The secret of Thomas’ English Muffins’ nooks and crannies is at risk.
[“Thomas’”: that’s how they spell it, no final s.]
Saturday, August 7, 2010
The Thomas’ code
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
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Nancy, October 19, 1950.
“Mid-century postmodern”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Words to live by
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Simone Weil, in a letter
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In memory of
Blog Archive
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2010
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August
(52)
- Review: Brian Wilson Reimagines Gershwin
- The OED, in and out of print
- Designing Obama
- The new Blackwing pencil
- August 28, 1963
- Timothy Egan and Leonard Pitts, Jr. on American ig...
- Word of the day: namby-pamby
- Old and unimproved
- Blackwing 2: The Return
- Odysseus’s palace discovered (?)
- Edward Kean (1924–2010)
- Rap taxonomy
- Seeing professors clearly
- three.sentenc.es
- Bravo, Dick Cavett
- Off, or back, to school
- Re: the Beloit Mindset List
- Well said, Daughter Number Three
- Recreating Aeneas’s journey
- Penguin Great Ideas, fifth series
- Frank Kermode (1919–2010)
- Consider Frank Ryan
- Domestic comedy
- J.D. Salinger’s toilet at eBay
- The inkless pen
- Michael P. Smith, photographer
- The Savory Collection
- Of time and The Honeymooners
- Herman Leonard (1923–2010)
- Abbey Lincoln (1930–2010)
- Baby’s in back
- Mystery photograph
- Chris Dedrick (1947–2010)
- Corrections of the Times
- New England Mobile Book Fair
- Artisanal pencil sharpening
- Liquid graphite pencils
- The story of QWERTY
- Harvey’s Hardware
- At work in the Intermezzo
- Joe Negri on All Things Considered
- Things I learned on my summer vacation (2010)
- The Thomas’ code
- Telephone exchange names on screen
- Pocket notebook sighting: The Little Giant
- Pete Seeger sings of the BP oil spill
- Proposition 8
- On Louis Armstrong’s birthday
- Overheard
- Ernie Pyle in the Library of America
- “Creative Personality Checklist”
- How to improve writing (no. 28)
-
▼
August
(52)
favorite posts
- “Bon Appétit!”
- “Extra credit?”
- “Make My Jotter Quit!”
- “On the Road”
- “The ’Clipse”
- “The Case of the Purloined Prairie”
- “The Poet”
- A Kerouac notebook page
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ebinger’s
- Ellington for beginners
- Five desks
- Five pens
- Fluke life
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- Is there a pencil in The House?
- John Lee Hooker and Canned Heat
- Klenosky!
- Lady Elaine’s can
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- On “Politics and the English Language”
- Out of the past
- P.S. 131
- Peppa Pig and the Brontës
- Phones Are For People
- Politics and theory
- Proust: involuntary memory, foolish things
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- Sports Illustrated and Proust
- That (in)famous line
- The gold standard, haircuts, and everyone else
- The kitchen shink [sic]
- The other little book
- The Spokesmen
- The Springfield Daily Gazette
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- W(h)ither grammar
- What I hear in “Walk Away Renee”
Nancy, October 19, 1950.
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