Fliqlo lives!

A new version of the Mac flip-clock screensaver Fliqlo (for Sonoma and beyond) is now available. It’s a free download, with donations accepted.

As I wrote in a previous recommendation: For those who teach and have conferences with students, Fliqlo can be a handy way to keep track of time without awkward glances at a phone or watch.

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Alas, Sonoma still identifies Fliqlo as a legacy item, and for whatever reason, it uses an enormous amount of memory, at least on my Mac — more than 500 MB this morning.

On Tyranny, summarized

In his newsletter Thinking about... , Timothy Snyder offers a summary of his 2017 book On Tyranny: Twenty Lessons from the Twentieth Century.

A handful of passages from On Tyranny
“Believe in truth” : Distinguishing truth from falsehood : Nationalism vs. patriotism : “Do not obey in advance” : “Nay, come, let’s go together”

Plagiarism in high places

Two articles from Business Insider — 1, 2 — document plagiarism in the MIT dissertation of Neri Oxman, identified as “Bill Ackman’s celebrity academic wife.” Ackman is of course the Harvard alumnus who pushed for Claudine Gay’s resignation as Harvard’s president. Oxman’s sources include Wikipedia artices.

Here’s one example:

Wikipedia: “By spacing the warp more closely, it can completely cover the weft that binds it, giving a warpfaced textile.”

Oxman: “By spacing the warp more closely, it can completely cover the weft that binds it, giving a warp faced textile.”

Notice that as she plagiazed, Oxman left the dangling particple uncorrected. And she clumsily miscorrected warpfaced by splitting it into two unhyphenated words. Gotta wonder sometimes who bothers to read the dissertations and theses they’re signing off on.

For her part Oxman has acknowledged mistakes and will ask MIT to make “any necessary corrections.” And Acknan says that “Part of what makes [Oxman] human is that she makes mistakes, owns them, and apologizes when appropriate.”

Related reading
All OCA plagiarism posts (Pinboard)

A prisoner of Gowanus

[58 2nd Avenue, Gowanus, Brooklyn, c. 1939–1941. From the NYC Municipal Archives Collections. Click for a much larger view.]

I thought of the old KENTILE FLOORS sign and found myself once again in Gowanus. It’s a Brooklyn neighborhood that I’ve visited many times in these pages. I am a prisoner not of 2nd Avenue but of Gowanus.

In Brooklynite memory, the KENTILE FLOORS sign that stood atop the Kentile, Inc. building is a beloved landmark, though the Kentile name is now associated with mesothelioma. There’s no trace of the sign in the WPA tax photographs, but I did find this coffee shop, whose address for some reason is listed as that of the now-defunct manufacturer.

Life, September 1, 1952. Click for a larger view.]

If you click the tax photograph for the larger view and look closely, you’ll see the name Gowanus Coffee Shop on the window. Notice too the Schaefer Beer sign in the window: this (former?) coffee shop must have had a liquor license. And notice not just one but two Bell Telephone signs: signs of civilization. It’s not easy to ignore the figure standing in the doorway. Whoever she is, she is not amused. I imagine her speaking in comic-strip Brooklynese: “Whaddaya gonna do, just stan’ there all day takin’ my pitcher?”

[Click for a larger view.]

Today 58 2nd Avenue is home to the Achim Importing Co. and is unrecognizable as its former self.

Related reading
More photographs from the NYC Municipal Archives (Pinboard)

Comics synchronicity

Bonk! Bonk!

Today’s Saturday Stumper

Today’s Newsday  Saturday Stumper, by Stella Zawisktowski, is sometimes easy. Try 1-A, five letters, “Muchacha.” It’s sometimes obscure. Try 44-A, four letters, “Branta sandivicensis.” It’s sometimes even more obscure. Try 52-A, ten letters, “Bit of cosmic rays.” I made it almost to the finish line without looking up an answer — 50-D, four letters, “Ford part, familiarly.” OLDS? No.

Some clue-and-answer pairs of note:

2-D, four letters, “Decoration candidate.” My first thought was DOOR.

6-D, eleven letters, “Shout-out.” HIMOM doesn’t work.

11-D, four letters, “Service period.” A nifty clue.

14-D, five letters, “Lead role of two recent Netflix films.” That’s a stretch.

16-A, ten letters, “Ersatz ice pack.” Yes, more than once.

23-D, eleven letters, “Bryant-Denny stadium team.” Ought to be obvious to most solvers, but there is no I in team, or in sports.

24-A, fifteen letters, “French lobster partner (despite the name).” Never heard of it, but easy enough to see with a few crosses.

32-A, three letters, “Water tower.” Clever.

34-D, eight letters, “Odysseus and family.” They rule.

39-A, fifteen letters, “They’re ready for their closeups.” The other fifteener in the puzzle. NORMADESMONDS doesn’t fit.

