One hundred years ago. From “Taft Coming Here for Memorial Day; Parade of Regulars, Guardsmen and War Veterans Will Pass in Review Before Him,” New York Times, May 29, 1910.
Monday, May 31, 2010
Sunday, May 30, 2010
The New York Times has a long article by Michael Moss on the food industry and salt. A sample:
When health advocates first petitioned the federal government to regulate salt in 1978, food companies sponsored research aimed at casting doubt on the link between salt and hypertension. Two decades later, when federal officials tried to cut the salt in products labeled “healthy,” companies argued that foods already low in sugar and fat would not sell with less salt.See? It’s our fault. It’s as if cigarette companies were to blame smokers for the virtually intractable nature of the appetite for nicotine. But an intractable appetite needn’t be forever. Once one gets some distance from processed foods, Cheez-Its and Wheat-Thins and all the rest taste too dang salty. Homemade pita chips are much better (cheaper too).
Now, the industry is blaming consumers for resisting efforts to reduce salt in all foods, pointing to, as Kellogg put it in a letter to a federal nutrition advisory committee, “the virtually intractable nature of the appetite for salt.”
And did you know that Alton Brown is shilling for salt? “It’s the finest compound to ever grace our palates,” says he. Yes, and more doctors smoke Camels.
By Michael Leddy at 11:52 AM
The entire impulse behind Amazon’s Kindle and Apple’s iBooks assumes that you cannot read a book unless you own it first — and only you can read it unless you want to pass on your device.Read more:
That goes against the social value of reading, the collective knowledge and collaborative discourse that comes from access to shared libraries. That is not a good thing for readers, authors, publishers or our culture.
Further Thoughts of a Novice E-Reader (New York Times)
A related post
No Kindle for me
By Michael Leddy at 11:12 AM
Friday, May 28, 2010
Good news from Music Clip of the Day: Van Dyke Parks can be heard tomorrow on WFMU-FM, performing at Barcelona’s Primavera Sound Festival. “Tune in” (online) at at 7:25 PM (EDT) tomorrow night.
[May 29, 2010: Van Dyke Parks on fire! His set sounded like the performance of a lifetime: songs from Jump!, the unreleased “Black Gold” (yes, oil and catastrophe), “Orange Crate Art,” Louis Moreau Gottschalk’s “Danza,” “The All Golden,” and “Wings of a Dove.” I think that I was hearing violin and cello with VDP’s piano and voice. WFMU plans to archive all Primavera performances for streaming.]
By Michael Leddy at 5:10 PM
In Annie Hall (dir. Woody Allen, 1977), young Alvy Singer is worried that the universe is expanding. He’s so worried that he’s stoppped doing his homework. His mother rebukes him: “What has the universe got to do with it? You’re here in Brooklyn! Brooklyn is not expanding!” And a doctor reassures him: “It won’t be expanding for billions of years yet, Alvy.”
Brooklyn is not expanding. But Manhattan is, at least on paper. And Staten Island is shrinking. Look. See?
New York Subway System Is Getting a New Map (New York Times)
An Overhaul of an Underground Icon (New York Times)
By Michael Leddy at 12:24 PM
“Video telephony” v. “good old voice-only telephoning”:
It turned out that there was something terribly stressful about visual telephone interfaces that hadn’t been stressful at all about voice‐only interfaces. Videophone consumers seemed suddenly to realize that they’d been subject to an insidious but wholly marvelous delusion about conventional voice‐only telephony. They’d never noticed it before, the delusion — it’s like it was so emotionally complex that it could be countenanced only in the context of its loss. Good old traditional audio‐only phone conversations allowed you to presume that the person on the other end was paying complete attention to you while also permitting you not to have to pay anything even close to complete attention to her. A traditional aural‐only conversation — utilizing a hand‐held phone whose earpiece contained only 6 little pinholes but whose mouthpiece (rather significantly, it later seemed) contained (6²) or 36 little pinholes — let you enter a kind of highway-hypnotic semi‐attentive fugue: while conversing, you could look around the room, doodle, fine‐groom, peel tiny bits of dead skin away from your cuticles, compose phone‐pad haiku, stir things on the stove; you could even carry on a whole separate additional sign‐language‐and‐exaggerated‐facial‐expression type of conversation with people right there in the room with you, all while seeming to be right there attending closely to the voice on the phone. And yet — and this was the retrospectively marvelous part — even as you were dividing your attention between the phone call and all sorts of other idle little fuguelike activities, you were somehow never haunted by the suspicion that the person on the other end’s attention might be similarly divided.Fugue goes back to the Latin fuga, flight: “a disturbed state of consciousness in which the one affected seems to perform acts in full awareness but upon recovery cannot recollect the acts performed” (Merriam-Webster OnLine). If you can find a phone with a traditional handset, you’ll find, yes, six and thirty-six holes.
