Related posts (really)
Alkalize with Alka-Seltzer
Dennison’s Gummed Labels No. 27
Sunday, March 20, 2011
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Michael Leddy“Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
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Nancy, October 19, 1950.
“Who are we as a country?”
Michael Leddy
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
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Top twenty tags
Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
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2011
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March
(54)
- Van Dyke Parks meets Lillian Gish
- ALJARDINE
- Garner’s Usage Tip of the Day
- Farley Granger (1925–2011)
- Write five sentences on my house
- “Fanciful ideas rampant”
- Call for papers (“Friday”)
- Hi and Lois watch
- Pocket notebook sighting: The Lodger
- “I heart my dogs [sic] head”
- Emoticons with Auto-Tune
- New York Times subscription plans
- “Trapped” (xkcd)
- Elizabeth Taylor (1932–2011)
- Domestic comedy
- “Get high on honey”
- “Taste worth dying for!”
- The decline of the omnivore
- A poem for the day
- A Garry Wills review
- For dummies
- Olivetti again
- HOUSE TO NPR: DROP DEAD
- Words from James Joyce
- Q.: “Where are you going to get a typewriter?”
- Review: From the Mixed-up Files of Mrs. Basil E. F...
- The Pale King, the first review
- A Borders executive on Borders
- JapanNYC
- Newton Minow, fifty years later
- The Smile Sessions, forthcoming
- Graphite-grey
- Red Cross (help Japan)
- ShelterBox (help Japan)
- What an ancient Greek looked like
- The Sharpie Liquid Pencil
- Yesterday’s vote in Wisconsin
- Not so fast
- Recently updated
- Word of the day: aegis
- A new Van Dyke Parks project
- Domestic comedy
- “Going Up the Country,” corrected
- Infinite Jest and Mike Huckabee
- Semi-mistaken identity
- Remediation in community colleges
- A junkie’s pockets
- PEREC, not ADAIR
- Random Exhibit Title Generator
- For Infinite Jest readers only
- FeedBurner problems
- Hi and Lois watch
- Weather, continued
- Weather
-
▼
March
(54)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- ChatGPT’s twenty-line poems
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- “Make My Jotter Quit!”
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- “On the Road”
- The Oteris and Marty
- The other little book
- Out of the past
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- “The Poet”
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- “The Spokesmen”
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
comments: 4
This seems doubly appropriate, as we emerge from an extremely trying winter, and as the world seems to be crumbling a bit at the edges around us.
I've often wondered if this might not be Williams' response to The Waste Land, published in 1922.
What a great way, on an overcast March day, to spend a few minutes (savoring this poem, that is).
Thanks.
--Richard
P.S. How strange Williams' poems must have seemed when they first appeared.
I’d say that it is. WCW’s hostility to TSE is well documented. The phrase “a reply to Greek and Latin with the bare hands” in SaA suggests TSE to me.
Richard, I didn’t see your comment earlier. Williams can still look mighty strange: when I teach something like “At the Faucet of June,” my students don’t know what hit them. He’s not the simple guy with the wheelbarrow they might have expected. (Not that “The Red Wheelbarrow” is exactly simple either.)
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