41-D, five letters, “Breaks into a vault.” I was sure this had to be LOOTS.

No spoilers; the answers are in the comments.

“What a sick —”

Joe Biden, this afternoon, speaking of Donald Trump, who joked about the lunatic who took a hammer to Paul Pelosi’s head: ”What a sick —.“ We can all fill in the blank, in at least two ways if we wish.

Biden’s speech today was plain, energetic, and uncompromising. ”Democracy is still a sacred cause,“ he said. We need to see more of this Joe Biden in 2024.

A Mongol sighting

[From I Wouldn’t Be in Your Shoes (dir. William Nigh, 1948). Click for a larger view.]

Police detective Clint Judd (Regis Toomey) questions Mrs. Alvin (Dorothy Vaughan) about her boarder. She needs to check her notebook. He needs to jot down the facts in his notebook — with his Mongol pencil.

I raved about this movie in a post yeterday, but not because of the pencil, a Mongol with an older ferrule design. Take a look at the fifth pencil from the bottom in this Mongol display.

I’m a sentimental sap, that’s all: the Mongol has been my favorite pencil since kidhood.

Related reading
All OCA Mongol pencil posts (Pinboard)

[“I’m a sentimental sap, that’s all”: from “You Took Advantage of Me,” by Richard Rodgers and Lorenz Hart.]

“Almost, at times, the Fool”

  [Mutts, January 5, 2024. Peanuts, January 7, 1977 and January 5, 2024.]

Synchronicity across the comics: today’s Mutts, yesterday’s and today’s Peanuts.

[Post title with no apologies to TSE.]

Twelve movies

[One to four stars. Four sentences each. No spoilers. Sources: Criterion Channel, DVD, TCM, YouTube.]

The Hidden Hand (dir. Benjamin Stoloff, 1942). TCM promised a hunt for a serial killer, but what I got was a dippy comedy with racial stereotypes (Willie Best, Kam Tong) and murders. Briefly: a wealthy woman uses her asylum-escapee brother to do away with her money-grubbing relations. As the escapee John Channing, Milton Parsons alternates between crazed killer and staid butler in a genuinely comic performance. The only other reason I can think of to watch this movie: to see what happens when the ship’s wheel turns. ★★ (TCM)

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Despair (dir. Rainer Werner Fassbinder, 1978). An adaptation of the Nabokov novel, with a Tom Stoppard screenplay, Dirk Bogarde as Hermann Hermann (get it?), and Klaus Löwitsch as Felix, Hermann’s supposed doppelgänger. I will quote a young Hobart Shakespearean, Sol Ah: “Even if the movies they make are good, they won’t be as good as the book.” What’s missing from this movie is the self-conscious comedy of Nabokov’s narrator: Hermann here is a character among characters, minus everything that makes his narrative voice a loony delight. It’s like Lolita without Humbert Humbert narrating. ★★ (YT)

[Bonus: the YT version has Portuguese subtitles, so it’s possible to learn a bit of a new language while watching.]

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San Quentin (dir. Gordon Douglas, 1946). The premise: Nick Taylor (Barton MacLane), a San Quentin inmate and (dirty no-good rotten) member of the Inmates’ Welfare League, escapes while at a prison-sponsored press event touting the League, a self-help group (first step: admit you belong in prison). So the warden (improbably, ridiculously) enlists Taylor’s paroled arch-enemy Jim Roland (Lawrence Tierney) to track the fugitive down. This movie affords the opportunity to see Raymond Burr in his screen debut and to see a real Sing Sing warden awkwardly read from cue cards, eyes moving, right, left, right, left. Still, that real warden is probably sharper than his movie counterpart. ★★ (TCM)

*

Mostly Martha (dir. Sandra Nettelbeck, 2001). I’d call it a feel-good movie with subtitles — which is not necessarily a bad thing. Martha Klein (Martina Gedeck) is a high-strung chef at a posh restaurant, the kind of chef who comes out from the kitchen to yell with a customer and insist that the meat is not undercooked. Everything begins to change when Martha is suddenly pressed into caring for her young niece Lina. And then a new chef, Mario (Sergio Castellitto), begins working at the restaurant, and I know I said no spoilers, but you can see where this is going. ★★★ (DVD)

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The Harmonists (dir. Joseph Vilsmaier, 1997). The Comedian Harmonists, an extraordinary German vocal quintet with piano, flourished in the late 1920s and early ’30s before the Nazi regime banned them from performing (three members of the group were Jewish). This dramatization traces the group’s rise to popularity (audience-reaction shots suggest a Weimar version of Beatlemania), a romantic rivalry, and ever more ominous developments in German life. The only strike against the movie, to my mind: the final scene, in which “the movies” takes over as the music swells. If you’ve never heard the Comedian Harmonists, forget about the Barry Manilow musical based on their career (coming soon to Broadway); go here instead. ★★★ (DVD)

[The Harmonists appears to be unavailable to stream. Try a library.]