David Foster Wallace, Infinite Jest (Boston: Little, Brown, 1996).
By Michael Leddy at 6:48 AM
Thursday, May 27, 2010
Dictionaries make slow progress. Planning for the Oxford English Dictionary began in 1857; the last volume appeared in 1928. Slower still:
The Deccan College Post Graduate and Research Institute began work on a Sanskrit-to-English dictionary in 1948. The Royal Irish Academy began work on a historical dictionary of the Irish language, Foclóir na Nua-Ghaeilge [Dictionary of Modern Irish], in 1976. Neither project has made it through A (or in Sanskrit, अ).
60 years later, Sanskrit dictionary stuck (Indian Express)
34 years compiling an Irish dictionary (The Irish Times)
By Michael Leddy at 12:29 PM
The Smoking Gun has collected contract riders for 258 musical performers past and present. The fascinating bits of course are the stipulations for dressing rooms and food and drink. Beyoncé: “Rose Scented candles.” Paul McCartney: “Please provide some weeping eucalyptus.” Luciano Pavarotti: “big salt box for cooking.” Snoop Dogg: “A Sony Playstation is very important.”
My favorite (so far) is Frank Sinatra’s rider, which includes Campbell’s Chicken and Rice Soup, Tootsie Rolls, and vodka: “Absolute [sic] or Stoli.”
Common threads? Nobody likes Styrofoam. Everybody likes ice.
By Michael Leddy at 9:00 AM
Wednesday, May 26, 2010
The New York Times has a wonderful crossword today on the subject of GRADEINFLATION (aka “56-Across”). The constructor, Anna Shechtman, is a sophomore at Swarthmore College, majoring in English and minoring in art history and interpretation theory. From an interview at the Times’ Crossword Blog:
Constructors, especially young constructors, are mostly male. Any thoughts on why?The themed answers in this puzzle involve changing Bs to As. For instance, 29-Across, “Monk’s karate blows?”: LAMACHOPS. Smart, funny stuff.
Considering my school and my minor, I suppose I should say something about the phallocentrism of language and the Symbolic Order. Either way, it’s a shame and a trend that I am proud to challenge.
[No spoilers here. Highlight the empty spaces to read. If you do the Times puzzle in syndication, you’ll need to wait until July 7 for this one.]
A related post
Grade inflation in the NYT crossword
By Michael Leddy at 5:36 PM
My daughter Rachel says, “I took this picture of our TV during the American Idol penultimate episode tonight (a commercial for their website). I paused the TV on the frame so I could snap a photo. You are welcome to blog it, if it is content you’d like!”
By Michael Leddy at 8:06 AM
Tuesday, May 25, 2010
[Peggy Nash (Ann Sheridan) and Danny Kelly (James Cagney). Peggy: “Boy, was it crowded tonight on the subway. Talk about sardines. They got it easy. At least they’re floatin’ in olive oil.”]
Watching City for Conquest (dir. Anatole Litvak, 1940), I wondered how its contents were ever packed into a 104-minute can. This movie has everything: a scene of the principals’ childhoods in old New York (à la Angels with Dirty Faces), boxing, ballroom dancing, composing, brotherly love, jitterbugs, a swank party, a gangland murder, a symphony at Carnegie Hall, an “Old Timer” (a shabby Everyman-observer), and sardines. And four montages — of New York, Coney Island, dancing, and boxing. Danny Kelly (aka Young Samson) is a reluctant fighter, a former Golden Gloves champ who returns to the ring to help pay his composer-brother Eddie’s tuition. Peggy Nash is a dancer whose rise to success with partner Murray Burns (Anthony Quinn) pulls her away from the city and Danny. Yes, that Anthony Quinn, who turns out to have been a good dancer. (Sheridan’s a good dancer too. That Cagney barely dances in the film must have amused moviegoers.) Another unexpected element: Elia Kazan as crime boss “Googi,” who at the swank party introduces Eddie as “a composer of real class.” Yes, that Elia Kazan.
By Michael Leddy at 10:07 AM
Monday, May 24, 2010
The Telegraph reports that the Cambridge University Classics Department “is facing embarrassment after misspelling a quote from Aristotle on the doors of a new £1.3 million extension”:
Academics chose the line “all men by nature desiring to know” but spelt the word “phusei,” “by nature,” with an English S rather than the Greek letter sigma. . . .A related post
Professor of Classics Mary Beard, 55, a member of the department, expressed her dissatisfaction in a blog posting about the 5,500sq ft extension which was completed in March.
