Showing posts sorted by relevance for query joubert. Sort by date Show all posts
Showing posts sorted by relevance for query joubert. Sort by date Show all posts

Wednesday, April 26, 2017

Joubert on Homer

Joseph Joubert:

If a superior intelligence wanted to give an account of human beings to the inhabitants of heaven and to give an exact idea of them, he would express himself like Homer.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Advancing without aging : Another world : “As real as a cannon ball” : Being and nothingness : Brevity : Doing something well : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine : Writing, too much or not at all

Tuesday, May 17, 2016

Ruins v. reconstructions

Joseph Joubert:

Antiquity. I prefer ruins to reconstructions.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Joubert’s observation acquires an odd poignance when we see the architecture and art of antiquity destroyed by fanatics.

See also Robert Walser on “former beauty.”

Also from Joseph Joubert
Another world : Form and content : Irrelevancies and solid objects : Lives and writings : New books, old books : Politeness : Resignation and courage : Self-love and truth : Thinking and writing

Friday, April 21, 2017

Joubert on writing

Joseph Joubert:

One ruins the mind with too much writing. — One rusts it by not writing at all.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Advancing without aging : Another world : “As real as a cannon ball” : Being and nothingness : Brevity : Doing something well : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Tuesday, February 23, 2016

Thinking and writing (2)

Joseph Joubert:

Writing is closer to thinking than to speaking.

The Notebooks of Joseph Joubert: A Selection, trans. Paul Auster (New York: New York Review Books, 2005).
Paul Auster describes the French writer Joseph Joubert (1754–1824) as “a man of letters without portfolio,” “a writer who spent his whole life preparing himself for a work that ever came to be written, a writer of the highest rank who paradoxically never produced a book.” Joubert wrote, for forty years, in notebooks — aphorisms, observations, phrases. His work will be of interest to any reader who values the fragmentary, the provisional, the unfinished.

On my bookshelf, this book will go next to the NYRB edition of Georg Christoph Lichtenberg’s The Waste Books .

Friday, April 1, 2016

Form and content

Joseph Joubert:

For the first form and idea of a work must be a space, a simple place where the material can be put, arranged, not a material to be put somewhere and arranged.

The Notebooks of Joseph Joubert: A Selection , trans. Paul Auster (New York: New York Review Books, 2005).
John Ashbery, striking a remarkably similar note:
[A] poem first presents itself to me as a somehow blank space which I then proceed to people with objects, events, and characters.

45 Contemporary Poems: The Creative Process , ed. Alberta Turner (New York: Longman, 1985).
In the manifesto “Projective Verse” (1959) Charles Olson famously declared that “FORM IS NEVER MORE THAN AN EXTENSION OF CONTENT.” Olson attributed this observation to Robert Creeley. (The SHOUTING is Olson.) For other writers, content is an extension of form. See above. Creeley later added that “content is never more than an extension of form.”

Related reading
All OCA John Ashbery posts (Pinboard)
Also from Joseph Joubert: Another world : Resignation and courage : Self-love and truth : Thinking and writing

[Robert Creeley: “form is never more than an extension of content,” in a letter to Charles Olson, June 5, 1950. For the last few weeks, I’ve been carrying Joubert’s name in my head as Jourbet . Wrong.]

Thursday, April 6, 2017

“Without aging”

Joseph Joubert:

One can advance a long time in life without aging.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : “As real as a cannon ball” : Being and nothingness : Brevity : Doing something well : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Sunday, May 1, 2016

New books, old books

Joseph Joubert:

The great inconvenience of new books is that they prevent us from reading old books.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Form and content : Irrelevancies and solid objects : Lives and writings : Politeness : Resignation and courage : Self-love and truth : Thinking and writing

Thursday, July 28, 2016

“Everything is new”

Joseph Joubert:

Everything is new. And we are living among events so singular that old people have no more knowledge of them, are no more habituated to them, and have no more experience of them than young people.

We are all novices, because everything is new.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Brevity : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Thursday, May 26, 2016

Wine, spiritual

Joseph Joubert:

It seems that there is something spiritual in wine.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Form and content : Irrelevancies and solid objects : Lives and writings : New books, old books : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing

[This post is for my friends Jim and Luanne Koper.]

Tuesday, March 22, 2016

Another world

Joseph Joubert:

Everyone makes and has need of making a world other than the one he sees.

The Notebooks of Joseph Joubert: A Selection , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Resignation and courage : Self-love and truth : Thinking and writing

Tuesday, March 15, 2016

Self-love and truth

Joseph Joubert:

Those who never back down love themselves more than they love the truth.

The Notebooks of Joseph Joubert: A Selection , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Resignation and courage : Thinking and writing

Friday, April 8, 2016

Lives and writings

Joseph Joubert:

We must treat our lives as we treat our writings, put them in accord, give harmony to the middle, the end, and the beginning. In order to do this we must make many erasures.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
I’m reminded of what William Faulkner said about peace.

