "For those people," "they have to pay." Better:
Anyone who lives beyond the city limits must pay a $45 annual fee for a library card.
From 33 words to 17: almost 50% off!

[Update: There's a better way, and so obvious:
Anyone living beyond the city limits must pay a $45 annual fee for a library card.
From 33 to 16: over 50% off!]

[This post is no. 22 in a very occasional series, "How to improve writing," dedicated to improving stray bits of public prose.]

All "How to improve writing" posts (via Pinboard)