Biden’s Virgil

Vice President Joe Biden: “As I said just before the President signed the health care bill, I quoted Virgil, the classic Greek poet, who once said, ‘The greatest wealth is health.’”

Did the classical poet Virgil (or Vergil) “say” — that is, write — anything along these lines? If he did, he did so in Latin. He wasn’t talking Greek, or writing it. This mistake — not the other one — this one is a big, uh, deal.

[Update, March 24, 2010: I can find no evidence that these words belong to Virgil.]

Obama and Biden on newly signed health care law (Chicago Sun-Times)

A tenuously related post
“I ain’t talkin’ Greek”

Van Dyke Parks in Canada

At a Vancouver tribute to the Mississippi Sheiks:

In a concert full of big names, if one was forced to choose a standout performer at the tribute, it would have to be Van Dyke Parks. Playing in Canada for the first time, this veteran producer and keyboard player appeared to be having the time of his life — despite breathlessly confessing “I’m too old for this” — as he continued to appear on stage supporting other artists by laying down weird chords on his accordion or joyously splintering the melody on piano.

The Mississippi Sheiks Tribute rocks Vancouver (No Depression)
The Mississippi Sheiks Tribute Project, Things About Comin’ My Way (Black Hen Music)

Digital naïfs

Another self-interview?

Looks like it. It’s fun.

For whom, exactly?

All. Fun for all, and all for fun.

Whatever you say.

Okay.

[Silence.]

You’re supposed to start.

Oh. Sorry. So — I heard you saying something about “digital naïfs.” What did you mean by that?

I thought you’d never ask. Simply this: that so-called digital natives are often in the dark, or at least in dimly-lit rooms, when it comes to digital technology. Many so-called digital natives are in truth digital naïfs. The natives’ naïveté is considerable.

Are you registering a complaint about “the kids today” and all that?

Not at all. My claim — not complaint — involves skepticism about the engines of cultural supposition (also known as “the media”). Young adults are presented to us as ultra-savvy users of digital technology, living on their computers, able to run clichéd circles around those older than themselves. My observations suggest to me that reports of young adults’ digital expertise are often greatly exaggerated.

Examples?

Take word-processing. I find that significant numbers of college-age computer users do not know how to change the margins of a Microsoft Word document from 1.25″ (the Word default) to 1″ (the standard for academic writing). Significant numbers of students do not know how to change a document’s font from Calibri (the Word 2007 default) to Times New Roman (more or less the default for academic writing). Many students have no idea that Control+F (or Command+F) makes it easy to find one’s way through a piece of writing. And typographic details — em dashes, smart quotation marks, special characters — are often a mystery.

A friend tells me of students who have even blamed Windows 7 for their inability to change fonts and margins, which suggests some very odd beliefs about the powers of an operating system. I don’t think such explanations are disingenuous efforts to excuse plain carelessness. I’ve had students ask me how to change margins and fonts, and how I could be so sure that a font was, say, Arial and not Times New Roman.

File-types too seem to be beyond many students’ understanding. Many students don’t know how to save a document in something other than Microsoft’s proprietary .docx format. And why one might want to save in another format: there too, many students seem to be in the dark.

Well, that’s word-processing. Certainly things are different with the Internet.

I’m not so sure. Young adults are often adept in the workings of social media, but in other ways, many digital natives are at home in the dark. An inability to change margins in a Word document suggests a general lack of reliance upon a search engine — change margins word 2007 — as a source of answers to many of life’s small problems, don’t you think? I’ve observed too a general unfamiliarity with such Internet resources as Arts & Letters Daily, Boing Boing, Google Books, Google Maps, and Project Gutenberg, to name a few. That one can manage a university e-mail account with Gmail (or another online service) or keep up on items of interest via Google Alerts: these possibilities seem largely unknown. Most students of my acquaintance have been told that Firefox is a better choice than Internet Explorer, but very few are familiar with Firefox extensions. Thus the Internet for them has always been an ad-cluttered, Flash-filled mess. Digital naïfs are also in the dark about the ease with which the bits of one’s online life may be collected.

You mean embarrassing Facebook photos?