Also from Joseph Joubert
Another world : Form and content : Politeness : Resignation and courage : Self-love and truth : Thinking and writing

Thursday, October 13, 2016

Doing something well

Joseph Joubert:

I can do something well only slowly and with great effort.

Our moments of light are all moments of happiness. When it is bright in our mind, the weather is good.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
This post is for Matt Thomas.

Also from Joseph Joubert
Another world : Being and nothingness : Brevity : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Wednesday, March 15, 2017

“As real as a cannon ball”

Joseph Joubert:

A thought is a thing as real as a cannon ball.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Being and nothingness : Brevity : Doing something well : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Monday, June 15, 2020

“A bridge between two mysteries”


Fernando Pessoa, from “Self-Examination,” The Book of Disquiet, trans. from the Portuguese by Richard Zenith (New York: Penguin, 2003).

Bernardo Soares, the authorial identity to whom Pessoa attributes The Book of Disquiet, sometimes seems to speak for everyone, sometimes only for himself. Here, I’d say, he speaks for us all.

Senhor Soares has come to remind me of Henry Darger: like Darger, he is a secret maker, the creator of imaginary worlds known only to him. No one passing Soares on the street would have any idea, &c. Soares also reminds me of J. Alfred Prufrock: like Prufrock, he lives as an observer of life, removed, renunciatory, acutely aware of what he calls “the shy and ridiculous abnormality of my soul.”

I also think of Soares in the company of Joseph Joubert and Georg Christoph Lichtenberg, writers whose work survives as pieces whose only order is the order of their composition. I think of Soares as especially close to Joubert: though Soares is far less given to aphorism, he too is a writer whose writing is always a preparation for writing, notes toward a project never to be realized. Here writing becomes a form of life: not the making of a great work but just what one does.

I once described Joubert as a writer who would be of interest to a reader who values “the fragmentary, the provisional, the unfinished.” So too Fernando Pessoa, in the person of Bernardo Soares.

This passage is the last I’m posting from The Book of Disquiet.

Related reading
All OCA Pessoa posts (Pinboard)

Thursday, July 21, 2016

’Nuff said (1)

Joseph Joubert:

Everything that is exact is short.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Form and content : Irrelevancies and solid objects : Lives and writings : New books, old books : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Thursday, March 3, 2016

Resignation and courage

Joseph Joubert:

Resignation is a hundred times easier than courage, for it has a motive outside of us and courage does not. If both diminish evils, let us use the one that diminishes it the most. (Outside us, that is to say beyond our will.)

The Notebooks of Joseph Joubert: A Selection , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert: Thinking and writing.

[It helped to look up motive : “That within the individual, rather than without, which incites him to action; any idea, need, emotion, or organic state that prompts to an action.” But also: “That which moves; a mover; instigator.” And: “A cause.” Definitions from Webster’s Second .]

Thursday, July 21, 2016

’Nuff said (2)

Joseph Joubert:

What is clear should not be drawn out too much. These useless explanations, these endless examinations are a kind of long whiteness and lead to boredom. It is the uniformity of a wall, of a long piece of laundry.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Brevity : Form and content : Irrelevancies and solid objects : Lives and writings : New books, old books : ’Nuff said (1) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Wednesday, April 20, 2016

Irrelevancies and solid objects

Joseph Joubert:

Fleeting irrelevancies often serve to stamp solid objects in our memory; a sound, a song, an accent, a voice, a smell engrave forever in our mind the memory of certain places, because these small things were what made up our pleasure or boredom there.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
That sentence seems like a milder version of a passage from T. S. Eliot’s prose:
Why, for all of us, out of all we have heard, seen, felt, in a lifetime, do certain images recur, charged with emotion, rather than others? The song of one bird, the leap of one fish, at a particular place and time, the scent of one flower, an old woman on a German mountain path, six ruffians seen through an open window playing cards at night at a small French railway junction where there was a water-mill: such memories may have symbolic value, but of what we cannot tell, for they come to represent the depth of feeling into which we cannot peer.

“The Use of Poetry and the Use of Criticism” (1933).
Also from Joseph Joubert
Another world : Form and content : Lives and writings : Politeness : Resignation and courage : Self-love and truth : Thinking and writing

Monday, April 4, 2016

Politeness

Joseph Joubert:

Politeness is the art of being bored without boredom or (if you prefer) of bearing boredom without being bored.

The Notebooks of Joseph Joubert: A Selection , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Form and content : Resignation and courage : Self-love and truth : Thinking and writing

Wednesday, October 12, 2016

Being and nothingness

Joseph Joubert:

It is better to be concerned with being than with nothingness. Dream therefore of what you still have rather than of what you have lost.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
I’m reminded of what Harold Russell wrote: “It is not what you have lost but what you have left that counts.”

Also from Joseph Joubert
Another world : Brevity : “Everything is new” : Form and content : Irrelevancies and solid objects : Justified enthusiasm : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

[Thank goodness this post wasn’t Sartre’s Being and Nothingness .]

Tuesday, July 26, 2016

Justified enthusiasm

Joseph Joubert:

Nothing is better than a justified enthusiasm.

