Tuesday, June 10, 2014

Mark Trail recycles


[Mark Trail, June 10, 2014.]

Today’s Mark Trail made me think of Bob and Ray and Mark Backstayge, Noble Wife, whose cast members would repeat a key word or phrase in a variety of tones:

“We’re going to the Dry Tortugas.”

“The Dry Tortugas!”

“The Dry Tortugas!?”

“The Dry Tortugas?”
And then the strip made me think of a Specials song: “Where did you get that — blank — blank expression on your face?”

The answer: from May 15’s strip.


[Mark Trail, May 15, 2014.]

It reassures me to see that James Allen, Mark Trail ’s new cartoonist, has preserved Jack Elrod’s practice of recycling old art. Copy, paste, tilt, make slight alterations.

 

Seeing Mark’s repeating face made me think of Cherry Trail, Cherry Trail, Cherry Trail, Cherry Trail. I had to do it:


[Mark Mark Mark Mark, June 10, 2014.]

Related reading
All OCA Mark Trail posts (Pinboard)
Orson Trail (Same face, recycled twice)

[Mark Trail? Mark Trail!? Mark Trail!]

Monday, June 9, 2014

Recently updated

Another school principal borrows from DFW’s commencement speech Now with a penalty.

Strunk and White and Kalman

At Nashville’s Frist Center for the Visual Arts, Maira Kalman: The Elements of Style, an exhibit of Kalman’s paintings for the 2005 illustrated edition of The Elements of Style. These paintings, which illustrate everything from sample sentences (“It was a unique eggbeater.”) to points of usage (“Illusion . See allusion .”) to glossary terms (“sentence fragment”) to index entries (“Lincoln, Abraham”), work well to celebrate the cheerful eccentricity of The Elements.

As I wrote in this 2012 post, I would like to see what Maira Kalman might do with the Elements sentence “Is it worth while to telegraph?” That sentence first appeared in the 1918 Elements. It has never left — which helps to explain both the book’s charm and its awkward position as a guide to writing in the twenty-first-century.

Related reading
All OCA Strunk and White posts (Pinboard)

Recently updated

Another school principal borrows from DFW’s commencement speech The principal’s defense disappears.

Thomas Merton, T-Ball Jotter user


[Detail of a photograph by John Howard Griffin.]

That’s a Parker T-Ball Jotter in Thomas Merton’s hand, no question. The photograph is here. And there’s another, also by Griffin, here.

Related reading
All OCA Thomas Merton posts (Pinboard)
A 1963 Jotter ad
A 1964 Jotter ad
Five pens
“Make My Jotter Quit!”

[You don’t have to be Catholic or Christian or even a theist to love Thomas Merton.]

Sunday, June 8, 2014

Recently updated

Another school principal borrows from DFW’s commencement speech The principal takes to his school’s website to defend himself.

Recently updated

Another school principal borrows from DFW’s commencement speech Now with a surprising detail about the principal’s education. Surprising, at least, to me.

Another school principal borrows from DFW’s commencement speech

Another high-school principal has been caught with his hand in the David Foster Wallace cookie jar. Principal Matt Sanger of Garden Spot High School, New Holland, Pennsylvania, gave a commencement address lifted, almost in its entirety, from David Foster Wallace’s now-celebrated 2005 Kenyon College commencement address.

Says Principal Sanger, “The inspiration came from his speech. I found it to be very moving and inspirational.” And: “Looking back on it, in hindsight, I should have probably cited [Wallace] in my speech.”

Well, no. The inspiration didn’t come from Wallace’s speech. The speech came from Wallace’s speech. And there could be no plausible way for a speaker to acknowledge that. I like, by the way, “Looking back, in hindsight.” Was it that difficult to figure out beforehand, in advance?

And:

Sanger stressed that he didn’t simply copy and paste portions of the original in an attempt to pass off the work as his own. He said he retyped the speech word-by-word, changing a few phrases and references along the way to reflect the local audience.
Given the ease with which one can find a transcript of Wallace’s speech, I’m skeptical about the retyping claim. It sounds like special pleading: I didn’t buy the SparkNotes! I only borrowed them from my roommate! Retyping or not, Sanger was doing what (I am told) education majors are often encouraged to do. It’s called “rewording.” What it amounts to: finding some source material, tinkering here and there, and presenting the result as your own. No attribution needed!

Principal Sanger’s choice to plagiarize from DFW raises an obvious question: is it likely that this is the first time he’s borrowed without attribution? He might have a long history of “rewording.” His choice to borrow from Wallace suggests an extraordinary cluelessness about contemporary American culture: did he assume no one in his audience would recognize his source?

