Malcolm X on prison and college

I don't think anybody ever got more out of going to prison than I did. In fact, prison enabled me to study far more intensively than I would have if my life had gone differently and I had attended some college. I imagine that one of the biggest troubles with colleges is there are too many distractions, too much panty-raiding, fraternities, and boola-boola and all of that. Where else but in a prison could I have attacked my ignorance by being able to study intensely sometimes as much as fifteen hours a day?

From The Autobiography of Malcolm X, with the assistance of Alex Haley (New York: Ballantine, 1987), 183

["Boola Boola" is the Yale fight song, words and music by Allan M. Hirsch (Yale '01).]

Bad metaphor of the day

From Pennsylvania Governor Ed Rendell, proffering an explanation of Barack Obama's appeal among college students:

"What I find amazing, particularly because our students are brighter than ever — and it doesn't matter whether it's Penn or La Salle or any school — but the students go and sorta drink the Kool-Aid of a wonderful speech."

On this metaphor's terms, Barack Obama is Jim Jones, leader of the Peoples (sic) Temple, and those listening to his speeches are blind followers, duped by a cult leader to participate in their own destruction. (Though it was Flavor Aid, not Kool-Aid, that was mixed with cyanide for the 1978 Jonestown murder-suicides.)

Of course, Governor Rendell, like J. Alfred Prufrock's lady friend, might object: "'That is not what I meant at all. / That is not it, at all.'” Like James Carville speaking of Judas, Rendell is using a metaphor. But metaphors have meanings and implications. One can disavow a metaphor upon realizing its meanings and implications. But one cannot rely upon a metaphor to make a point while disavowing its meanings and implications.

Condescending and insulting and grotesque as it is, the Kool-Aid metaphor is also revealing: if Governor Rendell has to reach for a metaphor of cult leadership and blind followers, he plainly fails to understand the thoughtful interest and effort that the Obama campaign has inspired among many young adults. Something is happening here, but you don't know what it is, do you Mister Rendell?

Here's the short clip of Rendell talking with college students: On drinking the Kool-Aid. Major props to the young woman in glasses, willing to argue with the gov.

["Something is happening here": à la "Ballad of a Thin Man," with apologies to Bob Dylan and Mister Jones.]

Related reading
All metaphor posts (via Pinboard)

Bad analogy of the day

An editorial on college-campus parking problems compares faculty and students to waiters and customers at a restaurant. If waiters park right in front of a restaurant, customers will not want to park at a distance and patronize the establishment. The context is different, the editorial acknowledges, but the roles of faculty and students, the editorial contends, are "close to the same."

Faculty : students :: waiters : customers?

That's the kind of analogy that develops when one begins to think of higher education as a matter of customer service. Is it worth pointing out the ways in which this analogy fails? I think so.

A campus building is not a customer destination, and a campus is by definition a pedestrian environment. One doesn't drive to class as one might drive to a restaurant. One drives to campus, and then gets around on foot (and perhaps by shuttle-bus). That a student should expect a space in front of a classroom building — a building that during any hour of the day might hold a thousand students — is silly (handicapped parking aside).

And parking aside, faculty are hardly comparable to waiters in their work. If we profs were waiters, we'd have a pretty strange restaurant, serving our specialties to diners who in many cases have no idea what's on the menu, though they've already paid for their meals.

Related post
"Customer service" in higher education

Blondie minus Blondie

I think it's an improvement, though I'm not sure it will work on a regular basis.

In this instance, with Daisy on hand, subtracting Blondie turns the strip into Garfield with Garfield's thought balloons removed: Daisy becomes Garfield (take that, Garfield), and Dagwood becomes Jon, speaking blandly to no one. Subtracting Blondie makes clear how little genuine communication there is between Bumsteads: here, as in so many strips, Blondie functions as the silent audience for Dagwood's "observational comedy." Let her go out and live her life, says I.

Subtracting Blondie also calls attention to the waste land in which Dagwood struggles. That wall: is it a wall, or is it empty space? That piece of furniture: very like a coffin. And those speech balloons: it took a lot of work to get them looking semi-right with Blondie out of the picture.

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Garfield minus Garfield
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Thoughtless

Boredom and attention

Wally: So I mean, is that our problem? Is that what you're saying? Are we just like bored, spoiled children who've been lying in the bathtub all day, playing with their plastic duck, and now they're thinking, What can I do?

Wallace Shawn and André Gregory, screenplay for My Dinner with André (New York: Grove, 1981), 91

*

Many of the things we find interesting are not so by nature, but because we took the trouble of paying attention to them. Until one starts to collect them, insects and minerals are not very appealing. Nor are most people until we find out about their lives and thoughts. Running marathons or climbing mountains, the game of bridge or Racine's dramas are rather boring except to those who have invested enough attention to realize their intricate complexity. As one focuses on any segment of reality, a potentially infinite range of opportunities for action — physical, mental, or emotional — is revealed for our skills to engage with. There is never a good excuse for being bored.