The Notebooks of Joseph Joubert: A Selection  , trans. Paul Auster (New York: New York Review Books, 2005).
Also from Joseph Joubert
Another world : Brevity : Form and content : Irrelevancies and solid objects : Lives and writings : New books, old books : ’Nuff said (1) : ’Nuff said (2) : Politeness : Resignation and courage : Ruins v. reconstructions : Self-love and truth : Thinking and writing : Wine

Wednesday, February 1, 2017

Resignation and courage (again)

Seeing visits today to a post from March 2016 makes me want to link to it again: useful words from Joseph Joubert about resignation and courage, words made for these times.

Related reading
All OCA Joseph Joubert posts (Pinboard)

Monday, October 14, 2024

Review: The Notebook: A History of Thinking on Paper

Roland Allen, The Notebook: A History of Thinking on Paper (New York: Biblioasis, 2024). 416 pp. $19.95 paper.

        Cognitive processes ain’t (all) in the head!

        Andy Clark and David Chalmers, “The Extended
        Mind”

The philosophers Andy Clark and David Chalmers, quoted in the final pages of The Notebook, have made a compelling case that the materials of our thinking — say, a calcuator, or a Filofax — are rightfully considered parts of our cognitive processes, parts of an extended mind. Ludwig Wittgenstein offered a similar conclusion sans analytical argument:

“Thinking takes place in the head” really means only “the head is connected with thinking.” — Of course one says also “I think with my pen” and this localisation is at least as good.
And, of course, a pen needs something to think on, or in — say, a notebook.

Roland Allen’s The Notebook is a briskly paced, deeply researched, endlessly surprising account of the ways in which humankind has thought in notebooks. The story begins circa 1305 BCE with a beeswax diptych, and moves to the technologies of codex and paper and what their meeting (in Baghdad, circa 800 CE) made possible: many kinds of notebooks for many uses. Allen’s history includes accounting ledgers, sketchbooks, the bewildering variety of specific-use notebooks found in Renaissance Italy — ricordanzi (home account books), libri di segreti (for confidential business), libri di ricordi (memoirs), libri di famiglia (family books), and zibaldoni (personal miscellanies) — portolans (handbooks for navigators), musical treatises, commonplace books, travel journals, Stammbücher (autograph books), memory-tables (pocket-sized whiteboards), dated diaries (thanks to John Letts, 1811), police notebooks (often used for fiction, not fact), patient diaries (first used in Sweden, written by nurses and family members for those in intensive care, att ge tillbaka förlorad tid, “to give back lost time”), bullet journals, and now-mythologized Moleskines.

Along the way we encounter a variety of unusual characters, both unfamed and famed: among them, Michalli da Ruoda, or Michael of Rhodes, a fifteenth-century mariner who enlisted in the Venetian navy as an oarsman, rose through the ranks, and compiled a 400-page notebook of shipbuilding, navigation, mathematics, astrology, and heraldry; Adriaen Coenen, a sixteenth-century Dutch fish merchant who created an 800-page Visboek, or fishbook, with watercolors depicting aquatic life; and Isaac Newton, whose youthful notebooks included magic tricks and how-tos (e.g., how to make birds drunk), and whose later Waste Book held the seeds of his mathematical thinking. Most endearing is Bob Graham, one-time governor of and senator for Florida, whose habit of recording more or less everything in little spiral-bound notebooks (4,000 in all) became the subject of mockery when he was considered as a vice presidential pick. Most moving is Michael Rosen, the writer and broadcaster, who offers his eloquent gratitude to the medical staff who wrote his patient diary during his long ICU ordeal with COVID.

I find three people conspicuously missing from this book — and yes, I think there should be room for them: Joseph Joubert (1754–1824), whose notebooks of aphorisms, Pensées, are well known; Georg Christoph Lichtenberg (1742–1798), whose “waste books” or ‌Sudelbücher are also celebrated; and Arthur Inman (1895–1963), mediocre poet and maker of one of the strangest and longest diaries known. I jotted their names in my notebook while reading this Notebook.

Related reading
All OCA notebook posts : Twenty-two Joubert posts : Two Lichtenberg posts (Pinboard)

[“The Extended Mind” appeared in Analysis 58, no. 1 (1998): 7–19. The Wittgenstein sentences are from Philosophical Grammar (Berkeley: University of California Press, 1978). Wittgenstein makes a number of similar statements elsewhere. Allen explains “waste book”: “for bookkeepers, and therefore for all writers of the period, a ‘waste book’ was the place where you made your first notes, on the fly. Later you would extract what you needed and copy it into the formal ledger.”]

Friday, April 21, 2017

Walser on ruins

Robert Walser in conversation:

“Aren’t ruins more beautiful than something that’s been patched up?”

Carl Seelig, Walks with Walser, trans. Anne Posten (New York: New Directions, 2017).
See also Walser on ruins and “former beauty.” And Joseph Joubert on ruins and reconstructions.

Related reading
All OCA Robert Walser posts (Pinboard)

[A review of Walks with Walser is coming soon.]