“Even the gods have shown their disapproval in their own inimitable way,” she wrote.
“Collage” (Another Cambridge misspelling)
By Michael Leddy at 8:44 AM
Sunday, May 23, 2010
Infantilization alert: One A Day VitaCraves Complete Adult Multivitamin Gummies. “Available in both fruit and sour fruit flavors!”
I’m reminded of the V8 commercial targeting people who “don’t always like the taste of vegetables.” Grown-ups, eat your spinach!
By Michael Leddy at 11:32 AM
New York Times reporters Corey Kilgannon and Andy Newman accompanied a landlord as he bashed a hole in a door. Behind the door, the room in which pianist Hank Jones lived (when not on the road) in the last year and a half of his life.
This shoddy — and perhaps illegal — invasion of privacy has yielded a maudlin, uninformed piece of reportage: A Jazzman’s Final Refuge. If you read it, read too the comments, in which Jones’s manager, family members, and fellow musicians offer their comments on Corey Kilgannon, Andy Newman, and Hank Jones’s life and art.
A related post
Hank Jones (1918–2010)
By Michael Leddy at 11:14 AM
Friday, May 21, 2010
Aaron Cohen poses the question. J.D. Salinger’s literary agency has already answered: “zoh-ee.” I will continue to think that “zoo-ee” makes better sense.
Three Franny and Zooey posts
A Salinger catalogue
Another Salinger catalogue
“[D]ark, wordy, academic deaths”
By Michael Leddy at 2:22 PM
Thursday, May 20, 2010
It’s available as a PDF from The New Republic (where Wheeler applied for an internship). TNR calls the document “rather remarkable.” No further comment needed.
More: The résumé annotated, a PDF from the Harvard Crimson.
[I follow Garner’s Modern American Usage in spelling résumé.]
By Michael Leddy at 3:11 PM
The New York Times reports today on recreations of lost New York City restaurants and nightspots. Here are descriptions of the real things, two of them, circa 1964:
From Harold H. Hart’s Hart’s Guide to New York City (New York: Hart Publishing, 1964). Illustration by Ruby Davidson.
“Risqué palaver” and what looks like a three- or four-drink minimum: that must have been quite a scene.
Also from Hart’s Guide
Chock full o’Nuts
Greenwich Village and coffee house
Mayflower Coffee Shop(pe)
By Michael Leddy at 11:08 AM
John B. Judis:
I still recall my disillusionment when I visited Apple in 1991 to do a story on John Sculley, who was then the company’s CEO. What I found was an emphasis on computer users as consumers who would buy products they saw on the screen. Of course, from a commercial standpoint, Apple was pursuing what turned out to be a successful strategy. But it’s still one that grates on me.Or in Elaine Fine’s words, “The iPad seems to be the gift that keeps on selling.”
The iPad is the latest iteration of that strategy.
We Are Not All Jobsians … Yet (The New Republic)
By Michael Leddy at 8:13 AM
Says his lawyer, “He’s never been in trouble before.” But Adam Wheeler is in trouble now.
For me, the most remarkable detail in the Adam Wheeler story is his application essay for the Rhodes Scholarship, which plagiarized the work of Stephen Greenblatt. A Harvard English major plagiarizing the work of a Harvard English professor: the plagiarizer’s self-confidence suggests the Dunning-Kruger effect. Then again, Wheeler’s Harvard career seems to have given him good reason to think that he could get away with anything.
I suspect a movie in a couple of years. A good title: Veritas.
Campuses Ensnared by “Life of Deception” (New York Times)
Ex-Harvard Student, Adam Wheeler, Pleads Not Guilty to Charges of Fabricating Academic History (Harvard Crimson)
Wheeler’s résumé (via The New Republic, where Wheeler applied for an internship)
By Michael Leddy at 7:29 AM
David Pescovitz posted at Boing Boing last week on the Dunning-Kruger effect, which accounts for a curious relationship between incompetence and confidence. From the abstract of a 1999 paper by Cornell psychology professor David A. Dunning and (then) graduate student Justin Kruger:
People tend to hold overly favorable views of their abilities in many social and intellectual domains. The authors suggest that this overestimation occurs, in part, because people who are unskilled in these domains suffer a dual burden: Not only do these people reach erroneous conclusions and make unfortunate choices, but their incompetence robs them of the metacognitive ability to realize it.The Dunning-Kruger effect helps to explain why students with serious writing deficits can often have wildly inflated opinions of their abilities (and thus regard as “nitpicky” someone who points out run-on sentences and tangled syntax). Dunning-Kruger also helps to explain why the students who worry most about their competence are usually those with genuinely strong skills.
