“I think a sandwich tastes better cut on the diagonal.”
Related reading
All “domestic comedy” posts
Tuesday, March 8, 2011
Domestic comedy
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Michael Leddy“Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
View Profile
Nancy, October 19, 1950.
“Who are we as a country?”
Michael Leddy
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
Search this blog
Creative Commons
StatCounter
Subscribe
Click to subscribe in a reader.
Top twenty tags
Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
-
▼
2011
(686)
-
▼
March
(54)
- Van Dyke Parks meets Lillian Gish
- ALJARDINE
- Garner’s Usage Tip of the Day
- Farley Granger (1925–2011)
- Write five sentences on my house
- “Fanciful ideas rampant”
- Call for papers (“Friday”)
- Hi and Lois watch
- Pocket notebook sighting: The Lodger
- “I heart my dogs [sic] head”
- Emoticons with Auto-Tune
- New York Times subscription plans
- “Trapped” (xkcd)
- Elizabeth Taylor (1932–2011)
- Domestic comedy
- “Get high on honey”
- “Taste worth dying for!”
- The decline of the omnivore
- A poem for the day
- A Garry Wills review
- For dummies
- Olivetti again
- HOUSE TO NPR: DROP DEAD
- Words from James Joyce
- Q.: “Where are you going to get a typewriter?”
- Review: From the Mixed-up Files of Mrs. Basil E. F...
- The Pale King, the first review
- A Borders executive on Borders
- JapanNYC
- Newton Minow, fifty years later
- The Smile Sessions, forthcoming
- Graphite-grey
- Red Cross (help Japan)
- ShelterBox (help Japan)
- What an ancient Greek looked like
- The Sharpie Liquid Pencil
- Yesterday’s vote in Wisconsin
- Not so fast
- Recently updated
- Word of the day: aegis
- A new Van Dyke Parks project
- Domestic comedy
- “Going Up the Country,” corrected
- Infinite Jest and Mike Huckabee
- Semi-mistaken identity
- Remediation in community colleges
- A junkie’s pockets
- PEREC, not ADAIR
- Random Exhibit Title Generator
- For Infinite Jest readers only
- FeedBurner problems
- Hi and Lois watch
- Weather, continued
- Weather
-
▼
March
(54)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- ChatGPT’s twenty-line poems
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- “Make My Jotter Quit!”
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- “On the Road”
- The Oteris and Marty
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- “The Poet”
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- “The Spokesmen”
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
comments: 3
It is a truth universally acknowledged, that a sandwich cut on the diagonal is infinitely better (thanks, Jane!). I also like the mustard on the meat side and the mayonaise on the lettuce side.
What about toast? Buttered on the far side, or the near side? (From a Bob and Ray bit.)
Pretty food tastes better; diagonals are more visually interesting.
And for those of us with an overbite, diagonal cuts allow for smaller nips.
Post a Comment