Mihaly Csikszentmihalyi, Finding Flow: The Psychology of Engagement with Everyday Life (New York: Basic Books, 1997), 128

[The back cover of Finding Flow notes that the name Csikszentmihalyi is pronounced "chick-SENT-me-high."]

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Flow
Powders, pencils, mountains, cigars
"[T]races of ourselves"

Calling Bandi

News from the UK:

A foul smell permeating London and parts of England over the past two days is due to farmers on the European continent spreading manure in their fields, forecasters and British farmers said Saturday.

Experts say the inescapable farmland smell permeating London will stick around for a couple of days.

Forecasters said a stiff breeze from the east is carrying the smell across the North Sea from Belgium, the Netherlands and even Germany. They said the smell is likely to hang around through the weekend as the easterly wind continues.

"The word for fertilizer": is that an innocent slogan, or a joke that Bandini's customers would have caught? (Think of another word for "fertilizer.") Either way, this smell calls for a persuasive product spokescharacter to explain it away. It's time for Bandi.

[Image from a 1959 matchbook cover, found in Warren Dotz and Masud Husain's Meet Mr. Product (San Francisco: Chronicle, 2003).]

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The real Mr. T

The Entman Award

And the Entman (imaginary award of my devising) goes to Saul Levmore, Dean of the University of Chicago Law School, who has announced a block on Internet access in classrooms. From his e-mail to students:

Visitors to classes, as well as many of our students, report that the rate of distracting Internet usage during class is astounding. Remarkably, usage appears to be contagious, if not epidemic. Several observers have reported that one student will visit a gossip site or shop for shoes, and within twenty minutes an entire row is shoe shopping. Half the time a student is called on, the question needs to be repeated.

In law school! (I am low on exclamation points.)

I commend Dean Levmore for his sane and courageous position on Internet access in classrooms, and I hope that college and university administrators elsewhere follow his example.

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Wireless or wireless-less

Earthquake

I woke early this morning to a strange sound — as if a behemoth truck were driving across the roof of my house. The rumbling (heard, not felt) lasted a few seconds, and I went back to sleep.

It turns out to have been an earthquake. There are no signs of damage. I've heard no sirens. No significant attention on the television news. A local morning show just mentioned (mentioned!) the earthquake during its weather forecast.

Update, 10:16 a.m.: We just had an aftershock, a few seconds with bookcases shaking.

5.4 earthquake rocks Illinois (Associated Press)

Parents and stars

Relative Esoterica's wonderful post about Mildred Bailey got me thinking and writing about a wonderful James Schuyler poem, which in turn made me resolve to ask my wonderful parents about their various brushes with the stars during their years working in New York City. Here are the goods:

My mom once saw Rex Harrison and Lilli Palmer together. My mom also rode in Rockefeller Center elevators that carried Christine Jorgensen and Nancy Walker.

As I noted in my Schuyler post, my dad once said hello to Groucho Marx. And he once met Doro Merande, who asked "What are you building there?" My dad also said hello to Walter Abel, Hans Conried, and Abe Vigoda on the sidewalks of New York.

And he once saw Roy Eldridge and Maxine Sullivan leaving a building on Broadway. "Hi, Maxine," said my dad. "Well, how did you know?" asked Maxine Sullivan. (Because my dad was and is a jazz fan; that's how.) Roy Eldridge kept to himself, looking off somewhere behind sunglasses.

Best of all: sitting with fellow construction workers outside a jobsite, my dad was granted a fleeting vision of Katharine Hepburn, driving by in a convertible. "Hello, fellas," she said.

I've met and talked with many great people in the worlds of music (mostly jazz) and writing, but stars? Not many. I once saw James Coco in a Greenwich Village grocery store, and Gene Shalit in a midtown theater lobby. I watched Nancy Walker rehearse a commercial for Bounty paper towels at a discount department store (the Rosie's Diner of those commercials was close by). And I once talked with André Gregory (as in My Dinner with André) in the lobby of the Brooklyn Academy of Music. Elaine encouraged me to introduce myself (I'd seen My Dinner with André seven times). André Gregory had seen the movie six times.

Reader, feel free to share your constellations in the comments. If you have recollections of parental brushes with the stars that would take us further back in time, those are most welcome too.

(Hi, Mom and Dad! Happy birthday, Mom!)

Apostrophes and vandalism

From Greater Manchester, England:

Despite her anger that someone had dec­ided to slash her tyres and deface her car, Rachel Ward couldn't help but smile when the vandal missed the apostrophe in "can't."

"I thought they had a cheek asking if I can't read when they clearly can't spell," said the 27-year-old. The vandalism was bad enough but then they add insult to injury by forgetting the apostrophe."

Car defaced, with bad punctuation (Metro)