And Dunning-Kruger helps me to understand my unease about recommendation forms that ask for an appraisal of student self-confidence. Instead of answering, I write “A high level of self-confidence is not necessarily a good thing.” Maybe now I’ll just write “See Dunning and Kruger (1999).”
By Michael Leddy at 6:28 AM
Wednesday, May 19, 2010
More college-and-iPad news: the Illinois Institute of Technology will be giving iPads to incoming freshmen in Fall 2010.
Says Assistant Director of Media Relations Evan Venie, “It won’t be any more of a distraction than laptops in the classroom.”
The iPad and college students
“iPads for EVERYONE!”
“Sort of gimmicky”
Steve Wozniak on the iPad and college
By Michael Leddy at 6:36 PM
Another Google search: write five sentences in the past. Okay:
“You did too.”I have written several five-sentence posts in the past: about clothes, life on the moon, “the ship,” and smoking. And one in the future, about the past.
“I did not.”
And thus the years flew by.
Doers of homework: instead of searching for five sentences, take the time to write sentences of your own. That’s how to learn.
By Michael Leddy at 8:31 AM
Tuesday, May 18, 2010
Mario Incandenza is taking a walk on the grounds of the Enfield Tennis Academy:
The whole area running along the tree‐line and the thickets of like shrubbery and stickery bushes and heaven knew what all was covered with fallen leaves that were dry but had not yet quite all the way lost their color. The leaves were underfoot. Mario kind of tottered from tree to tree, pausing at each tree to rest. It was @ 1900h., not yet true twilight, but the only thing left of the sunset was a snout just over Newton, and the places under long shadows were cold, and a certain kind of melancholy sadness was insinuating itself into the grounds’ light. The staggered lamps by the paths hadn’t come on yet, however.So many things to like:
A lovely scent of illegally burned leaves wafting up from East Newton mixed with the foody smells from the ventilator turbines out of the back of the dining hall. Two gulls were in one place in the air over the dumpsters over by the rear parking lot. Leaves crackled underfoot. The sound of Mario walking on dry leaves was like: crackle crackle crackle stop; crackle crackle crackle stop.
An Empire Waste Displacement displacement vehicle whistled past overhead, rising in the start of its arc, its one blue alert‐light atwinkle.
He was around where the tree‐line bulged herniatically out toward the end of the West Courts’ fencing.
David Foster Wallace, Infinite Jest (Boston: Little, Brown, 1996).
The nervous qualifiers: “like shrubbery and stickery bushes,” “not yet quite all the way,” “kind of tottered,” “a certain kind of melancholy sadness.”
The clumsinesses: “whole area,” “heaven knew what all,” “yet, however,” “foody,” “out of the back,” “Displacement displacement,” “around where.” Re: “yet, however”: Wallace likes strings of conjuctions. “And so but,” elsewhere in the novel, is my favorite.
The statements of the obvious: “melancholy sadness.” Is there another kind? The leaves “underfoot.” Where else would they crackle? And the tree-line bulging “out.”
Best of all, the strain to be descriptive: the “snout” of the sunset, “staggered lamps,” “crackle crackle crackle stop,” “two gulls in one place,” the “whistling” vehicle, its light “atwinkle.” And that “herniatically” bulging tree-line!
Wallace is parodying, of course, writing practices encouraged in workshops across the North American continent. Make the reader feel that bulge!
Four more elements I like:
The misused tree-line. A tree-line is not simply a line of trees.
The ambiguity of the verb was in the first sentence. If area is the sentence’s subject, then subject and verb agree. If area and thickets (and more?) form a compound subject, was is wrong. The wonderful thing about the sentence is that its clumsiness makes the verb seem wrong, even if it isn’t.
“1900h.” Yes, the world runs on military time.
The E.W.D. vehicle — one thinks “garbage truck” — whistles past not on a road but in the air. Yes, it’s a different world from the one we’re (still) living in, in which, as Elaine reminds me, there is no East Newton, Massachusetts.
[Correction, after reading further: there may be a tree-line after all. The Academy’s hillside driveway slants at a seventy-degree angle.]
