Like father, like daughter

Over the weekend, my daughter Rachel read a piece of journalism that she deemed poorly written. She texted me a link. I read and concurred. I copied and pasted a terrible sentence to send back, but then thought, “It’s not bad enough.” Then another, but again I thought, “It’s not bad enough.” And then I hit the right sentence. I copied and pasted and wrote, “Especially this sentence.” And Rachel replied that it was when she hit that sentence that she decided to send the link.

Dad, i.m.

My dad, James Leddy, died three years ago today, a day that feels both recent and distant. Yesterday, while Elaine and I were watching Three Identical Strangers, I thought about how fortunate I am to have had the father I had. And have. He’s an example, always, of how to be a father.

Here’s what I wrote after he died.

Today in history

Adam Davidson writes about August 5 past and present:

August 5, 1974, was the day the Nixon Presidency ended. On that day, Nixon heeded a Supreme Court ruling and released the so-called smoking-gun tape, a recording of a meeting, held two years earlier, with his chief of staff, H. R. Haldeman. Many of Nixon’s most damaging statements came in the form of short, monosyllabic answers and near-grunts — “um huh,” the official transcript reads, at one point — as he responds to Haldeman’s idea of asking the C.I.A. to tell the F.B.I. to “stay the hell out of” the Watergate investigation. . . .

On August 5, 2018, precisely forty-four years after the collapse of the Nixon Presidency, another President, Donald Trump, made his own public admission.

Read it all: “The Day Trump Told Us There Was Attempted Collusion with Russia” (The New Yorker).

A movie recommendation

Three Identical Strangers (dir. Tim Wardle, 2018). Don’t read a word about it. Just go see it. You won’t regret it.

And if you’ve already read about it, go see it anyway. You won’t regret it.

Orwell on totalitarian history

George Orwell, in "The Prevention of Literature" (1946):

From the totalitarian point of view history is something to be created rather than learned. A totalitarian state is in effect a theocracy, and its ruling caste, in order to keep its position, has to be thought of as infallible. But since, in practice, no one is infallible, it is frequently necessary to rearrange past events in order to show that this or that mistake was not made, or that this or that imaginary triumph actually happened.

As I just discovered, I posted this passage in 2008. But it’s worth reposting. I don’t see any reason why it wouldn’t be. Now more than ever, as the saying went.

I reencountered this passage in a new sampler, Orwell on Truth, ed. David Milner (New York: Houghton Mifflin Harcourt, 2018).

Related reading
All OCA Orwell posts (Pinboard)

[About would and wouldn’t: Trump rearranged past events in order to claim that he did make a mistake. That’s another way to lie.]

From the Saturday Stumper

Today’s Newsday Saturday Stumper, by Matthew Sewell, is tough, mostly because of clues that point in several directions, or in no direction. For instance, 5-Across, five letters: “Puts out.” EMITS? OUSTS? No.

Two clues I especially liked: 25-Down, four letters: “Element of film noir lighting.” And 34-Down, “Film studied in physics labs.” No spoilers: the answers are in the comments.

Today’s headlines

[Zippy, August 4, 2018.]

Or if you’re a suspect in a murder investigation, like Hitchcock’s Uncle Charlie, you could turn a single page into a house.

The headlines in The Dingburg Decoder, front to back: “Valvoline Tank Explodes,” “Thousands Flee Anne Bancroft,” “Polystyrene Is Edible,” “W.C. Fields Is Mean Anew.”

That’s Moe Strauss of the Pep Boys on the table. The Boys have appeared in several Zippy strips. You can search and find them all.

Related reading
All OCA Zippy posts (Pinboard)

[Uncle Charlie: in Shadow of a Doubt.]

On Louis Armstrong’s birthday

Louis Armstrong was born on August 4, 1901.

Give this son of a gun eight stars! Lombardo! These people are keeping music alive — helping to fight them damn beboppers. You know, you got to have somebody to keep that music sounding good. Music doesn’t mean a thing unless it sounds good. You know, this is the band that inspired me to make “Among My Souvenirs.” They inspired me to make “Sweethearts on Parade.” They’re my inspirators!

That’s from a blindfold test published as “Lombardo Grooves Louis!” (Metronome, September 1949). Armstrong was listening to six recordings. He gave two, three, or four stars to Roy Eldridge, Bunk Johnson, Woody Herman, Art Hodes, and Benny Goodman. Guy Lombardo outranked them all. Genius confounds.

Here is the 1945 Lombardo recording Armstrong was evaluating: “Always” (Irving Berlin). And here is Armstrong’s 1942 recording of “Among My Souvenirs” (Edgar Leslie–Horatio Nicholls). And from 1930, a surreal “Sweethearts on Parade” (Carmen Lombardo–Charles Newman). Genius confounds.

Louis Armstrong’s recordings are now playing at Columbia University’s WKCR-FM.

Related reading
All OCA Louis Armstrong posts (Pinboard)
“A Sailboat in the Moonlight” (Guy Lombardo, Billie Holiday)

[“Lombardo Grooves Louis!” appears in Louis Armstrong in His Own Words: Selected Writings, ed. Thomas Brothers (New York: Oxford University Press, 1999.]

“I can’t ‘take it’”

In The New York Times, Christopher Gibbs, a corn, soybean, and cattle farmer and Trump voter, offers his thoughts about tariffs: “I Am a Soybean Farmer Hurt by Trump’s Trade War. I Can’t ‘Take It.’”

Farm-to-table

Farm-to-table in four, or three-plus-one:

FARM
FARE
TARE
TALE
TABLE

The addition of a letter makes this sequence a variation on what Vladimir Nabokov called “word golf.”