[One teenager to another, on a park bench. ]
“I’m a little too patty-caked out.”
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Tuesday, August 18, 2015
Overheard
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Michael Leddy “Orange Crate Art” is a song by Van Dyke Parks and the title of a 1995 album by Van Dyke Parks and Brian Wilson. “Orange Crate Art” is for me one of the great American songs: “Orange crate art was a place to start.”
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Nancy, October 19, 1950.
“At work or at play”
Don’t look for premiums or
coupons, as the cost of
the thoughts blended in
ORANGE CRATE ART pro-
hibits the use of them.
Comments are welcome, appended to posts or by e-mail.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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Words to live by
Νέος ἐφ’ ἡμέρῃ ἥλιος. [The sun is new every day.]
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
Heraclitus
*
Every day is a new deal.
Harvey Pekar, “Alice Quinn”
*
Nos plus grandes craintes, comme nos plus grandes espérances, ne sont pas au-dessus de nos forces, et nous pouvons finir par dominer les unes et réaliser les autres. [Our worst fears, like our greatest hopes, are not outside our powers, and we can come in the end to triumph over the former and to achieve the latter.]
Marcel Proust, Finding Time Again
*
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try.
Eleanor Roosevelt, You Learn by Living
*
I don’t really deeply feel that anyone needs an airtight reason for quoting from the works of writers he loves, but it’s always nice, I’ll grant you, if he has one.
J. D. Salinger, Seymour: An Introduction
*
L’attention est la forme la plus rare et la plus pure de la générosité. [Attention is the rarest and purest form of generosity.]
Simone Weil, in a letter
Simone Weil, in a letter
#1 hit
In memory of
Blog Archive
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2015
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August
(40)
- Word of the day: coster
- “[M]erely everyday life”
- Oliver Sacks (1933–2015)
- Did ballpoints kill cursive?
- “[N]ow I travel with my photographs”
- “Is Your Grammar Holding You Back?”
- Our mutual frown
- The Mac app Acorn
- Dressing for school
- Playing policy
- 5 sentences of orange
- Five sentences on the sky
- VDP and Harry Shearer
- Asti’s
- John Rabe and David Foster Wallace
- A joke in the traditional manner
- Domestic comedy
- The End of the Tour
- Life and death and Molly Dodd
- How to enter a classroom
- Universities, hedge funds, and private equity funds
- VW punctuation
- Lassie Ticonderoga
- New directions in teaching
- Name the actor
- Overheard
- Bertrand Russell on reverence in education
- Talking ties
- Tidy?
- Fambly music
- B.V.D.
- A belated Louis Armstrong post
- On the news
- ❤
- Dad words
- James Leddy (1928–2015)
- On hiatus
- How to improve writing (no. 61)
- “[I]n the middle of his own consciousness”
- Willa Cather on writing
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August
(40)
favorite posts
- Against “deep reading”
- Alkalize with Alka-Seltzer
- At the World Trade Center and St. Paul’s Chapel
- Being wrong about beauty
- Bobbing for apples
- “Bon Appétit!”
- “The Case of the Purloined Prairie”
- “The ’Clipse”
- Couric and Palin and Orwell
- Digital naïfs
- Donald Trump’s spelling
- Ellington for beginners
- “Extra credit?”
- Five desks
- Five pens
- Fluke life
- The gold standard, haircuts, and everyone else
- Happy birthday, Mr. Piletti
- Hoagies, pizza, and English studies
- Homeric blindness in “colledge”
- How to Write a Sentence
- Imaginary liner notes
- Invisible man: Louis Armstrong and the New York Times
- Invitation to a dance
- John Lee Hooker and Canned Heat
- Is there a pencil in The House?
- A Kerouac notebook page
- The kitchen shink [sic]
- Klenosky!
- Lady Elaine’s can
- “Make My Jotter Quit!”
- Mysteries of the tollbooth
- National’s et cetera
- Nick DeMaio and the Eldorado
- Obama revisions
- Obama thoughts
- On “On the New Literacy”
- “On the Road”
- The other little book
- Out of the past
- “The Poet”
- Phones Are For People
- Politics and theory
- Proust: involuntary memory, foolish things
- P.S. 131
- Pullum on Strunk and White
- Re: the Beloit Mindset List
- Some have gone and some remain
- Sports Illustrated and Proust
- The Springfield Daily Gazette
- That (in)famous line
- Things I learned on my summer vacation
- Van Dyke Parks in Chicago
- What I hear in “Walk Away Renee”
- W(h)ither grammar
Nancy, October 19, 1950.
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