A related post
Infinite Jest, attention
By Michael Leddy at 6:41 AM
Monday, May 17, 2010
[U]nlike his younger brothers Thad, who played trumpet with Count Basie and was later a co-leader of a celebrated big band, and Elvin, an influential drummer who formed a successful combo after six years with John Coltrane’s innovative quartet, Mr. Jones seemed content for many years to keep a low profile.Hank Jones was a brilliant pianist. If I had to choose one recording to recommend: Steal Away: Spirituals, Hymns and Folk Songs, with bassist Charlie Haden (Verve, 1995). For now, here is one small sample of Jones alone, a performance of Duke Ellington’s “In a Sentimental Mood.”
That started changing around the time he turned 60.
Hank Jones, Versatile Jazz Pianist, Dies at 91 (New York Times)
My dad the tileman (and jazz fan) once did some work in Jones’s northern New Jersey house and got to hear him practice all day.
By Michael Leddy at 1:20 PM
[Hi and Lois, May 17, 2010.]
The rear window. The ICE store (bar?). The U CONN DAD and MOM hoodies — when your oldest child is in high school. The cars, facing the wrong way. Either that or the street itself is facing the wrong way. Either that or Connecticut is England.
In the words of the poet, “Everything is broken.”
All Hi and Lois posts
[With apologies to Bob Dylan.]
By Michael Leddy at 8:10 AM
[“It’s my duty to remember. I have it all here.” Psychiatrist Louis Judd (Tom Conway) makes notes with a Sheaffer Balance fountain pen as Irena Dubrovna Reed (Simone Simon) describes her condition.]
Cat People (dir. Jacques Tourneur, 1942) is a terrifying delight, full of shadows and implications — and a pocket notebook. Irena Dubrovna fears that she is a descendant of her Serbian village’s cat-people and will turn into a panther if stirred by deep passion. Thus she refuses even a kiss from her brand-new, all-American, right-as-rain husband, naval architect Oliver Reed (Kent Smith), who is trying his best to keep this impossible marriage afloat. But it’s complicated: Oliver’s co-worker Alice Moore (Jane Randolph) is deeply in love with him. Irena doesn’t like that at all.
Cat People reminds me of Stanley Kubrick’s Killer’s Kiss (1955) and Herk Harvey’s Carnival of Souls (1962), two more low-budget masterpieces that tell their stories with great economy of means and and maximum visual interest. Here’s my favorite shot from Cat People, Alice and Oliver standing by a light table as a panther stalks them in their office. Three cheers for cinematographer Nicholas Musuraca.
Other pocket notebook sightings
Angels with Dirty Faces : Les Dames du Bois de Boulogne : Extras : Journal d’un curé de campagne : The House on 92nd Street : The Palm Beach Story : Pickpocket : Pickup on South Street : Red-Headed Woman : Rififi : The Sopranos : Spellbound
By Michael Leddy at 7:07 AM
Sunday, May 16, 2010
From the Corrections page in today’s New York Times:
Because of an editing error, an article last Sunday about GPS driving devices misidentified the country in which the Black Forest is located. The forest, in which the author found the device particularly useful, is in Germany, not Poland.
By Michael Leddy at 8:11 AM
In Argentina: Gerónimo Vargas Aignasse’s proposed legislation to outlaw plagiarism borrows three paragraphs from the “Plagio” article in the Spanish-language Wikipedia — without attribution. Read all about it:
Argentinian Politician’s Proposal For New Anti-Plagiarism Law Plagiarizes Wikipedia (Techdirt)
I do like the “tres a ocho años” part (prison!).
A related post
Plagiarism policy plagiarized (At Southern Illinois University)
By Michael Leddy at 7:17 AM
Saturday, May 15, 2010
Friday, May 14, 2010
An agreement between the Chicago History Museum and the Library of Congress will preserve in digital form thousands of hours of interviews that Studs Terkel conducted on Chicago radio station WFMT.
Russell Lewis of the CHM: “While we like to claim Studs as one of our own, he is a national treasure and he should have national-treasure status, something he gets with affiliation with the Library of Congress. I think he would be thrilled.”
The New York Times calls the agreement a “deal.” (It does involve Chicago.) Read more:
Terkel Coming Online (New York Times)
(Thanks to Stefan Hagemann for this news.)
By Michael Leddy at 10:48 AM
Watching the teleputer (TP):
He sat on the edge of his bed with his elbows on his knees and scanned the stack of cartridges. Each cartridge in the dock dropped on command and began to engage the drive with an insectile click and whir, and he scanned it. But he was unable to distract himself with the TP because he was unable to stay with any one entertainment cartridge for more than a few seconds. The moment he recognized what exactly was on one cartridge he had a strong anxious feeling that there was something more entertaining on another cartridge and that he was potentially missing it.I have heard young adults describe in similar terms their difficulties in reading a book: giving their attention to one thing means that they will be missing other things. As if one could, yes, have it all — with the exception, I suppose, of that book.