Garden Spot High School’s Dishonesty Policy includes this item in its list of don’ts: “Submitting material (written or designed by someone else) without giving the author/artist name and/or source (e.g. plagiarizing or submitting work created by internet sources, family, friends, or tutors.)” Someone needs to call Principal Sanger’s parents. But seriously: what penalty is appropriate for a principal who does what Sanger did? The comments from administrative types quoted in the local paper suggest that there’ll be no consequences. Everyone uses “books and other things for background,” says one; everyone screws up, says another.

*

5:00 p.m.: This article mentions that Sanger was a student at the College of William and Mary, a school known for its Honor Code. [Jaw drops, hits floor.]

*

7:39 p.m.: As LancasterOnline reports, Principal Sanger is defending himself on Garden Spot High School’s website:
In preparing for commencement, I developed three versions of the speech (see attached). The first version is what I consider to be the “full version”, which includes in-text citations and a works cited page. The second version is what I consider to be the “tech” version, which includes PowerPoint transition reminders for our tech crew. The third version is what I consider to be the “on-stage” version, which is free of citations and PowerPoint transition reminders. I scanned the latter version for Lancaster Newspapers late Friday afternoon just before 4 PM. This was a mistake on my part because I should have shared the full version with the appropriate citations.
Here is a passage from Sanger’s commencement address, with citations:



TeamONE? That’s the name of the YouTube user who posted excerpts from Wallace’s address. Sanger’s Works Cited page also has an entry for an online transcript of Wallace’s address. Kind of puzzling, that, as Sanger earlier said that he retyped the speech word by word. Why do so if you have a transcript?

Here is the corresponding passage from Wallace’s address, as given in the transcript Sanger cites:



Whether Sanger’s “‘full version’” was in existence before 4:00 p.m. Friday matters little. What matters more is that the passage from it (which is representative of the whole) fails utterly as an example of appropriate attribution. It follows its original word for word, or nearly so. Yet Sanger manages to miss the point: it’s not “moral stories” that Wallace is interested in but “banal platitudes,” the stuff he learned in recovery, the world of “Easy does it” and “One day at a time.”

This sorry story reminds me of something I’ve heard on Cops : when addressing a suspect, the police will often say, “You have one chance to tell me the truth.” I think Principal Sanger has missed his chance.

*

June 9, 11:42 a.m.: Principal Sanger’s explanation has disappeared from Garden Spot High School’s website.

*

8:12 p.m.: LancasterOnline reports that Sanger has been suspended for ten days without pay.

*

June 13: WITF reports that the school district will now use software to check “major speeches” for plagiarism. My 2¢: Plagiarism is an ethical failure. Technology is not the answer.

Related reading
All OCA DFW posts (Pinboard)
All OCA plagiarism posts (Pinboard)
Principal borrows from DFW’s commencement speech (A 2011 incident)

Saturday, June 7, 2014

Roger Angell on Don Zimmer

It’s a short piece at The New Yorker. It begins:

Don Zimmer, who died yesterday at eighty-three, was an original Met and an original sweetie pie. His sixty-six years in baseball were scripted by Disney and produced by Ken Burns. (Grainy black-and-white early footage, tinkly piano, as he marries for life at local home plate in bushy, front-porchy Elmira, New York; smiling baggy-pants young teammates raise bats to form arch.)
Irresistible, right? Even if you know next to nothing about baseball.

Related posts
Roger Angell, notebook man
Roger Angell, “This Old Man”

Friday, June 6, 2014

Roger Angell, notebook man

Roger Angell is a notebook man:

Inside the cabinets above his desk, he has stored what may be his most valuable assets: stacks of the three-subject notebooks he uses while reporting. “Mead notebooks,” he says, “the best notebook in the world. [The New Yorker editor] David Remnick and I talk about how you can’t get anything to replace the Mead notebook, which is unavailable now. They take ink perfectly. There is a great flow. All the other notebooks are coated with something so your pen slides along.” In recent years, when he goes on reporting trips, he has resorted to making use of old Mead notebooks that still have blank pages.
Here (not from the interview) is a photograph of Angell with a notebook. And here (not from the interview) is a photograph of the notebook. Could Angell’s notebook be the not-three-subject 6″ x 9 1/2″ Mead?

Mead still makes three-subject notebooks, including the 6″ x 9 1/2″. Perhaps their quality isn’t what it was.

Related posts
Ron Angell on Don Zimmer
Roger Angell, “This Old Man”

[Found via kottke.org.]