Awkward long-lived moments happen in all sorts of ways. Witness two students who gave an interview to a college newspaper about their leadership in a so-called War on Sobriety (a student group dedicated to drinking away the days of homecoming week). Three years later, that interview is the first or second item one finds with a Google search for either of their names. (Which makes me wonder what these students have gone on to do in their lives.) More recently, a student about to graduate has been quoted in the same newspaper as saying that he has no idea why he went to college or what he’s going to do after graduation. Not great stuff for a prospective employer to find via Google.

Sheesh — kinda dumb.

Well, yes. And there are more immediate dangers that come with indiscretion and over-sharing, as the Please Rob Me project has just made clear.

To my mind though, the saddest thing about digital naïfs online is that they seem not to understand that the Internet offers an endlessly renewable occasion for learning and wonder. How strange to have a world at your fingertips and only keep track of yourself and your friends.

So what do you suggest?

I think it’s helpful for anyone who teaches young adults to model the intelligent use of technology. When I distribute a syllabus in class, with three columns running down the page, I mention that I use columns to make the content more readable and more searchable and to save paper. (A syllabus, to my mind, should fit on the two sides of a single page.) When I send a file to students, I explain why I’ve sent it as a PDF. When I bring in online materials (images of Dickens cigarette cards, for instance), I explain how I found them. And I often mention useful and relevant stuff to be had online, with directions for finding it (“Search for x, y, &c.”).

Those seem like reasonable things to do.

I think so. And now, if you’ll excuse me, I’m going into the Lincoln Tunnel. Can’t talk.

Say what?

Google Maps! Street View!

A related post
On “On the New Literacy”

HCR

“It’s a victory for the American people, and it’s a victory for common sense”: President Barack Obama, a few minutes ago.

With the Civil Rights Act (1964), Voting Rights Act (1965), and Social Security Act, aka Medicare (1965), it seems the most significant legislation of my lifetime.

[HCR: Health Care Reform.]

MOMA’s @

The New York Times reports that @ — or “commercial at,” as my Mac calls it — has entered the Museum of Modern Art’s architecture and design collection.

The Streak

A father and daughter reading through the years: The Streak.

“The secret life of vegetable peelers”

Kitchen tool as pencil sharpener? Yes. It’s part of the secret life of vegetable peelers.

And while we’re on the subject: the late, great Joe Ades at work.

The oldest (?) man in New York City

“Even though life is disgusting sometimes, I’ll get up again”: so says the oldest (?) man in New York City. His name is Carl Berner, and he is 108.

Rova Saxophone Quartet

Gelvin Noel Gallery
Krannert Art Museum
Champaign, Illinois
March 18, 2010

Bruce Ackley, soprano and tenor
Jon Raskin, baritone and alto
Steve Adams, alto
Larry Ochs, tenor

The Blocks (Adams)
Cobalt Filaments (Adams)
Konitz (Raskin)
Slip Slide Memorandum (Adams)
Contours of the Glass Head (Ackley - Adams - Ochs - Raskin)

It was a rare pleasure to hear the Rova Saxophone Quartet (est. 1977) in east-central Illinois. What most impressed me in the performance: the communication among the musicians and the beauty and range of sound they drew from their instruments. Glances, sideways movements, and hand signals marked shifts from one compositional episode to another, some wholly notated, some most likely recipes for rhythmic or tonal textures, flutters, overtones, wails. The sheer sound of the Rova quartet is an inspiring thing — sometimes massive and proclamatory, sometimes densely foggy, sometimes luminous and airy, always deeply disciplined and deeply expressive.

It’s difficult — and ultimately unnecessary — to slap a label onto the group’s work. Is it “jazz”? Is it “new music”? As Duke Ellington always insisted, there are only two kinds of music. Rova’s is the good kind.

Many thanks to Jason Finkelman, who runs the Sudden Sound concert series at the Krannert and brought Rova to Champaign.

More
Rova:Arts/Rova Saxophone Quartet

Deep talk v. small talk

From the New York Times:

It may sound counterintuitive, but people who spend more of their day having deep discussions and less time engaging in small talk seem to be happier, said Matthias Mehl, a psychologist at the University of Arizona who published a study on the subject.

Read and discuss:

Roni Caryn Rabin, Talk Deeply, Be Happy? (New York Times)