David Foster Wallace, Infinite Jest (Boston: Little, Brown, 1996).
Speaking of books — this book, Infinite Jest: I am 100 pages in, or more with endnotes. My readerly intuition was telling me: read Infinite Jest. So I am, twenty-five pages a day. Having taught Charles Dickens’s Bleak House over eight weeks this past semester, I am happily surprised to see that Infinite Jest too seems to be a novel of — to use Dickens’s word — “connexions,” with seemingly unrelated characters beginning to show up in one another’s stories. Do I like Infinite Jest? Oh yes.
A related post
David Foster Wallace on attention
By Michael Leddy at 7:04 AM
Thursday, May 13, 2010
Paris, 1962: Sinatraphile Jonathan Schwartz met Sinatra for the first time, at La Tour d’Argent:
He was forty-six years old, effortlessly imperial, shyly suspicious, dangerously iconic. With us he was somewhat charming, greeting Betsy warmly, Mosk with a handshake. When he was introduced to me, I threw Arthur at him. “He’s a good friend of mine,” Sinatra said with a strong squeeze of my hand, though my father had met him once and spoken to him on the phone twice about ASCAP business.The other players: Betsy Blair, actress; Gene Moskowitz, Variety writer; Nelson Riddle, composer and arranger; Arthur Schwartz, composer. All in Good Time chronicles the ups and downs of Schwartz’s later encounters with Sinatra.
“Why are there two different versions of ‘To Love and Be Loved’?” is what came out of my mouth.
“I don’t know,” Sinatra said, correctly sensing one of the music lunatics.
“There’s one with the high note and the other is shorter with the same arrangement by Riddle but it’s a different take and it doesn’t have the high note so I was wondering why the two versions were released and also recorded on two different dates because . . .”
Sinatra turned away.
Mosk asked me what that was all about.
I told him that I had simply lost it.
Jonathan Schwartz, All in Good Time: A Memoir (New York: Random House, 2004).
Here’s one version of “To Love and Be Loved” (Sammy Cahn–Jimmy Van Heusen). I’m guessing that it’s the one with the high note.
Frank Sinatra and Tom Waits
Frank Sinatra’s popcorn
Jonathan Schwartz and WKCS
By Michael Leddy at 7:14 AM
Wednesday, May 12, 2010
1949: Jonathan Schwartz, eleven years old, lived with his parents in a penthouse at Ninety-fourth Street and Lexington Avenue. There he created a radio station:
A radio station was born from the newly invented Electronic Baby-Sitter, a device that, when placed by a crib, would transmit any disturbance to a radio in another room at 600 on the dial, where there was no New York station. I used the Electronic Baby-Sitter as a microphone, placing it in front of my record player. The result in the living room and in my mother’s room and in my father’s study was nothing short of what my mother called “a miracle.” The music that I was playing in my room was as clear as a chime on every radio in the house. My father’s battery portable, which rested on a bed table by the brown couch, gave me the big idea.As Schwartz explains, the station’s call letters “had the W for the eastern stations, the K for western stations, and the KCS for my mother’s initials, Katherine Carrington Schwartz.” (His father was the composer Arthur Schwartz.) The schedule, distributed to every apartment in the building:
I took it, one morning, down the back stairs of the building, all twelve floors, to the street.
The reception remained clear as my father changed the recordings in my room. Absolutely clear, even on the street, even across Ninety-fourth and down Lexington toward Ninety-third.
I lost the signal a block from home, but it returned and became its powerful self in the lobby of our building.
A real opportunity here. A real station, WKCS, in honor of my mother.
Jonathan Schwartz, All in Good Time: A Memoir (New York: Random House, 2004).
Monday–Friday, 7:00–7:30 A.M., The Sunrise SaluteJonathan Schwartz, disc jockey, grew up to be Jonathan Schwartz, disc jockey, writer, Sinatra maven. You can still hear Schwartz on the weekends: The Saturday Show and The Sunday Show run from noon to four (Eastern Time) on WNYC-FM, 93.9, streaming at wnyc.org. Some jazz, some pop, some show tunes, some familiar, some rare and out of the way. It’s difficult to stop listening.
Saturday and Sunday, 7:00–8:00 A.M., The Weekend Salute
Tenuously related posts
Call Letter Origins
96th and Lexington
By Michael Leddy at 7:02 AM
Tuesday, May 11, 2010
“We would all have an issue if the dictionary defined a koala as a species of bear, or a rose as a tulip”: physicist Stephen Hughes is asking that the Oxford English Dictionary definition of siphon be changed.
