[Photograph by Michael Leddy.]
The last word of course should be plural: premissis.
More trouble
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Debri
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“Proffessional Centre”
Friday, September 17, 2010
Signage trouble
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Michael Leddy“Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
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Nancy, October 19, 1950.
“Who are we as a country?”
Michael Leddy
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail. I moderate comments to keep out spam, so please be patient.
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Words to live by
Life is to be lived, not controlled; and humanity is won by continuing to play in the face of certain defeat.
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Ralph Ellison, Invisible Man
*
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J.D. Salinger, Seymour: An Introduction
*
I’m not afraid to get it right
I turn around and I give it
one more try
Sufjan Stevens, “Jacksonville”
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
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favorite posts
- Against “deep reading”
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- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
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- Phones Are For People
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Nancy, October 19, 1950.
comments: 6
My fave is still this one, which I actually saw posted on a store-door:
NO DOGS ALOUD!
I was tempted to ask if I could bring in my dog after promising that she wouldn't bark.
(Oh, look what the Google just found! LOL Rabbitz?)
Ha. :)
Perhaps there is no alcohol on premisis because the signmaker drank it all before making the sign.
I wondered about that. (And thank you for following the sign’s spelling!)
Funny you should blog on this topic. I just ordered The Great Typo Hunt from Amazon.co.uk. With luck it should arrive before I clear out my office.
Now one might expect the odd spelling error on hand-lettered signs posted for the nonce, but when the "fit and finish" of laminate and computer-generated text (by rights it should have been Arial, but the "R" gives it away as Helvetica, or was that you, Michael?) is paired with carelessness and/or ignorance, the juxtaposition is jarring. Opt for the showy and take a pratfall. Sigh.
The photograph is of the sign itself, Norman. No tinkering, only cropping.
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