Thursday, October 4, 2007

Wednesday, October 3, 2007

Thomas Merton and a snapshot

I love reading Thomas Merton, Trappist monk and writer extraordinaire. (You don't have to be Catholic or even Christian to love reading Thomas Merton.) In his journals, he is unguarded, funny, impatient, and introspective, always open to the possibility of discovery as he thinks aloud on the page. Here's Merton at the age of fifty, looking at an old photograph:

A distant relative sent an old snapshot taken when he and his wife visited Douglaston thirty years ago. It shows them with Bonnemaman [Merton's grandmother] and myself — and the back porch of the house, and the birch tree. There is Bonnemaman as I remember her — within two years of dying. And there am I: it shakes me! I am the young rugby player, the lad from Cambridge, vigorous, light, vain, alive, obviously making a joke of some sort. The thing that shakes me: I can see that that was a different body from the one I have now — one entirely young and healthy, one that did not know sickness, weakness, anguish, tension, fatigue — a body totally assured of itself and without care, perfectly relaxed, ready for enjoyment. What a change since that day! If I were wiser, I would not mind but I am not so sure I am wiser: I have been through more, I have endured a lot of things, perhaps fruitlessly. I do not entirely think that — but it is possible. What shakes me is that — I wish I were that rugby player, vain, glorious, etc. and could start over again!! And yet how absurd. What would I ever do? The other thing is that those were, no matter how you look at it, better times! There were things we had not heard of — Auschwitz, the Bomb, etc. (Yet it was all beginning, nevertheless.)

And now what kind of a body! An arthritic hip, a case of chronic dermatitis on my hands for a year and a half (so that I have to wear gloves); sinusitis, chronic ever since I came to Kentucky; lungs always showing up some funny shadow or other on x-rays (though not lately); perpetual diarrhea and a bleeding anus; most of my teeth gone; most of my hair gone; a chewed-up vertebra in my neck which causes my hands to go numb and my shoulder to ache — and for which I sometimes need traction; when you write it down it looks like something, and it is true, there is no moment any more when I am not aware that I have something wrong with me and have to be careful! What an existence! But I have grown used to it — something which thirty years ago would have been simply incredible. [December 21, 1965]

From The Journals of Thomas Merton: Volume Five, 1963-1965, ed. Robert E. Daggy (NY: HarperCollins, 1998) 325-26

Related posts
Movie recommendation: Into Great Silence
New year's resolutions
Odes to autumn
To educe

Monday, October 1, 2007

Tool to limit browsing



Here's a free tool to limit browsing: open the page (from the link below), decide how long you'd like to browse, and you'll see a timer counting down in your browser's title bar or, if you use tabbed browsing, in a tab. Granted, a kitchen timer works just as well, as do freestanding virtual timers (I like Minuteur and Tiny Alarm for the Mac). Having the time ticking away right in the browser though might add some incentive to finish up and get back to work.

Okay, I'm getting back to work. But reader, please feel free to continue reading Orange Crate Art. You can always try a timer sometime tomorrow.

Timer (The Insomniac Society, via Lifehacker)

Life in colledge

$160,000

. . . so as to end up flaccid, immobile, alone on the carpet of a dorm room, shirtless, wheezing, intellectually menopausal, cutting lines on an iBook with a pre-paid Discover card, watching consecutive hours of user-generated porn, in the dark, in a hoodie, apolitical, remorseless, eating salt-and-vinegar potato chips from a bag without a napkin: like some hero, pretending to be otherwise, on a Wednesday, during discussion section.
That's the text of a sign created by Adam Delehanty, a Brown student, as a comment on life in college, or in what I call colledge, "the vast simulacrum of education that amounts to little more than buying a degree on the installment plan."

As University Diaries has pointed out, the model for this catalogue is likely Allen Ginsberg's Howl. With, I would add, this difference: Howl is a chronicle of endless, frenzied action, while Delehanty's catalogue is a chronicle of torpor.
Sign of the Times? (Inside Higher Ed)

Related post
Homeric blindness in colledge

Sunday, September 30, 2007

Campaign e-mail etiquette

I'm a strong supporter of Barack Obama, but I'm dismayed to receive a campaign e-mail message in his name with the subject line "Hey." Even worse is the subject line on a follow-up e-mail bearing Michelle Obama's name: "RE: Hey." There are at least three good reasons to abandon "Hey":

1. A message with the subject line "Hey" is easily mistaken for spam. That the "Hey" purports to come from a well-known figure makes it look, to my eyes, even more like spam.

2. The too-casual "Hey" is likely to strike younger voters as lame.

3. The too-casual "Hey" is likely to strike older voters as saucy, pert, and less than presidential. (Do older people still complain about sauciness and pertness?)
I will add that I've met both Barack and Michelle Obama, and my sense is that neither would address a reader/voter in this way.

A better choice for a subject line might be "A message from Obama '08," "A message from Barack Obama," or "A message from Michelle Obama." Not very original: novelty in subject lines is not necessarily a good thing.

David Plouffe, if you're listening, please drop the "Hey."
Related posts

Campaign e-mails (again)
Obama e-mail improvement

Barack Obama on facts
Barack Obama on race
Ideology v. values
The kitchen shink

Typographic walking tour

Yesterday, type designer Tobias Frere-Jones led a typographic walking tour in lower Manhattan for the American Institute of Graphic Arts. A Flickr set holds some of the highlights. My favorites: Baby Ruth Candy, the Cup & Saucer Luncheonette (remember luncheonettes?), and the lethal-looking Z of Zenith Color Television.

AIGA/NY Frere-Jones Typography Walking Tour (Flickr)
Hoefler & Frere-Jones

Related posts
Helvetica
Type terms

Saturday, September 29, 2007

Telephone exchange names on screen (no. 2)


[Courtland Trenholm (George Brent) prepares to pay his fare.]

Baby Face (dir. Alfred E. Green, 1933) is a pre-Code film, the story of Lily Powers (Barbara Stanwyck), a young woman whose encounter with a Nietzsche-espousing cobbler inspires her to climb (i.e., sleep) her way to the top. The film is available on a DVD compilation, Forbidden Hollywood, Volume 1.

Miss Powers' phone number is SChuyler 3-2215.

Related posts
Telephone exchange names
Telephone exchange names on screen
MOre TElephone EXchange NAme NOstalgia
Mike Hammer's answering machine

All "dowdy world" posts (via Pinboard)

Thursday, September 27, 2007

Three blogs from Burma



Burmese blogger Ko Htike writes:

In Burma, the only path to oppose the military junta is to demonstrate peacefully. The military junta repressed the peaceful demonstration brutally by hiding truth. The longer the military junta represses the people we are bound to loos more lives.

Burma Digest ("A magazine specializing in human rights affairs of Burma")
ko htike's prosaic collection (A Burmese blogger in London)
Saffron Revolution ("Citizens’ photographs of the monk-led protests against military dictatorship in Burma, September 2007")
[Photograph from Burma Digest]

Proust on possessions and intelligence

Now it is precisely and only those people who do not understand us whom it may be useful to impress with possessions, since our intelligence will be enough to win the regard of superior beings.

Marcel Proust, The Prisoner, translated by Carol Clark (London: Penguin, 2003), 159

All Proust posts (via Pinboard)