Dictionary mistake goes unnoticed for 99 years (Sydney Morning Herald)
By Michael Leddy at 6:42 AM
Monday, May 10, 2010
Virginia Heffernan misses her Filofax:
It was, in every sense, a diary — a forward-running record, unlike backward-running blogs. The quality of the paper stock, the slot for the pen, the blank but substantial cover, the hints of grand possibilities that came with the inserts — all of these inspired not just introspection but also the joining of history: the mapping of an individual life onto the grand old Gregorian-calendar template.Google Calendar, she says, cannot compare.
The Demise of Datebooks (New York Times)
(Found via Submitted for Your Perusal)
By Michael Leddy at 8:15 PM
Patrick McGeehan, writer of the recent New York Times article on the possible disappearance of New York City’s White Pages, follows up with a summary of readers’ responses. Most of those readers professed no use for phonebooks. But —
Quite a few readers argued that the White Pages still serve a useful purpose — other than as doorstops or booster seats — particularly for the elderly, people who live in rural areas and others who have a hard time accessing computers.I’d add that the sheer ease of looking up a number in print makes the phonebook preferable to an online search. Then again, I live in a “rural area.”
A bonus: McGeehan’s follow-up has a photograph of a 1951 Manhattan phonebook page with J.D. Salinger’s listing. Exchange name: SAcramento.
By Michael Leddy at 5:11 PM
From a 2005 interview:
Do you use any special kind of paper or pencil?If you’ve never seen a Blackwing, here are photographs. And here is a photograph of Sondheim with a Blackwing. For the Blackwing slogan, stamped into each pencil, see the blog description above.
I use Blackwing pencils. Blackwings. They don’t make ’em any more, and luckily, I bought a lot of boxes of ’em. They’re very soft lead. They’re not round, so they don’t fall off the table, and they have removable erasers, which unfortunately dry out.
Yes. Yellow lined pads. I used to have them so it was, I think 26 lines to a page, and my friend, Burt Shevelove, who was a stationery freak, said, “Buy cartons of them!” I said, “Oh Burt, come on. I’ll buy 12 pads. That will be enough.” God, was he ever right, because they discontinued making them about 20 years ago. I’m used to the other pads now. You get used to the exact amount of space between lines, because you write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can’t be too close. But if they’re too far apart, you don’t get enough lines on the paper. I could go on. I’m sure many writers have these tiny little habits. All over the United States there are people who only use Blackwings. I sometimes get letters, “Do you have any source for the Blackwings?”
And they’re extinct?
Yeah, they’re extinct. Adam Green, Adolph Green’s son, has written an article for The New Yorker, which I think will be published next year. Quite a long article on the Blackwing pencil and the fanatics who go crazy when they don’t have a Blackwing in their hand. You just get habituated. Of course you can still write. If there were no yellow pads in the world, I’d find a way of writing on white paper or on non-lined pads. It’s the lined pads that make it. Yellow is just good because the contrast of the yellow and the black lead is just easier on the eyes than white.
A search for blackwing at the New Yorker shows no trace of Adam Green’s article.
[The slogan, no longer appearing above: “Half the pressure, twice the speed.”]
Other Blackwing posts
Blackwing 2: The Return
The new Blackwing pencil (a review)
Nelson Riddle on the Blackwing pencil
John Steinbeck on the Blackwing pencil
By Michael Leddy at 6:51 AM
Sunday, May 9, 2010
Saturday, May 8, 2010
The New York Times reports that the White Pages may be on their way out in New York City:
When residential directories were delivered this year to the Ivy Tower, an apartment building on West 43rd Street in Manhattan, Ramon Almanzar, a concierge, kept 28 copies in case residents wanted them. Not a single occupant of the 320-unit building claimed one, Mr. Almanzar said.Read more:
“We end up throwing them away,” he said, as he greeted residents and opened a glass door. “Everyone goes online anyways.”
Customers who prefer to look up phone numbers the old-fashioned way or, like Steve Martin’s character in The Jerk, get a thrill from seeing their names in print, would still be able to have the White Pages delivered to them in book form or on compact disc.
White Pages May Go Way of Rotary-Dialed Phone (New York Times)
By Michael Leddy at 11:50 AM
Friday, May 7, 2010
From the Chronicle:
When it comes to being rude, disrespectful, or abusive to their professors, students appear most likely to take aim at women, the young, and the inexperienced, a new study has found. . . .Read more:
The study looked beyond the classroom, asking faculty members about their experiences with student incivility in the course of any class-related activities. The types of student incivility it covered included passive behavior, such as sleeping or texting in class; more actively disruptive behavior, such as coming to class late or talking on cellphones in the classroom; and behaviors that appeared directed at the instructor, such as open expressions of anger, impatience, or derision.
