A new book by painter Eric Karpeles: Paintings in Proust: A Visual Companion to In Search of Lost Time (Thames & Hudson, $45). Amazon has it for 34% off. The New York Times has a review.
I'd also like to see (and hear) a CD or two assembling Proust-related music: likely inspirations for Vinteuil's sonata, songs by Reynaldo Hahn, all in period recordings, if possible.
Related reading
All Proust posts
Saturday, November 1, 2008
Paintings and Proust
By Michael Leddy at 9:36 AM comments: 0
2:14 a.m.
What if he loses?
The stories friends have been telling me of waking up in the middle of the night —
they're true!
By Michael Leddy at 2:14 AM comments: 4
Friday, October 31, 2008
Studs Terkel (1912–2008)
His books are browser's delights. In college, I read Working (1974) again and again. When I began teaching, I read from it to my classes. I still remember Dolores Dante and Joe Zmuda.
From the obituary: "'Curiosity never killed this cat' — that's what I'd like as my epitaph.”
Studs Terkel, Chronicler of the American Everyman, Is Dead at 96 (New York Times)
By Michael Leddy at 7:51 PM comments: 2
USA Arts
From WNET, NYC's Channel 13, streaming episodes of USA Arts: Willem de Kooning! Martha Graham! Vladimir Nabokov! Charles Olson! And many more.
*
April 8, 2014: Gone, gone. Now there’s only a trailer-like compilation.
By Michael Leddy at 1:40 PM comments: 0
A metaphor for painting
Barnett Newman, interviewed by Frank O'Hara for the public television show Art New York (1964):
Newman: I'm not in any way really involved in color as a love act. To me, color is an innate material, and I feel that it's — the proper description would be to call them colors, that anybody can buy and squeeze them out of tubes. And in that sense, it's my job to turn them into color. And I suppose my feeling towards colors is, well, it's more or less like the feeling that a baker has towards his material. I feel that it's like wheat, and my job is to turn the wheat into bread. If I don't have wheat, which might be blue, I use red, which is like rye.You can find the interview on the video page at frankohara.org.
O'Hara [laughing]: What about dough? It's white.
Well, you know, well, if you don't have rye, you use barley. But then of course, you — I suppose you can't make bread with barley, so I make whiskey. [Laughs.]
By Michael Leddy at 11:42 AM comments: 0
Ginsbergs, Ginsburgs
A correction in the New York Times:
An article in some editions on Wednesday about Fordham University's plan to give an ethics prize to Supreme Court Justice Stephen G. Breyer misspelled the surname of another Supreme Court justice who received the award in 2001. She is Ruth Bader Ginsburg, not Ginsberg. The Times has misspelled her name at least two dozen times since 1980; this is the first correction the paper has published.The Times has often misspelled Allen Ginsberg's last name too.
By Michael Leddy at 9:11 AM comments: 0
BOOBOOBOOBOOBOOBOO
Happy Halloween! Thumbtack holes and all.
[Purple marker, by Ben Leddy, from the family archives. Used with permission.]
By Michael Leddy at 12:01 AM comments: 0
Thursday, October 30, 2008
Teachers, students, humanity
From an essay by Liberal Studies professor Lynn Crosbie on teachers and students:
I realized that students were potentially terrifying, and potentially terrified — that one of the largest obstacles between teachers and students is a failure to recognize each others' humanity.Reminding me of what I sometimes find myself saying in my classes: "I'm just trying to be a person."
Your first assignment: Read this (GlobeCampus Report)
By Michael Leddy at 11:27 AM comments: 2
Wednesday, October 29, 2008
"Collage"
For reals? It seems so.
Cambridge University parking sign has spelling error (Telegraph)
By Michael Leddy at 9:08 AM comments: 4
Tuesday, October 28, 2008
People, it's bad (Hi and Lois)
People, it's bad. The economy, yes, of course. But also today's Hi and Lois. You'll have to follow the link for this one — I won't have it here.
Is Hi working on a train? That would account for the changing cityscape behind him. The window changes position from panel to panel, true, but his desk may be on wheels.
In the first two panels, Hi's chair seems to be at about the height of a baby's high chair, but that makes a sort of sense if Hi is speaking to Trixie. The baby vibe might also explain why Hi becomes smaller in the second panel.
But there's no reasonable (or far-fetched) explanation for Hi's missing collar, or the missing piece of paper, or that telephone — or that "telephone." Here, from the family archives, is how to draw a telephone:
Related reading
[Pencil and stick-on letters, by Ben Leddy or Rachel Leddy. Used with permission.]
All Hi and Lois posts
By Michael Leddy at 2:04 PM comments: 9