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From the Criterion Channel’s Holiday Noir feature

I Wouldn’t Be in Your Shoes (dir. William Nigh, 1948). Don Castle and Elyse Knox are Tom and Alice Quinn, an out-of-work dance team whose lives are upended when footprints from Don’s “magic shoes” (his distinctive tap shoes, and his only shoes) are found at the scene of a murder. This movie must be Castle’s finest hour — he (minus the Clark Gable mustache) and Knox give compellingly understated performances, and the scene in which they talk through a prison visiting-room’s screen is genuinely affecting. Look for Regis Toomey (the soda jerk of Meet John Doe ) as a police detective, and Bill Walker (Reverend Sykes in To Kill a Mockingbird ) as one of the distinctive faces of death row. Despite heavy borrowing from a better-known movie (whose name would give away too much), I Wouldn’t Be in Your Shoes is a perfect B-picture, a Cornell Woolrich story told in flashback with true noir fatalism: “It could happen to anybody, what happened to me.” ★★★★ (CC)

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Two from the Criterion Channel’s Hitchcock for the Holidays

Murder! (1930). Sir John Menier (Herbert Marshall) goes along with his fellow jurors but remains haunted by doubt: is Diana Baring (Norah Baring) really a murderess? As Diana’s execution date nears, Sir John sets out to solve the crime. Great atmosphere (a circus), a startling death, and sometimes-impenetrable dialogue. Was Herbert Marshall ever really that young? ★★★★ (CC)

Torn Curtain (1966). When an American physicist (Paul Newman) leaves a conference in Copenhagen for East Germany, his collaborator and wife-to-be (Julie Andrews) follows to figure out what’s going on. I don’t understand the lukewarm reception this movie received: though it’s hardly a novel story, it has all the pleasures of a Hitchcock film, with strong traces of The 39 Steps and North by Northwest. And it has one of the funniest and most gruesome on-screen murders I’ve seen. And it has Lila Kedrova, who steals the show as a countess looking to flee to the States. ★★★★

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The Rise and Fall of LuLaRoe (Buzzfeed Studios, 2021). I have lived my life with only a vague awareness of multi-level marketing. But I know it’s everywhere around me, with downstate-Illinois moms selling cosmetics, essential oils, nutritional supplements, and (way back when) Longaberger baskets to family and friends. This documentary looks at DeAnne Brady and Mark Stidham’s LuLaRoe, purveyors of women’s clothing, primarily “buttery soft” leggings in an endless variety of garish patterns, with an artificial scarcity-factor built in (all-black leggings are a “unicorn”). More importantly, the documentary looks at the lives of women (and one man) who bought into the dream, or, really, into a cult of belief: there’s even a conversation with Rick Ross. ★★★ (M)

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Cop Hater (dir. William Berke, 1958). It’s Evan Hunter (aka Ed McBain) territory: someone is killing cops, for no apparent reason, and it’s up to the 87th Precinct to figure it out. On the one hand, this movie has something of the flavor of Naked City (the series) in its depiction of cops and their relationships with wives or girlfriends. On the other hand, it’s ridiculously lurid (or lure id ), with men removing T-shirts and women removing skirts (it’s summer, and there’s a heat wave). Look for Vincent Gardenia and Jerry Orbach in their first credited screen roles. ★★★ (YT)

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Naked Alibi (dir. Jerry Hopper, 1954). Someone else is killing cops, making for a chance double-feature. Sterling Hayden is Joseph Conroy, chief of detectives, fired for brutality (“I’m a psycho cop, that’s what they think”), but still determined to prove that hotheaded baker Al Willis (Gene Barry) is the killer. The movie takes an unexpected turn midway, shifting from a sedate California city to a border town and introducing Gloria Grahame as an ambiguous love interest. Nothing especially surprising here: the fun is in trying to figure out who’s the crazy one — Conroy, or Willis. ★★★ (TCM)

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Vivacious Lady (dir. George Stevens, 1938). A college professor (Jimmy Stewart) marries nightclub singer (Ginger Rogers), but he’s afraid to tell his parents and pretends that she’s his friend’s girlfriend, and the newly marrieds can never get the time alone to do whatever. I should have realized from the premise: it’s a screwball comedy, the kind of comedy I often find mightily unfunny. Charles Coburn is the prof’s dad and college president; Beulah Bondi, is the long-suffering mom. Bondi dancing the Big Apple, Coburn’s monocle dropping from his face, a Murphy bed (named Walter) opening by itself: my, the laughs just keep coming, or not. ★★ (TCM)

Related reading
All OCA “twelve movies” posts (Pinboard)