Chief Targets of Student Incivility Are Female and Young Professors (Chronicle of Higher Education)
By Michael Leddy at 11:08 AM
Another Google search that led to Orange Crate Art: five sentences for smoking. Got it:
The Continental Op smokes. Sam Spade smokes. Philip Marlowe smokes. Lew Archer smoked but quit.These five sentences can double as five sentences about private detectives or five sentences about characters created by Dashiell Hammett, Raymond Chandler, and Ross Macdonald (Kenneth Millar). By The Blue Hammer (1976), Archer stopped smoking.
Thank you, Lew Archer, for not smoking.
Doers of homework: instead of searching for five sentences, just write five sentences of your own. That’s how you learn.
Five sentences about clothes
5 sentences about life on the moon
Five sentences from Bleak House
Five sentences on the ship
By Michael Leddy at 7:08 AM
Thursday, May 6, 2010
(When Seymour was twenty-one, a nearly full professor of English, and had already been teaching for two years, I asked him what, if anything, got him down about teaching. He said he didn’t think that anything about it got him exactly down, but there was one thing, he thought, that frightened him: reading the pencilled notations in the margins of books in the college library.)I like “nearly full.”
J.D. Salinger, Seymour: An Introduction (1963)
By Michael Leddy at 11:10 AM
Wednesday, May 5, 2010
A Google search — poems that dont look like plagiarism — brought a hapless surfer to Orange Crate Art. But I can help, sort of. Here is a poem that doesn’t look like plagiarism. It looks entirely original, like no one else’s poems. That’s because I just wrote it myself, honest. Enjoy.
I’m Nobody! Who are you?
Are you – Nobody – too?
Then there’s a pair of us?
Don’t tell! they’d advertise – you know!
How dreary – to be – Somebody!
How public – like a Frog –
To tell one’s name – the livelong June –
To an admiring Bog!
By Michael Leddy at 9:47 AM
Tuesday, May 4, 2010
For about a week, I’ve been humming along without caffeine. (See blog description above, at least for today.) I’d say I’m surprised, but in my caffeine-free equanimity, I’m only mildly puzzled.
My withdrawal began without intention. For several days, for no particular reason, I was drinking only tea, without my usual cup or two of coffee. (I like tea.) Then I began drinking less tea, more water, just to see how I would feel. (I felt fine.) Then I began drinking one cup of tea with breakfast, and decaffeinated tea and coffee for the rest of the day. After a couple of days, I could feel the unpleasant difference — call it vague anxiety — that the one caffeinated cup was making in my mornings. So I switched to decaffeinated, period.
Decaf tea and coffee make me think of filter cigarettes: flavorwise, there’s something missing — not caffeine, but whatever else gets lost in decaffeination. But I suspect that decaf, like soy milk, will soon enough turn into a real thing in its own right.
[May 22, 2010: For several days, the “blog description above” read “Now caffeine-free.” Still is. Still am.]
By Michael Leddy at 6:38 AM
Monday, May 3, 2010
From New Directions in Prose & Poetry, 1938, ed. James Laughlin (Norfolk, CT: New Directions, 1938).
This brief passage (concerning lines from John Milton’s L’Allegro) closes the volume; there is no commentary, and no Exhibit B. Anyone tempted to moan about a decline in literary studies might do well to consider what passed for high criticism in 1938. (The Miltonic Setting, Past and Present was published by Cambridge University Press.) A rhythm that is “solidly based” in a cottage? A slight rise in rhythm? A rhythm that “has something carelessly solid in it”? Say what? Or more formally: Explain??
As for the oaks, I think they lost their dignity by appearing in this bit of exegesis. Tillyard’s bit, I mean; not mine.
English majors of a certain age might recall being exposed to Tillyard’s The Elizabethan World Picture (1943). I remember thinking that everyone was walking around with humours and spheres and angelic orders in their heads. Worldviews! Worldviews for sale!
By Michael Leddy at 6:33 AM
Saturday, May 1, 2010
Bill Moyers, from a 2004 interview with Terry Gross:
I think the most important thing that we can do is to continue to treat Americans as citizens, not just consumers. If you look out and see an audience of consumers, you want to sell them something. If you look out and see an audience of citizens, you want to share something with them, and there is a difference.Fresh Air has assembled excerpts from several interviews to mark Moyers’s retirement from PBS.
By Michael Leddy at 7:41 AM