Friday, June 2, 2017

Pinboard buys Delicious

The social bookmarking service Pinboard has purchased its predecessor Delicious. The story is here, at the Pinboard blog. Pinboard is the work of Maciej Cegłowski. Delicious was formerly owned by Yahoo. How the mighty have fallen.

I have been a happy Pinboard user since December 2010, when the service required a one-time payment of $7.01 (the price rose by small amounts as more people signed up). Pinboard now costs a reasonable $11 a year. I have two accounts, one to bookmark pages for later use, and one that serves as an index of sorts to Orange Crate Art.

A related post
Goodbye, Delicious

"Always standing around
everywhere and butting in”

Mr. Wiscott, a medium, attempts to speak with a brewery owner:


Alfred Döblin, “Traffic with the Beyond.” 1948. Bright Magic: Stories, trans. Damion Searls (New York: New York Review Books, 2016).

Also from this book
“He knows that he is a thinker”

Thursday, June 1, 2017

Goodbye to Paris

Bill McKibben, writing in The New York Times:

It’s a stupid and reckless decision — our nation’s dumbest act since launching the war in Iraq. But it’s not stupid and reckless in the normal way. Instead, it amounts to a thorough repudiation of two of the civilizing forces on our planet: diplomacy and science. It undercuts our civilization’s chances of surviving global warming, but it also undercuts our civilization itself, since that civilization rests in large measure on those two forces. . . .

And so we will resist. As the federal government reneges on its commitments, the rest of us will double down on ours. Already cities and states are committing to 100 percent renewable energy. Atlanta was the latest to take the step. We will make sure that every leader who hesitates and waffles on climate will be seen as another Donald Trump, and we will make sure that history will judge that name with the contempt it deserves. Not just because he didn’t take climate change seriously, but also because he didn’t take civilization seriously.

Junk mail

A piece of junk mail arrived in the box this morning, from a sender “Named a World’s Most Ethical Company® by the Ethisphere Institute.” The who? So I did a little reading.

“Don’t fucking kill yourself”

Fresca wrote about a YouTube video about not killing yourself. The video’s title: “Using a safety plan to not kill yourself when the world is a shitshow!” Here’s Fresca’s post, with Carey Callahan’s video embedded. Callahan’s message, which comes with many practical suggestions: “Take care of yourself. Don’t fucking kill yourself.”

The post and the video reminded me of a passage from Tad Friend’s 2003 New Yorker article “Jumpers,” about suicide and the Golden Gate Bridge:

Survivors often regret their decision in midair, if not before. Ken Baldwin and Kevin Hines both say they hurdled over the railing, afraid that if they stood on the chord [a thirty-two-inch-wide beam] they might lose their courage. Baldwin was twenty-eight and severely depressed on the August day in 1985 when he told his wife not to expect him home till late. “I wanted to disappear,” he said. “So the Golden Gate was the spot. I’d heard that the water just sweeps you under.” On the bridge, Baldwin counted to ten and stayed frozen. He counted to ten again, then vaulted over. “I still see my hands coming off the railing,” he said. As he crossed the chord in flight, Baldwin recalls, “I instantly realized that everything in my life that I’d thought was unfixable was totally fixable — except for having just jumped.”

Kevin Hines was eighteen when he took a municipal bus to the bridge one day in September, 2000. After treating himself to a last meal of Starbursts and Skittles, he paced back and forth and sobbed on the bridge walkway for half an hour. No one asked him what was wrong. A beautiful German tourist approached, handed him her camera, and asked him to take her picture, which he did. “I was like, ‘Fuck this, nobody cares,’ “ he told me. “So I jumped.” But after he crossed the chord, he recalls, “My first thought was What the hell did I just do? I don’t want to die.”
[No thoughts of suicide here, or at Fresca’s blog. But one never knows what might be helpful to someone else, or when.]

Wednesday, May 31, 2017

Bach, revised

Elaine Fine reimagines The Coffee Cantata.

Zippy bangles


[Zippy, May 31, 2017.]

Today’s strip shows that “it isn’t easy being Zippy.” This panel shows Zippy engaged in what Bill Griffith calls “the ‘over and over.’” I was surprised to discover this morning that “stretchable diamond bangles” has real-world referents. Unlike, say, “covfefe.”

Related reading
All OCA Zippy posts (Pinboard)

“He knows that he is a thinker”


Alfred Döblin, “Astralia.” 1912. Bright Magic: Stories, trans. Damion Searls (New York: New York Review Books, 2016).

The short stories of Bright Magic are expressionist, extravagant, and sometimes sharply funny. Alfred Döblin (1878–1957) is best known for the novel Berlin Alexanderplatz (1929).

Tuesday, May 30, 2017

“Can’t Take My Eyes Off You”

Another song that’s been running loose through our household: “Can’t Take My Eyes Off You,” the subject of a Soul Music episode (BBC Radio 4). Frankie Valli himself calls this song “one of the most important songs of its time, or of all time, I should really say.” It really is an extraordinary song. This episode made me gleeful.

A related post
“Waterloo Sunset” on Soul Music

[An inspired touch: Soul Music has no announcer providing introduction or commentary. Someone begins talking, and the path to the music might be a surprising one.]

“Lamento Sertanejo”

This song is in my head and heart and shows no sign of leaving: “Lamento Sertanejo,” music by Dominguinhos, lyrics by Gilberto Gil. It’s a song of alienation and dispossession whose title might be translated as “Countryman’s Lament.” I am on shaky ground here about everything but my love of this song.

Here are the lyrics, in Portuguese and in English translation. And here are my two favorite performances of the song from YouTube. There are many, many more.


Dominguinhos, accordion; Gilberto Gil, guitar and voice. October 2010.


Mayra Andrade, voice; Yamandu Costa, seven-string guitar; Hamilton de Holanda, bandolim. Dominguinhos is the audience. August 2011.

I’m waiting on a two-CD anthology of Dominguinhos’s music. There’s no stopping.

[A sertanejo is an inhabitant of the sertão, a region in northeast Brazil. In this song the sertanejo is a long way from home. A Google Image search for sertanejo returns many cowboy hats, so perhaps “Cowboy’s Lament”? I found my way to the first performance via Richard McLeese’s Music Clip of the Day. A Flickr photograph let me date the second performance.]